東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Negotiating masculinity: Rereading m...

Zhang, Kai.

FindBook

Google Book

Amazon

博客來

Negotiating masculinity: Rereading male figures in Gish Jen, Frank Chin, Gus Lee, and Maxine Hong Kingston's novels.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Negotiating masculinity: Rereading male figures in Gish Jen, Frank Chin, Gus Lee, and Maxine Hong Kingston's novels./
作者:	Zhang, Kai.
面頁冊數:	183 p.
附註:	Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3156.
Contained By:	Dissertation Abstracts International69-08A.
標題:	Literature, American. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3324356
ISBN:	9780549766841

Negotiating masculinity: Rereading male figures in Gish Jen, Frank Chin, Gus Lee, and Maxine Hong Kingston's novels.
Zhang, Kai.

Negotiating masculinity: Rereading male figures in Gish Jen, Frank Chin, Gus Lee, and Maxine Hong Kingston's novels. - 183 p.

Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3156.

Thesis (Ph.D.)--Northern Illinois University, 2008.

White society's stereotypes of emasculated Chinese American men are a consequence of the politically, historically, and culturally enforced "feminization" of Chinese American men in American society. To correct the skewed image of Chinese American men, both male and female Chinese American writers endeavor to reconstruct Chinese American masculinity. This dissertation thematically studies how Chinese American male and female writers reconfigure Chinese American male figures and redefine Chinese American masculinity. While many critics are limited by gender, cultural, and racial dualism, this dissertation offers close readings and critical analyses of male characters in Maxine Hong Kingston's China Men, Frank Chin's Donald Duk, Gish Jen's Typical American, and Gus Lee's Honor and Duty from the perspective of gender and cultural negotiation. It does not attempt to discover an idealized paradigm of Chinese American manhood that can appeal to feminists or nationalists or both. Rather, demonstrating the heterogeneous characteristics of Chinese American manhood requires regarding them as individuals with different qualities of manhood, placing them into various social contexts, and locating them in the "ups" as well as the "downs" in their lives. Since manhood is not static, but constantly changing and is socially, historically, and personally constructed, I position the subjects in the interlaced categories of ethnicity, gender, class, family, generation, sexuality, and various social contexts. The study manifests the fluidity and heterogeneity of masculinity and demonstrates that Chinese American men are changing in their efforts to participate in gender and culture negotiation.

ISBN: 9780549766841Subjects--Topical Terms:

1017657
Literature, American.

Negotiating masculinity: Rereading male figures in Gish Jen, Frank Chin, Gus Lee, and Maxine Hong Kingston's novels.
LDR:02575nam 2200265 4500 001 1393540
005 20110406084640.5
008 130515s2008 ||||||||||||||||| ||eng d
020 $a 9780549766841
035 $a (UMI)AAI3324356
035 $a AAI3324356
040 $a UMI $c UMI
100 1 $a Zhang, Kai. $3 1034107
245 1 0 $a Negotiating masculinity: Rereading male figures in Gish Jen, Frank Chin, Gus Lee, and Maxine Hong Kingston's novels.
300 $a 183 p.
500 $a Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3156.
502 $a Thesis (Ph.D.)--Northern Illinois University, 2008.
520 $a White society's stereotypes of emasculated Chinese American men are a consequence of the politically, historically, and culturally enforced "feminization" of Chinese American men in American society. To correct the skewed image of Chinese American men, both male and female Chinese American writers endeavor to reconstruct Chinese American masculinity. This dissertation thematically studies how Chinese American male and female writers reconfigure Chinese American male figures and redefine Chinese American masculinity. While many critics are limited by gender, cultural, and racial dualism, this dissertation offers close readings and critical analyses of male characters in Maxine Hong Kingston's China Men, Frank Chin's Donald Duk, Gish Jen's Typical American, and Gus Lee's Honor and Duty from the perspective of gender and cultural negotiation. It does not attempt to discover an idealized paradigm of Chinese American manhood that can appeal to feminists or nationalists or both. Rather, demonstrating the heterogeneous characteristics of Chinese American manhood requires regarding them as individuals with different qualities of manhood, placing them into various social contexts, and locating them in the "ups" as well as the "downs" in their lives. Since manhood is not static, but constantly changing and is socially, historically, and personally constructed, I position the subjects in the interlaced categories of ethnicity, gender, class, family, generation, sexuality, and various social contexts. The study manifests the fluidity and heterogeneity of masculinity and demonstrates that Chinese American men are changing in their efforts to participate in gender and culture negotiation.
590 $a School code: 0162.
650 4 $a Literature, American. $3 1017657
650 4 $a Sociology, Ethnic and Racial Studies. $3 1017474
650 4 $a Gender Studies. $3 898693
690 $a 0591
690 $a 0631
690 $a 0733
710 2 $a Northern Illinois University. $3 1022895
773 0 $t Dissertation Abstracts International $g 69-08A.
790 $a 0162
791 $a Ph.D.
792 $a 2008
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3324356