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The Ruination of Atlantis: A ballet ...

Hendricks, Jess.

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The Ruination of Atlantis: A ballet for virtual orchestra.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The Ruination of Atlantis: A ballet for virtual orchestra./
作者:	Hendricks, Jess.
面頁冊數:	112 p.
附註:	Source: Dissertation Abstracts International, Volume: 71-07, Section: A, page: 2286.
Contained By:	Dissertation Abstracts International71-07A.
標題:	Dance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3411644
ISBN:	9781124056593

The Ruination of Atlantis: A ballet for virtual orchestra.
Hendricks, Jess.

The Ruination of Atlantis: A ballet for virtual orchestra. - 112 p.

Source: Dissertation Abstracts International, Volume: 71-07, Section: A, page: 2286.

Thesis (D.M.A.)--University of Miami, 2010.

The Ruination of Atlantis is an original ballet in thirteen movements composed for prerecorded media using sampled orchestral and other instruments. The purpose of this essay is to discuss the reasoning behind composing a work for a "virtual" instead of an actual orchestra followed by an analysis of the overall structure of the piece, analyses of the use of leitmotif throughout the work, and an analysis of the pitch, rhythmic, and harmonic material of the piece as a whole and each individual movement. The conclusion of this paper is a description of the concept of staging and performance of The Ruination of Atlantis.

ISBN: 9781124056593Subjects--Topical Terms:

610547
Dance.

The Ruination of Atlantis: A ballet for virtual orchestra.
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500 $a Source: Dissertation Abstracts International, Volume: 71-07, Section: A, page: 2286.
500 $a Adviser: Dennis Kam.
502 $a Thesis (D.M.A.)--University of Miami, 2010.
520 $a The Ruination of Atlantis is an original ballet in thirteen movements composed for prerecorded media using sampled orchestral and other instruments. The purpose of this essay is to discuss the reasoning behind composing a work for a "virtual" instead of an actual orchestra followed by an analysis of the overall structure of the piece, analyses of the use of leitmotif throughout the work, and an analysis of the pitch, rhythmic, and harmonic material of the piece as a whole and each individual movement. The conclusion of this paper is a description of the concept of staging and performance of The Ruination of Atlantis.
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