東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Contemporary American-Chinese film c...

Yin, Lu.

Linked to FindBook

Google Book

Amazon

博客來

Contemporary American-Chinese film co-production.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Contemporary American-Chinese film co-production./
Author:	Yin, Lu.
Description:	135 p.
Notes:	Source: Masters Abstracts International, Volume: 49-03, page: 1432.
Contained By:	Masters Abstracts International49-03.
Subject:	Asian American Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1483510
ISBN:	9781124374338

Contemporary American-Chinese film co-production.
Yin, Lu.

Contemporary American-Chinese film co-production. - 135 p.

Source: Masters Abstracts International, Volume: 49-03, page: 1432.

Thesis (M.A.)--Southern Methodist University, 2010.

This thesis examines American-Chinese film co-production in the new millennium. It is the aim of this work to show that such a product of globalization in film industry is actually brought by the internationalization in many industries around the world in the new world economy, and is one of the trends of future developments of global movie industry. Both the relationship between the US film industry and the Chinese film industry and co-productions between the two are continuously affected by the relationship between the governments and economic activity generally, the specific relationship between the governments and their national film industries, and the negotiations of business practices, aesthetic norms, and conceptions of national identity which all must be negotiated for a coproduction to be successful.

ISBN: 9781124374338Subjects--Topical Terms:

1669629
Asian American Studies.

Contemporary American-Chinese film co-production.
LDR:02953nam 2200337 4500 001 1402617
005 20111102141442.5
008 130515s2010 ||||||||||||||||| ||eng d
020 $a 9781124374338
035 $a (UMI)AAI1483510
035 $a AAI1483510
040 $a UMI $c UMI
100 1 $a Yin, Lu. $3 1681821
245 1 0 $a Contemporary American-Chinese film co-production.
300 $a 135 p.
500 $a Source: Masters Abstracts International, Volume: 49-03, page: 1432.
500 $a Adviser: Kevin Heffernan.
502 $a Thesis (M.A.)--Southern Methodist University, 2010.
520 $a This thesis examines American-Chinese film co-production in the new millennium. It is the aim of this work to show that such a product of globalization in film industry is actually brought by the internationalization in many industries around the world in the new world economy, and is one of the trends of future developments of global movie industry. Both the relationship between the US film industry and the Chinese film industry and co-productions between the two are continuously affected by the relationship between the governments and economic activity generally, the specific relationship between the governments and their national film industries, and the negotiations of business practices, aesthetic norms, and conceptions of national identity which all must be negotiated for a coproduction to be successful.
520 $a The thesis paints a general landscape of the international film industry, especially between the Chinese movie market and Hollywood. This landscape forms the backdrop for understanding both China and America's willingness to collaborate. Hollywood's business model is one of efficiency and access to markets. The Chinese film industry, on the other hand, has only recently emerged from a long period of state ownership and control. Since 1979, economic reforms have increased private ownership in the Chinese film industry have made possible a massive modernization and professionalization of the industry. In the contemporary period, co-productions between Hollywood and China show a complex and reciprocal series of negotiations of division of labor, finance, government regulation, and popular taste. Two co-productions, Big Shot's Funeral (2001) and The Mummy: Tomb of the Dragon Emperor (2007) illustrate how these negotiations take place. The thesis reaches the conclusion that American Chinese film co-production will become more and more popular as it represents a bright future of both American and Chinese film industries.
590 $a School code: 0210.
650 4 $a Asian American Studies. $3 1669629
650 4 $a Economics, General. $3 1017424
650 4 $a Mass Communications. $3 1017395
650 4 $a Cinema. $3 854529
690 $a 0343
690 $a 0501
690 $a 0708
690 $a 0900
710 2 $a Southern Methodist University. $b Cinema-TV. $3 1681822
773 0 $t Masters Abstracts International $g 49-03.
790 1 0 $a Heffernan, Kevin, $e advisor
790 1 0 $a Kompare, Derek $e committee member
790 1 0 $a Griffin, Sean $e committee member
790 $a 0210
791 $a M.A.
792 $a 2010
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1483510