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Theatre and religion on Krishna's st...
~
Mason, David V.
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Theatre and religion on Krishna's stage = performing in Vrindavan /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Theatre and religion on Krishna's stage/ David V. Mason.
Reminder of title:
performing in Vrindavan /
Author:
Mason, David V.
Published:
New York, NY :Palgrave Macmillan, : 2009.,
Description:
195 p. :ill. ;22 cm.
[NT 15003449]:
Theatre is God -- Krishna, Lila, and Freedom -- Origins of Child Performers in the Rãas Lila -- Acting in the Rãas Lila and Real Realism --Theatre is Religion: the Acting Audience.
Subject:
Hinduism and culture - India -
Online resource:
http://link.springer.com/10.1057/9780230621589access to fulltext (Palgrave)
ISBN:
0230621589
Theatre and religion on Krishna's stage = performing in Vrindavan /
Mason, David V.
Theatre and religion on Krishna's stage
performing in Vrindavan /[electronic resource] :David V. Mason. - 1st ed. - New York, NY :Palgrave Macmillan,2009. - 195 p. :ill. ;22 cm. - Palgrave studies in theatre and performance history. - Palgrave studies in theatre and performance history..
Includes bibliographical references (p. [183]-189) and index.
Theatre is God -- Krishna, Lila, and Freedom -- Origins of Child Performers in the Rãas Lila -- Acting in the Rãas Lila and Real Realism --Theatre is Religion: the Acting Audience.
Theatre and Religion on Krishna's Stage examines the history and form of India's rãas lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that ârs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensityof audiences to play out roles of their own through whichthey share aperformance's reality. ?
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 0230621589Subjects--Topical Terms:
3646956
Hinduism and culture
--IndiaIndex Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN2886.V75 / M38 2009
Dewey Class. No.: 792.0954/2
Theatre and religion on Krishna's stage = performing in Vrindavan /
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2009.
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Includes bibliographical references (p. [183]-189) and index.
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Theatre is God -- Krishna, Lila, and Freedom -- Origins of Child Performers in the Rãas Lila -- Acting in the Rãas Lila and Real Realism --Theatre is Religion: the Acting Audience.
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Theatre and Religion on Krishna's Stage examines the history and form of India's rãas lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that ârs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensityof audiences to play out roles of their own through whichthey share aperformance's reality. ?
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http://link.springer.com/10.1057/9780230621589
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access to fulltext (Palgrave)
based on 0 review(s)
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W9094974
電子資源
11.線上閱覽_V
電子書
EB W9094974
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1 records • Pages 1 •
1
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