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He'll: Parody in the Canadian poetic...
~
Dueck, Nathan Russel.
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He'll: Parody in the Canadian poetic novel.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
He'll: Parody in the Canadian poetic novel./
Author:
Dueck, Nathan Russel.
Description:
279 p.
Notes:
Source: Dissertation Abstracts International, Volume: 71-08, Section: A, page: 2885.
Contained By:
Dissertation Abstracts International71-08A.
Subject:
Literature, Modern. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NR64097
ISBN:
9780494640975
He'll: Parody in the Canadian poetic novel.
Dueck, Nathan Russel.
He'll: Parody in the Canadian poetic novel.
- 279 p.
Source: Dissertation Abstracts International, Volume: 71-08, Section: A, page: 2885.
Thesis (Ph.D.)--University of Calgary (Canada), 2010.
This dissertation considers literary parody as reading in performance. If we accept that parody reads its source texts, we also acknowledge the potential for a performative reading of these sources. Literary parody is not only citation, but a process of recitation as well. If so, parodic fiction that recites poetry embodies the structure, style, and tone of its source texts. I will attempt to examine the poetics of this performance trope through a particular form of parody. By parodying the cadences and intonations of poetic language, the "poetic novel" invites readers to enact the gestures of its textual performance.
ISBN: 9780494640975Subjects--Topical Terms:
624011
Literature, Modern.
He'll: Parody in the Canadian poetic novel.
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Dueck, Nathan Russel.
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He'll: Parody in the Canadian poetic novel.
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279 p.
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Source: Dissertation Abstracts International, Volume: 71-08, Section: A, page: 2885.
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Thesis (Ph.D.)--University of Calgary (Canada), 2010.
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This dissertation considers literary parody as reading in performance. If we accept that parody reads its source texts, we also acknowledge the potential for a performative reading of these sources. Literary parody is not only citation, but a process of recitation as well. If so, parodic fiction that recites poetry embodies the structure, style, and tone of its source texts. I will attempt to examine the poetics of this performance trope through a particular form of parody. By parodying the cadences and intonations of poetic language, the "poetic novel" invites readers to enact the gestures of its textual performance.
520
$a
If literary parody reads its sources, I propose that any subsequent act of reading constitutes rereading. Rereading a poetic novel requires that we must interpret the discursive ambiguity, even ambivalence, of poetry. In effect, poetic novels operate through apostrophe both to source texts and to readers. Such a rhetorical address relies on our identification with the pathos provoked by the self-referential qualities of poetic language. Supposing that parody is an occasion for reading in performance, the poetry within specific prose narratives affords a performative opportunity.
520
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As its title suggests, this dissertation will relate the implications of parody to narratives by particular poet-novelists in Canada that cite and recite poetry. I will consider how parody manipulates literary conventions by looking at theories by Linda Hutcheon, Margaret Rose, and Robert Phiddian. I will perform a close reading of poetic novels by Leonard Cohen and Michael Ondaatje; Margaret Atwood, Jane Urquhart, and Anne Michaels; Robert Kroetsch; and finally, Malcolm Lowry.
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"He'll" strives to embrace the ironies of parody that alternately asserts or subverts literary conventions, while simultaneously encouraging disjunctive readings of several poetic novels.
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School code: 0026.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NR64097
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