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Topos, carnavales y vecinos. Derivas...

Moreno-Caballud, Luis.

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Topos, carnavales y vecinos. Derivas de lo rural en la literatura y el cine de la transicion espanola (1973--1986).

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Topos, carnavales y vecinos. Derivas de lo rural en la literatura y el cine de la transicion espanola (1973--1986)./
Author:	Moreno-Caballud, Luis.
Description:	433 p.
Notes:	Source: Dissertation Abstracts International, Volume: 72-01, Section: A, page: 0211.
Contained By:	Dissertation Abstracts International72-01A.
Subject:	Literature, Romance. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3435973
ISBN:	9781124351032

Topos, carnavales y vecinos. Derivas de lo rural en la literatura y el cine de la transicion espanola (1973--1986).
Moreno-Caballud, Luis.

Topos, carnavales y vecinos. Derivas de lo rural en la literatura y el cine de la transicion espanola (1973--1986). - 433 p.

Source: Dissertation Abstracts International, Volume: 72-01, Section: A, page: 0211.

Thesis (Ph.D.)--Princeton University, 2010.

The so-called "Spanish transition to democracy" was a time of uncertainty and political turmoil in which the Spanish people looked forward, but also a period in which they had to deal with the effects of the strong socio-economic changes experienced during the dictatorship. Questions about areas rapidly transformed by Franco's "desarrollismo" emerged, particularly about the rural world, which had suffered a severe depopulation and a significant dislocation of its cultural identity. The artistic circles of the transition period began to take interest in the fate of this fragile world: Spanish artists collected testimonies of rural hardship and survival, satirized the maladjustment of migrant villagers to the cities, and wrote novels recreating oral legends told by old peasants.

ISBN: 9781124351032Subjects--Topical Terms:

1019014
Literature, Romance.

Topos, carnavales y vecinos. Derivas de lo rural en la literatura y el cine de la transicion espanola (1973--1986).
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020 $a 9781124351032
035 $a (UMI)AAI3435973
035 $a AAI3435973
040 $a UMI $c UMI
100 1 $a Moreno-Caballud, Luis. $3 1684209
245 1 0 $a Topos, carnavales y vecinos. Derivas de lo rural en la literatura y el cine de la transicion espanola (1973--1986).
300 $a 433 p.
500 $a Source: Dissertation Abstracts International, Volume: 72-01, Section: A, page: 0211.
500 $a Adviser: Angel G. Loureiro.
502 $a Thesis (Ph.D.)--Princeton University, 2010.
520 $a The so-called "Spanish transition to democracy" was a time of uncertainty and political turmoil in which the Spanish people looked forward, but also a period in which they had to deal with the effects of the strong socio-economic changes experienced during the dictatorship. Questions about areas rapidly transformed by Franco's "desarrollismo" emerged, particularly about the rural world, which had suffered a severe depopulation and a significant dislocation of its cultural identity. The artistic circles of the transition period began to take interest in the fate of this fragile world: Spanish artists collected testimonies of rural hardship and survival, satirized the maladjustment of migrant villagers to the cities, and wrote novels recreating oral legends told by old peasants.
520 $a This dissertation studies such cultural interventions in a moment that was not only decisive for the creation of parliamentary democracy in Spain, but also for the country's full entry into an industrial, urban and global consumer society. In its three chapters, it tries to assess to what extent testimonial strategies were used to account for rural marginalization or to perpetuate it, what kind of cultural translation was needed for the avant-garde to connect with the remains of popular and carnivalesque traditions, and, finally how often "realist" authors were capable of going beyond a merely idealized and mimetic understanding of collective peasant traditions.
520 $a To address these issues it is necessary to connect the stories and documentaries of artists like Ramiro Pinilla, Pilar Miro and Basilio Martin Patino with the pro-amnesty movement and the denunciation of the dictatorial legacy, the provocations of avant-garde artists such as Almodovar and Ocana with the counter-cultural and underground cultural scene, and the realist proposals of authors like Mateo Diez, Delibes or Montxo Armendariz with emerging environmentalism and peripheral nationalisms.
520 $a These dialogues draw the map of three artistic drifts of rural culture that provided tools for the construction of the post-dictatorial present and form part of the complicated debate about how Spanish society should treat its profoundly changed pre-industrial and pre-capitalist legacy.
520 $a At the same time, this thesis exposes the trend towards a new paradigm: that of the rural world as a supposedly disappeared social area, relegated to a mythical, magical or legendary past, which can provide adequate entertainment in the new mass-media society, but that appears too distant to influence the present in any way.
590 $a School code: 0181.
650 4 $a Literature, Romance. $3 1019014
650 4 $a History, European. $3 1018076
650 4 $a Cinema. $3 854529
690 $a 0313
690 $a 0335
690 $a 0900
710 2 $a Princeton University. $3 645579
773 0 $t Dissertation Abstracts International $g 72-01A.
790 1 0 $a Loureiro, Angel G., $e advisor
790 $a 0181
791 $a Ph.D.
792 $a 2010
793 $a Spanish
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3435973