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Wearing her emotions on her sleeve: ...

Baizer, Gayle Susan.

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Wearing her emotions on her sleeve: Costuming Frida Kahlo's self-portraits (Maritza Nunez).

Record Type:	Electronic resources : Monograph/item
Title/Author:	Wearing her emotions on her sleeve: Costuming Frida Kahlo's self-portraits (Maritza Nunez)./
Author:	Baizer, Gayle Susan.
Description:	66 p.
Notes:	Source: Masters Abstracts International, Volume: 43-06, page: 1865.
Contained By:	Masters Abstracts International43-06.
Subject:	Design and Decorative Arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1426237
ISBN:	0542078767

Wearing her emotions on her sleeve: Costuming Frida Kahlo's self-portraits (Maritza Nunez).
Baizer, Gayle Susan.

Wearing her emotions on her sleeve: Costuming Frida Kahlo's self-portraits (Maritza Nunez). - 66 p.

Source: Masters Abstracts International, Volume: 43-06, page: 1865.

Thesis (M.F.A.)--California State University, Long Beach, 2005.

This project report focuses on Frida Kahlo's unique form of costume expression, as seen in her self-portraits. Through the examination of documents, texts, photographs, and artwork, it is apparent that in her self-portraits, Frida masked her persona behind a stoic self-image using costume, color, and symbolic imagery to unmask her inner turmoil. Frida's artwork and costume dissolved the distinction between her internal and external worlds; therefore, her personal and artistic identities are inseparable.

ISBN: 0542078767Subjects--Topical Terms:

1024640
Design and Decorative Arts.

Wearing her emotions on her sleeve: Costuming Frida Kahlo's self-portraits (Maritza Nunez).
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100 1 $a Baizer, Gayle Susan. $3 1905676
245 1 0 $a Wearing her emotions on her sleeve: Costuming Frida Kahlo's self-portraits (Maritza Nunez).
300 $a 66 p.
500 $a Source: Masters Abstracts International, Volume: 43-06, page: 1865.
500 $a Adviser: Barbara Matthews.
502 $a Thesis (M.F.A.)--California State University, Long Beach, 2005.
520 $a This project report focuses on Frida Kahlo's unique form of costume expression, as seen in her self-portraits. Through the examination of documents, texts, photographs, and artwork, it is apparent that in her self-portraits, Frida masked her persona behind a stoic self-image using costume, color, and symbolic imagery to unmask her inner turmoil. Frida's artwork and costume dissolved the distinction between her internal and external worlds; therefore, her personal and artistic identities are inseparable.
520 $a The American premiere of Dreams of a Sunday Afternoon, written by playwright Maritza Nunez, was produced by the California Repertory Theatre at California State University, Long Beach, in February, 2004. My costume design for this production was the visual interpretation of Frida Kahlo's vast reservoir of symbolic imagery and inner turmoil as seen in her self-portraits.
590 $a School code: 6080.
650 4 $a Design and Decorative Arts. $3 1024640
650 4 $a Theater. $3 522973
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710 2 0 $a California State University, Long Beach. $3 1017843
773 0 $t Masters Abstracts International $g 43-06.
790 1 0 $a Matthews, Barbara, $e advisor
790 $a 6080
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792 $a 2005
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1426237