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Carnival, sacred and sovereign: The...

Lemole, Jared E.

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Carnival, sacred and sovereign: The intellectual intersection of Bakhtin and Bataille (Mikhail Bakhtin, Georges Bataille).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Carnival, sacred and sovereign: The intellectual intersection of Bakhtin and Bataille (Mikhail Bakhtin, Georges Bataille)./
作者:	Lemole, Jared E.
面頁冊數:	52 p.
附註:	Source: Masters Abstracts International, Volume: 43-06, page: 1928.
Contained By:	Masters Abstracts International43-06.
標題:	Literature, General. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1426996
ISBN:	0542137712

Carnival, sacred and sovereign: The intellectual intersection of Bakhtin and Bataille (Mikhail Bakhtin, Georges Bataille).
Lemole, Jared E.

Carnival, sacred and sovereign: The intellectual intersection of Bakhtin and Bataille (Mikhail Bakhtin, Georges Bataille). - 52 p.

Source: Masters Abstracts International, Volume: 43-06, page: 1928.

Thesis (M.A.)--Florida Atlantic University, 2005.

The common intellectual ground shared by Mikhail Bakhtin and Georges Bataille routinely suffers from a dearth of consideration. Yet Bakhtin's celebrated "carnival" writings are invested in undeniably Bataillean interests---death, excess, transgression, heterogeneity. Both Bakhtin and Bataille inherited the Wagnerian Nietzsche's nostalgia for effusive communal ritual, collapsing the boundaries between bodies and the boundary between life and death (this is "transgression," eroticism , according to Bataille; too often transgression is spoken of in terms of stealing a pornographic magazine). Thus bodies in Bakhtin and Bataille are "open," mainly in comic and inglorious ways, and death is the cynosure of festival. Death for Bakhtin and Bataille is not negative; it is "sacred" (Bataille's term), serving as communal cement and a celebration of life. Not, however, life in the sense of 401k's and insurance. Rather, life as exuberance and generosity ("sovereignty" according to Bataille).

ISBN: 0542137712Subjects--Topical Terms:

1018152
Literature, General.

Carnival, sacred and sovereign: The intellectual intersection of Bakhtin and Bataille (Mikhail Bakhtin, Georges Bataille).
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520 $a The common intellectual ground shared by Mikhail Bakhtin and Georges Bataille routinely suffers from a dearth of consideration. Yet Bakhtin's celebrated "carnival" writings are invested in undeniably Bataillean interests---death, excess, transgression, heterogeneity. Both Bakhtin and Bataille inherited the Wagnerian Nietzsche's nostalgia for effusive communal ritual, collapsing the boundaries between bodies and the boundary between life and death (this is "transgression," eroticism , according to Bataille; too often transgression is spoken of in terms of stealing a pornographic magazine). Thus bodies in Bakhtin and Bataille are "open," mainly in comic and inglorious ways, and death is the cynosure of festival. Death for Bakhtin and Bataille is not negative; it is "sacred" (Bataille's term), serving as communal cement and a celebration of life. Not, however, life in the sense of 401k's and insurance. Rather, life as exuberance and generosity ("sovereignty" according to Bataille).
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