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Tactical response: Art in an age of ...
~
MacQueen, Kathleen.
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Tactical response: Art in an age of terror.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Tactical response: Art in an age of terror./
Author:
MacQueen, Kathleen.
Description:
207 p.
Notes:
Source: Dissertation Abstracts International, Volume: 71-07, Section: A, page: 2256.
Contained By:
Dissertation Abstracts International71-07A.
Subject:
Art Criticism. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3408231
ISBN:
9781124042022
Tactical response: Art in an age of terror.
MacQueen, Kathleen.
Tactical response: Art in an age of terror.
- 207 p.
Source: Dissertation Abstracts International, Volume: 71-07, Section: A, page: 2256.
Thesis (Ph.D.)--State University of New York at Stony Brook, 2010.
This dissertation takes as its point of departure the crisis of perception that photojournalism cannot adequately take into account the problems of representing atrocity without repeating the violence and considers the position of art in expressing the ineffable. I present the work of three artists -- Hans Haacke, Krzysztof Wodiczko, and Alfredo Jaar -- each of whom has struggled for decades to resolve the issues of confrontation and presentation, offering a vantage point from which viewers can critically address the causes, consequences, and representation of suffering. What purpose does the aesthetic serve in rendering atrocity visible? Can we visualize suffering without perpetuating abuse? What are the ethics behind the icons? Within the context of the art historical tradition of representing tragedy and the persistent vernacular obsession with visualizing abuse, this dissertation considers Haacke's, Wodiczko's, and Jaar's counter-strategies to the practice of witnessing trauma by confronting the ethics of witness and by creating an aesthetics of response.
ISBN: 9781124042022Subjects--Topical Terms:
637082
Art Criticism.
Tactical response: Art in an age of terror.
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Source: Dissertation Abstracts International, Volume: 71-07, Section: A, page: 2256.
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Advisers: Joseph Monteyne; Donald B. Kuspit.
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This dissertation takes as its point of departure the crisis of perception that photojournalism cannot adequately take into account the problems of representing atrocity without repeating the violence and considers the position of art in expressing the ineffable. I present the work of three artists -- Hans Haacke, Krzysztof Wodiczko, and Alfredo Jaar -- each of whom has struggled for decades to resolve the issues of confrontation and presentation, offering a vantage point from which viewers can critically address the causes, consequences, and representation of suffering. What purpose does the aesthetic serve in rendering atrocity visible? Can we visualize suffering without perpetuating abuse? What are the ethics behind the icons? Within the context of the art historical tradition of representing tragedy and the persistent vernacular obsession with visualizing abuse, this dissertation considers Haacke's, Wodiczko's, and Jaar's counter-strategies to the practice of witnessing trauma by confronting the ethics of witness and by creating an aesthetics of response.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3408231
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