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Shakespeare and character = theory, ...

Slights, Jessica, (1968-)

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Shakespeare and character = theory, history,performance, and theatrical persons /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Shakespeare and character/ edited by Paul Yachnin and Jessica Slights.
Reminder of title:	theory, history,performance, and theatrical persons /
other author:	Slights, Jessica,
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2009.,
Description:	xiii, 259 p. ;23 cm.
Series:	Palgrave Shakespeare studies
[NT 15003449]:	Introduction / P.Yachnin and J.Slights -- PART I: THEORY -- Confusing Shakespeare's Characters with Real People: Reflections on Reading in Four Questions / M.Bristol -- The Reality of Fictive Cinematic Characters/ T.Ponech -- Character as Dynamic Identity: From Fictional Interaction Script to Performance / W.Dodd -- PART II: HISTORY -- Personnage: History, Philology, Performance / A.G.Bourassa -- The Properties of Character in King Lear/ J.Berg -- Embodied Intersubjectivity and the Creation of Early Modern Character / L.Lieblein -- PART III: PERFORMANCE -- Metatheater and the Performance of Character in The Winter's Tale/ P.Yachnin and M.W.Selkirk -- Character, Agency and the Familiar Actor / A.J.Hartley -- The Actor-Character in 'Secretly Open' Action: Doubly Encoded Personationon Shakespeare's Stage / R.Weimann -- PART IV: THEATRICAL PERSONS -- Is Timon a Character?/ A.Dawson -- When is a bastard nota bastard? Character in King John / C.Slights -- Arming Cordelia: Character and Performance / S.Werner.
Subject:	Characters and characteristics in literature. -
Online resource:	http://link.springer.com/10.1057/9780230584150access to fulltext (Palgrave)
ISBN:	0230584152

Shakespeare and character = theory, history,performance, and theatrical persons /
Shakespeare and charactertheory, history,performance, and theatrical persons /[electronic resource] :edited by Paul Yachnin and Jessica Slights. - Basingstoke [England] ;Palgrave Macmillan,2009. - xiii, 259 p. ;23 cm. - Palgrave Shakespeare studies.

Includes bibliographical references and index.

Introduction / P.Yachnin and J.Slights -- PART I: THEORY -- Confusing Shakespeare's Characters with Real People: Reflections on Reading in Four Questions / M.Bristol -- The Reality of Fictive Cinematic Characters/ T.Ponech -- Character as Dynamic Identity: From Fictional Interaction Script to Performance / W.Dodd -- PART II: HISTORY -- Personnage: History, Philology, Performance / A.G.Bourassa -- The Properties of Character in King Lear/ J.Berg -- Embodied Intersubjectivity and the Creation of Early Modern Character / L.Lieblein -- PART III: PERFORMANCE -- Metatheater and the Performance of Character in The Winter's Tale/ P.Yachnin and M.W.Selkirk -- Character, Agency and the Familiar Actor / A.J.Hartley -- The Actor-Character in 'Secretly Open' Action: Doubly Encoded Personationon Shakespeare's Stage / R.Weimann -- PART IV: THEATRICAL PERSONS -- Is Timon a Character?/ A.Dawson -- When is a bastard nota bastard? Character in King John / C.Slights -- Arming Cordelia: Character and Performance / S.Werner.

'Character' is a word with enormous resonance in theatrical practice, performance criticism, and literary and historical scholarship. It isalso a word in need of concerted, interdisciplinary re-articulation. Shakespeare and Character provides a theoretically, historically, theatrically and critically substantial account of character. One of the questions that the authors ask is, 'What is character?' To answer this central question - and to begin to provide a new critical vocabulary for character study - they examine the theory, history, formal properties, and the literary and performance possibilities of Shakespearean characteras we;; as the bearing that 'theatrical persons' might have on the situation of actual people. They also emphasize the interrelationship between theory and the particular by connecting theories and histories of the idea of character to concrete, detailed accounts of particular characters as they emerge in the text and on the stage.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230584152

Standard No.: 10.1057/9780230584150doiSubjects--Personal Names:

707720
Shakespeare, William,
1564-1616--Characters.Subjects--Topical Terms:

541938
Characters and characteristics in literature.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR2989 / .S525 2009eb

Dewey Class. No.: 822.3/3

Shakespeare and character = theory, history,performance, and theatrical persons /
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003 OCoLC
005 20110114
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008 231227s2009 enk sb 001 0 eng d
020 $a 0230584152
020 $a 9780230584150
024 7 $a 10.1057/9780230584150 $2 doi
035 $a (OCoLC)314828569
035 $a ocn314828569
035 $a 911799
040 $a UKPGM $b eng $c UKPGM
049 $a APTA
050 1 4 $a PR2989 $b .S525 2009eb
082 0 4 $a 822.3/3 $2 22
245 0 0 $a Shakespeare and character $h [electronic resource] : $b theory, history,performance, and theatrical persons / $c edited by Paul Yachnin and Jessica Slights.
260 $a Basingstoke [England] ; $a New York : $c 2009. $b Palgrave Macmillan,
300 $a xiii, 259 p. ; $c 23 cm.
440 0 $a Palgrave Shakespeare studies
504 $a Includes bibliographical references and index.
505 0 $a Introduction / P.Yachnin and J.Slights -- PART I: THEORY -- Confusing Shakespeare's Characters with Real People: Reflections on Reading in Four Questions / M.Bristol -- The Reality of Fictive Cinematic Characters/ T.Ponech -- Character as Dynamic Identity: From Fictional Interaction Script to Performance / W.Dodd -- PART II: HISTORY -- Personnage: History, Philology, Performance / A.G.Bourassa -- The Properties of Character in King Lear/ J.Berg -- Embodied Intersubjectivity and the Creation of Early Modern Character / L.Lieblein -- PART III: PERFORMANCE -- Metatheater and the Performance of Character in The Winter's Tale/ P.Yachnin and M.W.Selkirk -- Character, Agency and the Familiar Actor / A.J.Hartley -- The Actor-Character in 'Secretly Open' Action: Doubly Encoded Personationon Shakespeare's Stage / R.Weimann -- PART IV: THEATRICAL PERSONS -- Is Timon a Character?/ A.Dawson -- When is a bastard nota bastard? Character in King John / C.Slights -- Arming Cordelia: Character and Performance / S.Werner.
520 $a 'Character' is a word with enormous resonance in theatrical practice, performance criticism, and literary and historical scholarship. It isalso a word in need of concerted, interdisciplinary re-articulation. Shakespeare and Character provides a theoretically, historically, theatrically and critically substantial account of character. One of the questions that the authors ask is, 'What is character?' To answer this central question - and to begin to provide a new critical vocabulary for character study - they examine the theory, history, formal properties, and the literary and performance possibilities of Shakespearean characteras we;; as the bearing that 'theatrical persons' might have on the situation of actual people. They also emphasize the interrelationship between theory and the particular by connecting theories and histories of the idea of character to concrete, detailed accounts of particular characters as they emerge in the text and on the stage.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Characters. $3 707720
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Knowledge $x Psychology. $3 618008
650 0 $a Characters and characteristics in literature. $3 541938
650 0 $a Identity (Psychology) in literature. $3 543700
650 0 $a Personality in literature. $3 716298
655 7 $a Electronic books. $2 lcsh $3 542853
700 1 $a Slights, Jessica, $d 1968- $3 1098856
700 1 $a Yachnin, Paul Edward, $d 1953- $3 1098857
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230584150 $z access to fulltext (Palgrave)