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Robert Schumann's "Fantasie" in C Ma...

Bencini, Sara Haltiwanger.

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Robert Schumann's "Fantasie" in C Major for piano, Opus 17 (1839): A comparative study of selected sources and their effect on the performer.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Robert Schumann's "Fantasie" in C Major for piano, Opus 17 (1839): A comparative study of selected sources and their effect on the performer./
Author:	Bencini, Sara Haltiwanger.
Description:	165 p.
Notes:	Source: Dissertation Abstracts International, Volume: 51-03, Section: A, page: 0671.
Contained By:	Dissertation Abstracts International51-03A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9020143

Robert Schumann's "Fantasie" in C Major for piano, Opus 17 (1839): A comparative study of selected sources and their effect on the performer.
Bencini, Sara Haltiwanger.

Robert Schumann's "Fantasie" in C Major for piano, Opus 17 (1839): A comparative study of selected sources and their effect on the performer. - 165 p.

Source: Dissertation Abstracts International, Volume: 51-03, Section: A, page: 0671.

Thesis (D.M.A.)--The University of North Carolina at Greensboro, 1989.

The purpose of this study was to compare the manuscript of the autographed fair copy of the Fantasie, Opus 17, with six selected editions, noting changes in the manuscript and editing practices. The result is a comparison of this manuscript, known as the Szechenyi, with the first edition from the British Library (1839), with two early editions by Clara Schumann (both completed in 1887), and with selected modern editions by Harold Bauer (1946), Alfred Cortot (1947), and Wolfgang Boetticher (1979). The comparison shows which markings are editorial. It also goes beyond Schumann's original text to show how musician-scholars over a period of time have interpreted various aspects of the work. From these, insights may be derived that affect the understanding of the Fantasie, which in turn affect its performance.Subjects--Topical Terms:

516178
Music.

Robert Schumann's "Fantasie" in C Major for piano, Opus 17 (1839): A comparative study of selected sources and their effect on the performer.
LDR:02909nmm 2200289 4500 001 1815248
005 20060623071837.5
008 130610s1989 eng d
035 $a (UnM)AAI9020143
035 $a AAI9020143
040 $a UnM $c UnM
100 1 $a Bencini, Sara Haltiwanger. $3 1904682
245 1 0 $a Robert Schumann's "Fantasie" in C Major for piano, Opus 17 (1839): A comparative study of selected sources and their effect on the performer.
300 $a 165 p.
500 $a Source: Dissertation Abstracts International, Volume: 51-03, Section: A, page: 0671.
500 $a Director: Joseph DiPiazza.
502 $a Thesis (D.M.A.)--The University of North Carolina at Greensboro, 1989.
520 $a The purpose of this study was to compare the manuscript of the autographed fair copy of the Fantasie, Opus 17, with six selected editions, noting changes in the manuscript and editing practices. The result is a comparison of this manuscript, known as the Szechenyi, with the first edition from the British Library (1839), with two early editions by Clara Schumann (both completed in 1887), and with selected modern editions by Harold Bauer (1946), Alfred Cortot (1947), and Wolfgang Boetticher (1979). The comparison shows which markings are editorial. It also goes beyond Schumann's original text to show how musician-scholars over a period of time have interpreted various aspects of the work. From these, insights may be derived that affect the understanding of the Fantasie, which in turn affect its performance.
520 $a Along with a look into the historical background of the Fantasie, Schumann's early compositional style and works in sonata style have been approached. As a result of a synopsis of the editorial differences between the manuscript, the first edition, and the nineteenth- and twentieth-century editions, conclusions have been drawn as to the effect of these differences on performance. The result of this study reveals that although all the editions make a significant contribution to the interpretation of the composition, a knowledge of the original source and what other editions have done to alter or add to the original intent of Schumann is a prerequisite for a performance of the Fantasie.
520 $a All known editions of the Fantasie--including comments and corrections written in Schumann's hand on the Szechenyi manuscript--and the listing of the Fantasie in the most recent thematic catalogue are contained in the appendices. Examples of the original manuscript, and an annotated edition with all the editorial markings of the selected editions as an overlay over the Boetticher-Henle edition are also presented.
590 $a School code: 0154.
650 4 $a Music. $3 516178
650 4 $a Education, Music. $3 1017808
690 $a 0413
690 $a 0522
710 2 0 $a The University of North Carolina at Greensboro. $3 1029687
773 0 $t Dissertation Abstracts International $g 51-03A.
790 1 0 $a DiPiazza, Joseph, $e advisor
790 $a 0154
791 $a D.M.A.
792 $a 1989
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9020143