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The songs of Roger Quilter: A study ...

Russell, Jennifer J.

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The songs of Roger Quilter: A study of the relations between music and text.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The songs of Roger Quilter: A study of the relations between music and text./
Author:	Russell, Jennifer J.
Description:	67 p.
Notes:	Source: Masters Abstracts International, Volume: 42-01, page: 0016.
Contained By:	Masters Abstracts International42-01.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1415175
ISBN:	9780496199624

The songs of Roger Quilter: A study of the relations between music and text.
Russell, Jennifer J.

The songs of Roger Quilter: A study of the relations between music and text. - 67 p.

Source: Masters Abstracts International, Volume: 42-01, page: 0016.

Thesis (M.A.)--University of Oregon, 2003.

The British song composer, Roger Quilter (1877--1953), is relatively unknown to many musicians, especially non-vocalists, even though he generated a considerably large song output of approximately 150 songs. His songs were popular and performed regularly during his time but fell out of fashion in the 1940's, and there has been little research about him or his compositional style and techniques since then.

ISBN: 9780496199624Subjects--Topical Terms:

516178
Music.

The songs of Roger Quilter: A study of the relations between music and text.
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020 $a 9780496199624
035 $a (UMI)AAI1415175
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100 1 $a Russell, Jennifer J. $3 1292369
245 1 4 $a The songs of Roger Quilter: A study of the relations between music and text.
300 $a 67 p.
500 $a Source: Masters Abstracts International, Volume: 42-01, page: 0016.
500 $a Adviser: Jack F. Boss.
502 $a Thesis (M.A.)--University of Oregon, 2003.
520 $a The British song composer, Roger Quilter (1877--1953), is relatively unknown to many musicians, especially non-vocalists, even though he generated a considerably large song output of approximately 150 songs. His songs were popular and performed regularly during his time but fell out of fashion in the 1940's, and there has been little research about him or his compositional style and techniques since then.
520 $a Quilter broke out of the compositional mold of the Victorian drawing-room ballad and chose to set higher-quality texts, with careful attention to word stress and meaning. He used harmonic, voice-leading, and melodic techniques to enhance the mood and meaning of the poetry, techniques found at the surface level and at deeper levels, shown in this thesis through Schenkerian analysis. He wrote accompanimental parts that were more complex in rhythm and texture than the traditional repeated chord accompaniments of the Victorian era. His songs have a sense of forward motion that he achieves through propelling techniques that are illuminated in this thesis. Quilter's harmonic and text-painting techniques are illustrated in this thesis by in-depth analyses of selected solo vocal compositions from Seven Elizabethan Lyrics Op. 12, Four Songs Op. 14, and Five Shakespeare Songs Op.23.
590 $a School code: 0171.
650 4 $a Music. $3 516178
690 $a 0413
710 2 $a University of Oregon. $3 958250
773 0 $t Masters Abstracts International $g 42-01.
790 1 0 $a Boss, Jack F., $e advisor
790 $a 0171
791 $a M.A.
792 $a 2003
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1415175