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Memory in play = from Aeschylus to S...

Favorini, Attilio, (1943-)

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Memory in play = from Aeschylus to Sam Shepard /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Memory in play/ Attilio Favorini.
Reminder of title:	from Aeschylus to Sam Shepard /
Author:	Favorini, Attilio,
Published:	New York, NY :Palgrave Macmillan, : 2008.,
Description:	x, 323 p. ;25 cm.
[NT 15003449]:	Drama and the history of memory -- Drama and the memory of history -- Memory plays before the"memory play" -- The "memory play" and after:narrative paradigms -- Drama of mnemic signs -- Confrontation or convergence: staging the encounter of history and memory.
Subject:	Drama - History and criticism. -
Online resource:	http://link.springer.com/10.1057/9780230617162access to fulltext (Palgrave)
ISBN:	0230617166

Memory in play = from Aeschylus to Sam Shepard /
Favorini, Attilio,1943-

Memory in playfrom Aeschylus to Sam Shepard /[electronic resource] :Attilio Favorini. - 1st ed. - New York, NY :Palgrave Macmillan,2008. - x, 323 p. ;25 cm. - Palgrave studies in theatre and performance history. - Palgrave studies in theatre and performance history..

Includes bibliographical references (p. [289]-307) and index.

Drama and the history of memory -- Drama and the memory of history -- Memory plays before the"memory play" -- The "memory play" and after:narrative paradigms -- Drama of mnemic signs -- Confrontation or convergence: staging the encounter of history and memory.

Memory in Play makes evident that memory, though critically neglected, is as significant as race, gender, and class as a feature of dramatic character construction. Favorini skillfully argues that dramatic models of memory need to be reckoned along with the constructions of philosophy, psychology, and neuroscience in order to render a full account ofthe history of memory. Through this lens,the work of Aeschylus, Shakespeare, Goethe, Ibsen, and Strindberg, as well as such pillars of twentieth-century drama as Pirandello, O'Neill, Wilder, Sherwood, Williams, Miller, Anouilh, Beckett, Pinter, Friel, Shepard, Kennedy, and Wilson are explored. By offering a vantage point for recognizing how dramatistshave contributed to the conception of memory alongside other "memographers," irrespective of discipline, a lingua franca emerges for discussing a phenomenon studied from the perspectives of so many theoretical bases.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230617166Subjects--Topical Terms:

523108
Drama
--History and criticism.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1650.M435 / F38 2008

Dewey Class. No.: 808.8/0353

Memory in play = from Aeschylus to Sam Shepard /
LDR:02382nmm 2200313 a 45 001 911844
003 OCoLC
005 20110114
006 m d
007 cr cn|
008 231227s2008 nyu sb 001 0 eng d
020 $a 0230617166
020 $a 9780230617162
035 $a (OCoLC)319175954
035 $a ocn319175954
035 $a 911844
040 $a UKPGM $b eng $c UKPGM
049 $a APTA
050 1 4 $a PN1650.M435 $b F38 2008
082 0 4 $a 808.8/0353 $2 22
100 1 $a Favorini, Attilio, $d 1943- $3 1098947
245 1 0 $a Memory in play $h [electronic resource] : $b from Aeschylus to Sam Shepard / $c Attilio Favorini.
250 $a 1st ed.
260 $a New York, NY : $c 2008. $b Palgrave Macmillan,
300 $a x, 323 p. ; $c 25 cm.
490 1 $a Palgrave studies in theatre and performance history
504 $a Includes bibliographical references (p. [289]-307) and index.
505 0 $a Drama and the history of memory -- Drama and the memory of history -- Memory plays before the"memory play" -- The "memory play" and after:narrative paradigms -- Drama of mnemic signs -- Confrontation or convergence: staging the encounter of history and memory.
520 $a Memory in Play makes evident that memory, though critically neglected, is as significant as race, gender, and class as a feature of dramatic character construction. Favorini skillfully argues that dramatic models of memory need to be reckoned along with the constructions of philosophy, psychology, and neuroscience in order to render a full account ofthe history of memory. Through this lens,the work of Aeschylus, Shakespeare, Goethe, Ibsen, and Strindberg, as well as such pillars of twentieth-century drama as Pirandello, O'Neill, Wilder, Sherwood, Williams, Miller, Anouilh, Beckett, Pinter, Friel, Shepard, Kennedy, and Wilson are explored. By offering a vantage point for recognizing how dramatistshave contributed to the conception of memory alongside other "memographers," irrespective of discipline, a lingua franca emerges for discussing a phenomenon studied from the perspectives of so many theoretical bases.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Apr. 24, 2009). $n Access may be restricted to users at subscribing institutions.
650 0 $a Drama $x History and criticism. $3 523108
650 0 $a Memory in literature. $3 571692
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
830 0 $a Palgrave studies in theatre and performance history. $3 1098893
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230617162 $z access to fulltext (Palgrave)