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Theatre, facilitation, and nation fo...

Kuftinec, Sonja, (1966-)

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Theatre, facilitation, and nation formation in the Balkans and Middle East

Record Type:	Electronic resources : Monograph/item
Title/Author:	Theatre, facilitation, and nation formation in the Balkans and Middle East/ by Sonja Arsham Kuftinec.
Author:	Kuftinec, Sonja,
Published:	Basingstoke :Palgrave Macmillan, : 2009.,
Description:	xviii, 217 p. :ill., maps ;23 cm.
[NT 15003449]:	Contours and Contestations -- Balkan Bridges: Re-membering Mostar (1995-2000) -- Between the Lines: Staging 'the Balkans' through Berlin (2001) -- Border Zones: Theatrical Mobilizations of 'theMiddle East' (2004-08) -- Facilitation Praxis: Four Modes of Encounter.
Subject:	Nation-building - Balkan Peninsula. -
Online resource:	http://link.springer.com/10.1057/9780230239449access to fulltext (Palgrave)
ISBN:	0230239447

Theatre, facilitation, and nation formation in the Balkans and Middle East
Kuftinec, Sonja,1966-

Theatre, facilitation, and nation formation in the Balkans and Middle East[electronic resource] /by Sonja Arsham Kuftinec. - Basingstoke :Palgrave Macmillan,2009. - xviii, 217 p. :ill., maps ;23 cm. - Studies in international performance. - Studies in international performance..

Includes bibliographical references and index.

Contours and Contestations -- Balkan Bridges: Re-membering Mostar (1995-2000) -- Between the Lines: Staging 'the Balkans' through Berlin (2001) -- Border Zones: Theatrical Mobilizations of 'theMiddle East' (2004-08) -- Facilitation Praxis: Four Modes of Encounter.

How might theatre intervene in violent inter-ethnic conflicts? When does participatory theatre mediate more just futures, and when might itpreserve inequities? Theatre, Facilitation and Nation Formation addresses these questions through detailed case studies of community-based projects in theBalkans and Middle East that the author has witnessed or helped to create. In Mostar, collaborativeperformance helps youth re-member a divided city. In Berlin, participants from seven Balkan countries reorient understandings of citizenship through an interactive installation. In Israel and the Occupied Palestinian Territories, image theatre animates the limits of reconciliation. These theatricalfacilitations model ways that ethnic oppositions can move towards ethical relationships, while pointing out challenges in doing so. As a travelogue, this study weaves critical analysis with the voices of participants, directors, and workshop leaders, offering viewpoints and field notes on how theatrical facilitation can (and can't) effectively transform conflicts.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230239447Subjects--Topical Terms:

1099075
Nation-building
--Balkan Peninsula.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2821 / .K84 2009

Dewey Class. No.: 792.09496

Theatre, facilitation, and nation formation in the Balkans and Middle East
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049 $a APTA
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100 1 $a Kuftinec, Sonja, $d 1966- $3 1099074
245 1 0 $a Theatre, facilitation, and nation formation in the Balkans and Middle East $h [electronic resource] / $c by Sonja Arsham Kuftinec.
260 $a Basingstoke : $c 2009. $b Palgrave Macmillan,
300 $a xviii, 217 p. : $b ill., maps ; $c 23 cm.
490 1 $a Studies in international performance
504 $a Includes bibliographical references and index.
505 0 $a Contours and Contestations -- Balkan Bridges: Re-membering Mostar (1995-2000) -- Between the Lines: Staging 'the Balkans' through Berlin (2001) -- Border Zones: Theatrical Mobilizations of 'theMiddle East' (2004-08) -- Facilitation Praxis: Four Modes of Encounter.
520 $a How might theatre intervene in violent inter-ethnic conflicts? When does participatory theatre mediate more just futures, and when might itpreserve inequities? Theatre, Facilitation and Nation Formation addresses these questions through detailed case studies of community-based projects in theBalkans and Middle East that the author has witnessed or helped to create. In Mostar, collaborativeperformance helps youth re-member a divided city. In Berlin, participants from seven Balkan countries reorient understandings of citizenship through an interactive installation. In Israel and the Occupied Palestinian Territories, image theatre animates the limits of reconciliation. These theatricalfacilitations model ways that ethnic oppositions can move towards ethical relationships, while pointing out challenges in doing so. As a travelogue, this study weaves critical analysis with the voices of participants, directors, and workshop leaders, offering viewpoints and field notes on how theatrical facilitation can (and can't) effectively transform conflicts.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Oct. 6, 2009). $n Access may berestricted to users at subscribing institutions.
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650 0 $a Theater and society $z Middle East. $3 1099078
650 0 $a Theater in community development $z Balkan Peninsula. $3 1099079
650 0 $a Theater in community development $z Middle East. $3 1099080
650 0 $a Theater $x Political aspects $z Balkan Peninsula. $3 1099081
650 0 $a Theater $x Political aspects $z Middle East. $3 1099082
650 0 $a War and theater. $3 1099047
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
830 0 $a Studies in international performance. $3 1099040
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230239449 $z access to fulltext (Palgrave)