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Romantic misfits

Miles, Robert, (1953-)

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Romantic misfits

Record Type:	Electronic resources : Monograph/item
Title/Author:	Romantic misfits/ Robert Miles.
Author:	Miles, Robert,
Published:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillian, : 2008.,
Description:	x, 245 p.
Notes:	Includes bibliographical references (p. 222-237) index.
[NT 15003449]:	Introduction -- The Original Misfit: The Shakespeare forgeries, Herbert Croft's Love and Madness, and W.H. Ireland's Romantic Career -- Gothic Wordsworth -- The Romantic Abject: Cagliostro, Carlyle, Coleridge -- The Romantic-era Novel -- Dissent: Anna Letitia Barbauld -- Bibliography -- Index-- -- -- -- --.
Subject:	Books and reading - History - 18th century. - Great Britain -
Subject:	Great Britain - Intellectual life. -
Online resource:	http://link.springer.com/10.1057/9780230582279access to fulltext (Palgrave)
ISBN:	0230582273

Romantic misfits
Miles, Robert,1953-

Romantic misfits[electronic resource] /Robert Miles. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillian,2008. - x, 245 p. - Palgrave studies in the Enlightenment, romanticism and cultures of print. - Palgrave studies in the Enlightenment, romanticism and cultures of print..

Includes bibliographical references (p. 222-237) index.

Includes bibliographical references (p. 222-237) and index.

Introduction -- The Original Misfit: The Shakespeare forgeries, Herbert Croft's Love and Madness, and W.H. Ireland's Romantic Career -- Gothic Wordsworth -- The Romantic Abject: Cagliostro, Carlyle, Coleridge -- The Romantic-era Novel -- Dissent: Anna Letitia Barbauld -- Bibliography -- Index-- -- -- -- --.

Perhaps the most significant event of the Romantic period was the explosion in print media. In an age of personality, writers strove for attention by dramatising their status as a 'neglected genius', someone who wrote, not for the mass-market or for profit, but for the discerning few. 'Romantic misfit' is the common term for this modern identity. However, where all Romantics are misfits, some misfits did not fit. Romantic Misfits probes the modern institutionalisation of Literature by examining this process of inclusion and exclusion as it happened among first generation Romantics, where the tension between the late Enlightenment and its Romantic 'counter' was at its most acute. A recurring theme of Romantic Misfits is that Romanticism was institutionalised among the ruins of the public sphere, and that civic engagement was a casualty ofthe transcendental aesthetics that arose to buttress a new, exclusive conception of Literature.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230582273

Standard No.: 10.1057/9780230582279doiSubjects--Topical Terms:

791772
Books and reading
--History--Great Britain--18th century.Subjects--Geographical Terms:

569800
Great Britain
--Intellectual life.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR447 / .M45 2008eb

Dewey Class. No.: 820.9/005

Romantic misfits
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505 0 $a Introduction -- The Original Misfit: The Shakespeare forgeries, Herbert Croft's Love and Madness, and W.H. Ireland's Romantic Career -- Gothic Wordsworth -- The Romantic Abject: Cagliostro, Carlyle, Coleridge -- The Romantic-era Novel -- Dissent: Anna Letitia Barbauld -- Bibliography -- Index-- -- -- -- --.
520 $a Perhaps the most significant event of the Romantic period was the explosion in print media. In an age of personality, writers strove for attention by dramatising their status as a 'neglected genius', someone who wrote, not for the mass-market or for profit, but for the discerning few. 'Romantic misfit' is the common term for this modern identity. However, where all Romantics are misfits, some misfits did not fit. Romantic Misfits probes the modern institutionalisation of Literature by examining this process of inclusion and exclusion as it happened among first generation Romantics, where the tension between the late Enlightenment and its Romantic 'counter' was at its most acute. A recurring theme of Romantic Misfits is that Romanticism was institutionalised among the ruins of the public sphere, and that civic engagement was a casualty ofthe transcendental aesthetics that arose to buttress a new, exclusive conception of Literature.
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