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Music, radio and the public sphere =...

Fairchild, Charles, (1967-)

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Music, radio and the public sphere = the aesthetics of democracy /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Music, radio and the public sphere/ Charles Fairchild.
Reminder of title:	the aesthetics of democracy /
Author:	Fairchild, Charles,
Published:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan, : 2012.,
Description:	1 online resource.
[NT 15003449]:	Introduction: the Unknown and the Unheard -- PART I: ENFORCING AND EVADING RATIONALIZATION -- Social Solidarity in the Luminiferous Ether -- Corporate Rationality, Communicative Reason and Aesthetic Experience -- Of Communities and Constituencies: Radio, the Market and the State -- PART II: MAKING RADIO, MAKING MEANING -- What Does a Civil Society Sound Like? -- Local Music for Local People -- Mixing: the Rational, the Reasoned, the Resourceful -- Conclusion: the Unheard and the Unknown.
Subject:	Radio and music - Australia. -
Online resource:	http://link.springer.com/10.1057/9780230390515
ISBN:	9780230390515 (electronic bk.)

Music, radio and the public sphere = the aesthetics of democracy /
Fairchild, Charles,1967-

Music, radio and the public spherethe aesthetics of democracy /[electronic resource] :Charles Fairchild. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references and index.

Introduction: the Unknown and the Unheard -- PART I: ENFORCING AND EVADING RATIONALIZATION -- Social Solidarity in the Luminiferous Ether -- Corporate Rationality, Communicative Reason and Aesthetic Experience -- Of Communities and Constituencies: Radio, the Market and the State -- PART II: MAKING RADIO, MAKING MEANING -- What Does a Civil Society Sound Like? -- Local Music for Local People -- Mixing: the Rational, the Reasoned, the Resourceful -- Conclusion: the Unheard and the Unknown.

Radio remains one of the most popular mediums through which people experience music. Yet there have only been a few studies examining the dynamic effects of radio on music. In this innovative study of community radio, Charles Fairchild uses a novel combination of critical analysis, interdisciplinary theory and ethnographic writing to compare commercial and community radio institutions and practices. By situating community radio in the dominant context of consumerism, Fairchild shows how people can create democratic discourses by speaking through other people's music. He argues that the social relations produced by playing music on the radio, and the inherent ambiguity of music itself, hold the potential for cultural democracy. The book shows how community radio's aesthetic practices accord with the ideals of an open and equitable public sphere, contributing to civil society and a potentially democratic aesthetics in which the 'old medium' of radio holds profound lessons for 'new media'.

ISBN: 9780230390515 (electronic bk.)

Standard No.: 9786613722348

Source: 569112Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

1599150
Radio and music
--Australia.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: ML68 / .F35 2012

Dewey Class. No.: 302.23/440994

Music, radio and the public sphere = the aesthetics of democracy /
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245 1 0 $a Music, radio and the public sphere $h [electronic resource] : $b the aesthetics of democracy / $c Charles Fairchild.
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300 $a 1 online resource.
504 $a Includes bibliographical references and index.
505 0 $a Introduction: the Unknown and the Unheard -- PART I: ENFORCING AND EVADING RATIONALIZATION -- Social Solidarity in the Luminiferous Ether -- Corporate Rationality, Communicative Reason and Aesthetic Experience -- Of Communities and Constituencies: Radio, the Market and the State -- PART II: MAKING RADIO, MAKING MEANING -- What Does a Civil Society Sound Like? -- Local Music for Local People -- Mixing: the Rational, the Reasoned, the Resourceful -- Conclusion: the Unheard and the Unknown.
520 $a Radio remains one of the most popular mediums through which people experience music. Yet there have only been a few studies examining the dynamic effects of radio on music. In this innovative study of community radio, Charles Fairchild uses a novel combination of critical analysis, interdisciplinary theory and ethnographic writing to compare commercial and community radio institutions and practices. By situating community radio in the dominant context of consumerism, Fairchild shows how people can create democratic discourses by speaking through other people's music. He argues that the social relations produced by playing music on the radio, and the inherent ambiguity of music itself, hold the potential for cultural democracy. The book shows how community radio's aesthetic practices accord with the ideals of an open and equitable public sphere, contributing to civil society and a potentially democratic aesthetics in which the 'old medium' of radio holds profound lessons for 'new media'.
588 $a Description based on print version record.
650 0 $a Radio and music $z Australia. $3 1599150
650 0 $a Community radio $z Australia. $3 1599151
650 0 $a Radio music $z Australia. $3 1599152
650 0 $a Radio broadcasting $x Social aspects $z Australia. $3 1599153
650 7 $a PERFORMING ARTS / Radio / History & Criticism $2 bisacsh $3 1599154
650 7 $a MUSIC / History & Criticism $2 bisacsh $3 1599155
650 7 $a POLITICAL SCIENCE / Political Ideologies / Democracy $2 bisacsh $3 1599156
650 7 $a SOCIAL SCIENCE / Media Studies $2 bisacsh. $3 1309140
655 4 $a Electronic books. $2 lcsh $3 542853
776 0 8 $i Print version: $a Fairchild, Charles, 1967- $t Music, radio and the public sphere. $d Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2012 $z 9780230390508 $w (DLC) 2012020660 $w (OCoLC)779863535
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230390515
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