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Dance as a project of the early mode...

Drake-Boyt, Elizabeth M.

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Dance as a project of the early modern avant-garde (Ruth St. Denis, Ted Shawn, Waslaw Nijinsky, Russia).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Dance as a project of the early modern avant-garde (Ruth St. Denis, Ted Shawn, Waslaw Nijinsky, Russia)./
作者:	Drake-Boyt, Elizabeth M.
面頁冊數:	318 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-07, Section: A, page: 2750.
Contained By:	Dissertation Abstracts International66-07A.
標題:	Women's Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3183058
ISBN:	9780542241093

Dance as a project of the early modern avant-garde (Ruth St. Denis, Ted Shawn, Waslaw Nijinsky, Russia).
Drake-Boyt, Elizabeth M.

Dance as a project of the early modern avant-garde (Ruth St. Denis, Ted Shawn, Waslaw Nijinsky, Russia). - 318 p.

Source: Dissertation Abstracts International, Volume: 66-07, Section: A, page: 2750.

Thesis (Ph.D.)--The Florida State University, 2005.

This investigation presents an analysis of three expressive dance works created between 1900 and 1920 as projects of the Early Modern avant-garde. The dances chosen were Incense (1906) by Ruth St. Denis, Gnossienne (1919) by Ted Shawn, and L'Apres-Midi d'un Faune by Vaslav Nijinsky. While Shawn and St. Denis were American dance artists at the forefront of modern dance development, Nijinsky presented both a European cultural and ballet tradition response to the avant-garde.

ISBN: 9780542241093Subjects--Topical Terms:

1017481
Women's Studies.

Dance as a project of the early modern avant-garde (Ruth St. Denis, Ted Shawn, Waslaw Nijinsky, Russia).
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245 1 0 $a Dance as a project of the early modern avant-garde (Ruth St. Denis, Ted Shawn, Waslaw Nijinsky, Russia).
300 $a 318 p.
500 $a Source: Dissertation Abstracts International, Volume: 66-07, Section: A, page: 2750.
500 $a Major Professors: Anita Gonzalez; Tricia Young.
502 $a Thesis (Ph.D.)--The Florida State University, 2005.
520 $a This investigation presents an analysis of three expressive dance works created between 1900 and 1920 as projects of the Early Modern avant-garde. The dances chosen were Incense (1906) by Ruth St. Denis, Gnossienne (1919) by Ted Shawn, and L'Apres-Midi d'un Faune by Vaslav Nijinsky. While Shawn and St. Denis were American dance artists at the forefront of modern dance development, Nijinsky presented both a European cultural and ballet tradition response to the avant-garde.
520 $a These dances were chosen from the standpoint of their similarities. All three are short, emotionally intense, and referent to internal conditions significant to the artist-creator. Each dance centrally features the artist-creator as the intermediary between the work and the audiences and addresses avant-garde concerns in Early Modernism. And these dances were formed as self-contained modular units capable of packaging and marketing in context with both popular entertainments and serious concert art works.
520 $a Five issues engaged in the avant-garde response to Modernism are delineated for the purposes of this study. These issues are exoticism, spiritualism, distortions of time and space, naturalism, and responses to technological advances. Each of the three dances are discussed in relation to these issues, bringing them into theoretical discussion with other mediums.
520 $a This scope of analysis facilitates discussion of dance as a culturally expressive behavior, and the close relationships between European and American developments in decorative design (Art Nouveau and Art Deco). The treatment of the definition of Modernism permits comparison of the similarities and differences among a wide range of avant-garde expressions and clarifies the dynamics of exchange between popular and serious performing art venues.
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