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Visions of struggle in women's filmm...

Mittelmeerraum

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Visions of struggle in women's filmmaking in the Mediterranean

Record Type:	Electronic resources : Monograph/item
Title/Author:	Visions of struggle in women's filmmaking in the Mediterranean/ edited by Flavia Laviosa ; foreword by Laura Mulvey.
other author:	Laviosa, Flavia.
Published:	New York, NY :Palgrave Macmillan, : 2010.,
Description:	xxxii, 224 p. :ill.
[NT 15003449]:	Veiling and unveiling the Israeli Mediterranean: Yulie Cohen-Gerstel's My terrorist and My land Zion / Yosefa Loshitzky -- Maghreb: political and transcultural resistance -- The wiles of Maghrebi women's cinema/ Florence Martin -- Spain: domestic violence -- Visions and voices ofthe self in Take my eyes / Monica Cantero -- France: body mutilation -- Mutilating and mutilated bodies: women's takes on "extreme" French cinema/ Carrie Tarr -- Italy: women of the Mafia -- Anthropological anxieties: Roberta Torre's critique of mafia violence/ âAine O'Healy -- The Balkans: peacekeeping and women's (in)security -- Vertigo in the Balkans: Karin Jurschick's "the peacekeepers and the women"/ Marguerite Waller -- Greece: women's new roles and identities -- Maria, Irene and Olga "áa la recherche du temps perdu..." / Maria Paradeisi -- Turkey: harsh living conditions -- Hard to bear: women's burdens in the cinema of Yeðsim Ustaoæglu/ S. Ruken èOztèurk -- Syria: female identities and political resistance -- This woman's work: filming defeat in the Arabic idiom: poetry, cinema, and the saving grace of Hala Alabdallah/ Rasha Salti -- Turkey, Jordan, Palestine: honor killings -- "Death isthe fairest cover for her shame": framing honor killings / Flavia Laviosa.
Subject:	Feminist films - History and criticism. - Mediterranean Region -
Subject:	Mittelmeerraum -
Online resource:	http://link.springer.com/10.1057/9780230105201access to fulltext (Palgrave)
ISBN:	0230105203

Visions of struggle in women's filmmaking in the Mediterranean
Visions of struggle in women's filmmaking in the Mediterranean[electronic resource] /edited by Flavia Laviosa ; foreword by Laura Mulvey. - 1st ed. - New York, NY :Palgrave Macmillan,2010. - xxxii, 224 p. :ill. - Comparative feminist studies series. - Comparative feminist studies series..

Includes bibliographical references and index.

Veiling and unveiling the Israeli Mediterranean: Yulie Cohen-Gerstel's My terrorist and My land Zion / Yosefa Loshitzky -- Maghreb: political and transcultural resistance -- The wiles of Maghrebi women's cinema/ Florence Martin -- Spain: domestic violence -- Visions and voices ofthe self in Take my eyes / Monica Cantero -- France: body mutilation -- Mutilating and mutilated bodies: women's takes on "extreme" French cinema/ Carrie Tarr -- Italy: women of the Mafia -- Anthropological anxieties: Roberta Torre's critique of mafia violence/ âAine O'Healy -- The Balkans: peacekeeping and women's (in)security -- Vertigo in the Balkans: Karin Jurschick's "the peacekeepers and the women"/ Marguerite Waller -- Greece: women's new roles and identities -- Maria, Irene and Olga "áa la recherche du temps perdu..." / Maria Paradeisi -- Turkey: harsh living conditions -- Hard to bear: women's burdens in the cinema of Yeðsim Ustaoæglu/ S. Ruken èOztèurk -- Syria: female identities and political resistance -- This woman's work: filming defeat in the Arabic idiom: poetry, cinema, and the saving grace of Hala Alabdallah/ Rasha Salti -- Turkey, Jordan, Palestine: honor killings -- "Death isthe fairest cover for her shame": framing honor killings / Flavia Laviosa.

This provocative collection elaborates a trans-cultural definition of being a woman in struggle. Looking at the films of women directors incountries in the Mediterranean rim, this book spurs a contemporary discussion of women's human, civil, and social rights while situating feminist arguments on women's identity, roles, psychology and sexuality. Although their methodologies are diverse, these artists are united in their use of cinema as a means of intervention, taking on the role as outspoken and leading advocates for women's problems. Contributors examine the ways in which cinematic art reproduces and structures the discourses of realism and represents Mediterranean women's collective experienceof struggle.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230105203Subjects--Topical Terms:

1246676
Feminist films
--History and criticism.--Mediterranean RegionSubjects--Geographical Terms:

1246674
Mittelmeerraum
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.W6 / V57 2010

Dewey Class. No.: 791.43/63522091822

Visions of struggle in women's filmmaking in the Mediterranean
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245 0 0 $a Visions of struggle in women's filmmaking in the Mediterranean $h [electronic resource] / $c edited by Flavia Laviosa ; foreword by Laura Mulvey.
250 $a 1st ed.
260 $a New York, NY : $b Palgrave Macmillan, $c 2010.
300 $a xxxii, 224 p. : $b ill.
490 1 $a Comparative feminist studies series
504 $a Includes bibliographical references and index.
505 0 $a Veiling and unveiling the Israeli Mediterranean: Yulie Cohen-Gerstel's My terrorist and My land Zion / Yosefa Loshitzky -- Maghreb: political and transcultural resistance -- The wiles of Maghrebi women's cinema/ Florence Martin -- Spain: domestic violence -- Visions and voices ofthe self in Take my eyes / Monica Cantero -- France: body mutilation -- Mutilating and mutilated bodies: women's takes on "extreme" French cinema/ Carrie Tarr -- Italy: women of the Mafia -- Anthropological anxieties: Roberta Torre's critique of mafia violence/ âAine O'Healy -- The Balkans: peacekeeping and women's (in)security -- Vertigo in the Balkans: Karin Jurschick's "the peacekeepers and the women"/ Marguerite Waller -- Greece: women's new roles and identities -- Maria, Irene and Olga "áa la recherche du temps perdu..." / Maria Paradeisi -- Turkey: harsh living conditions -- Hard to bear: women's burdens in the cinema of Yeðsim Ustaoæglu/ S. Ruken èOztèurk -- Syria: female identities and political resistance -- This woman's work: filming defeat in the Arabic idiom: poetry, cinema, and the saving grace of Hala Alabdallah/ Rasha Salti -- Turkey, Jordan, Palestine: honor killings -- "Death isthe fairest cover for her shame": framing honor killings / Flavia Laviosa.
520 $a This provocative collection elaborates a trans-cultural definition of being a woman in struggle. Looking at the films of women directors incountries in the Mediterranean rim, this book spurs a contemporary discussion of women's human, civil, and social rights while situating feminist arguments on women's identity, roles, psychology and sexuality. Although their methodologies are diverse, these artists are united in their use of cinema as a means of intervention, taking on the role as outspoken and leading advocates for women's problems. Contributors examine the ways in which cinematic art reproduces and structures the discourses of realism and represents Mediterranean women's collective experienceof struggle.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on July 14, 2010). $n Access may be restricted to users at subscribing institutions.
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650 0 $a Women in motion pictures. $3 549618
650 0 $a Women motion picture producers and directors $z Mediterranean Region $v Biography. $3 3647171
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651 7 $a Mittelmeerraum $2 swd $3 1246674
655 7 $a Electronic books. $2 lcsh $3 542853
700 1 $a Laviosa, Flavia. $3 1246675
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