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Rough beauty (Original artwork).
~
Larsen, Derek.
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Rough beauty (Original artwork).
Record Type:
Electronic resources : Monograph/item
Title/Author:
Rough beauty (Original artwork)./
Author:
Larsen, Derek.
Description:
29 p.
Notes:
Source: Masters Abstracts International, Volume: 44-05, page: 2047.
Contained By:
Masters Abstracts International44-05.
Subject:
Fine Arts. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1433911
ISBN:
9780542607998
Rough beauty (Original artwork).
Larsen, Derek.
Rough beauty (Original artwork).
- 29 p.
Source: Masters Abstracts International, Volume: 44-05, page: 2047.
Thesis (M.F.A.)--The University of Kansas, 2006.
This thesis highlights my personal ceramic research into complex high fire and atmospheric glazes, historical vessels of Asia, and personal expression in the generation of a mature body of ceramic forms. My personal investigation and exploration of multi-fired and multi-glazed ceramic objects requires a deep understanding of glaze formulation and mass material testing. This exploration of materials results in a unique, innovative, and dynamic glaze palette. Most all clays and glazes utilized are of my formulation and design, and are fired in gas, wood, electric, and salt kilns. Apart from technical endeavors, the work challenges current art trends for aesthetics of beauty, transcendentalism, and art experiences with intimate ceramic objects. The work demonstrates the ability to communicate Zen beauty; however, the goal of impacting contemporary opinions and art trends remains to be witnessed.
ISBN: 9780542607998Subjects--Topical Terms:
891065
Fine Arts.
Rough beauty (Original artwork).
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29 p.
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Source: Masters Abstracts International, Volume: 44-05, page: 2047.
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Advisers: David Vertacnik; Elissa Armstrong.
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Thesis (M.F.A.)--The University of Kansas, 2006.
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This thesis highlights my personal ceramic research into complex high fire and atmospheric glazes, historical vessels of Asia, and personal expression in the generation of a mature body of ceramic forms. My personal investigation and exploration of multi-fired and multi-glazed ceramic objects requires a deep understanding of glaze formulation and mass material testing. This exploration of materials results in a unique, innovative, and dynamic glaze palette. Most all clays and glazes utilized are of my formulation and design, and are fired in gas, wood, electric, and salt kilns. Apart from technical endeavors, the work challenges current art trends for aesthetics of beauty, transcendentalism, and art experiences with intimate ceramic objects. The work demonstrates the ability to communicate Zen beauty; however, the goal of impacting contemporary opinions and art trends remains to be witnessed.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1433911
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