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Populism, gender, and sympathy in th...

Carson, James Patrick, (1955-)

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Populism, gender, and sympathy in the romantic novel

Record Type:	Electronic resources : Monograph/item
Title/Author:	Populism, gender, and sympathy in the romantic novel/ James P. Carson.
Author:	Carson, James Patrick,
Published:	New York :Palgrave Macmillan, : 2010.,
Description:	x, 247 p. :ill.
[NT 15003449]:	Gothic and romantic crowds -- Popular versus legitimate authority inScott's The heart of mid-Lothian -- Gothic properties: Matthew Lewis'sThe monk and Journal of a West India proprietor -- Unisonance and the echo: popular disturbances and theatricality in the works of Charles Maturin -- Godwin's "metaphysical dissecting knife" -- "A sigh of many hearts": history, humanity, and popular culture in Mary Shelley's Valperga and Lodore.
Subject:	Crowds in literature. -
Online resource:	http://link.springer.com/10.1057/9780230106574access to fulltext (Palgrave)
ISBN:	0230106579

Populism, gender, and sympathy in the romantic novel
Carson, James Patrick,1955-

Populism, gender, and sympathy in the romantic novel[electronic resource] /James P. Carson. - 1st ed. - New York :Palgrave Macmillan,2010. - x, 247 p. :ill. - Nineteenth-century major lives and letters. - Nineteenth-century major lives and letters..

Includes bibliographical references (p. [219]-235) and index.

Gothic and romantic crowds -- Popular versus legitimate authority inScott's The heart of mid-Lothian -- Gothic properties: Matthew Lewis'sThe monk and Journal of a West India proprietor -- Unisonance and the echo: popular disturbances and theatricality in the works of Charles Maturin -- Godwin's "metaphysical dissecting knife" -- "A sigh of many hearts": history, humanity, and popular culture in Mary Shelley's Valperga and Lodore.

Populism, Gender, and Sympathy in the Romantic Novel is a richly historicized account that explores anxieties about crowds, fiction and disguise, women authors, and unstable gender roles. JamesP. Carson arguesthat the Romantic novel is a form individualizing in its address, which exploits popular materials and stretches formal boundaries in an attempt to come to terms with the masses. Informed by Bakhtin, Foucault, and Freud, this book offers fresh new readings of works by Sir Walter Scott, William Godwin, Matthew Lewis, Charles Robert Maturin, and Mary Shelley.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230106579Subjects--Topical Terms:

863975
Crowds in literature.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR868.C75 / C37 2010

Dewey Class. No.: 823/.709355

Populism, gender, and sympathy in the romantic novel
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035 $a 924256
040 $a UKPGM $b eng $c UKPGM
041 0 $a eng
049 $a APTA
050 1 4 $a PR868.C75 $b C37 2010
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100 1 $a Carson, James Patrick, $d 1955- $3 1247065
245 1 0 $a Populism, gender, and sympathy in the romantic novel $h [electronic resource] / $c James P. Carson.
250 $a 1st ed.
260 $a New York : $b Palgrave Macmillan, $c 2010.
300 $a x, 247 p. : $b ill.
490 1 $a Nineteenth-century major lives and letters
504 $a Includes bibliographical references (p. [219]-235) and index.
505 0 $a Gothic and romantic crowds -- Popular versus legitimate authority inScott's The heart of mid-Lothian -- Gothic properties: Matthew Lewis'sThe monk and Journal of a West India proprietor -- Unisonance and the echo: popular disturbances and theatricality in the works of Charles Maturin -- Godwin's "metaphysical dissecting knife" -- "A sigh of many hearts": history, humanity, and popular culture in Mary Shelley's Valperga and Lodore.
520 $a Populism, Gender, and Sympathy in the Romantic Novel is a richly historicized account that explores anxieties about crowds, fiction and disguise, women authors, and unstable gender roles. JamesP. Carson arguesthat the Romantic novel is a form individualizing in its address, which exploits popular materials and stretches formal boundaries in an attempt to come to terms with the masses. Informed by Bakhtin, Foucault, and Freud, this book offers fresh new readings of works by Sir Walter Scott, William Godwin, Matthew Lewis, Charles Robert Maturin, and Mary Shelley.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Sep. 27, 2010). $n Access may be restricted to users at subscribing institutions.
650 0 $a Crowds in literature. $3 863975
650 0 $a Disguise in literature. $3 755520
650 0 $a English fiction $y 19th century $x History and criticism. $3 537364
650 0 $a Populism in literature. $3 1247066
650 0 $a Riots in literature. $3 1247067
650 0 $a Sympathy in literature. $3 595888
650 0 $a Women in literature. $3 528858
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
776 0 8 $i Print version: $a Carson, James Patrick, 1955- $t Populism, gender, and sympathy in the romantic novel. $b 1st ed. $d New York : Palgrave Macmillan, 2010 $z 9780230621107 $w (DLC) 2009032664 $w (OCoLC)431533654
830 0 $a Nineteenth-century major lives and letters. $3 1082701
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230106574 $z access to fulltext (Palgrave)