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The portrait in the Renaissance : = ...

Pope-Hennessy, John Wyndham, (Sir,) (1913-1994)

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The portrait in the Renaissance : = the A.W. Mellon lectures in the Fine Arts, 1963 [delivered at] The National Gallery of Art, Washington, D.C. /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The portrait in the Renaissance :/ John Pope-Hennessy
其他題名:	the A.W. Mellon lectures in the Fine Arts, 1963 [delivered at] The National Gallery of Art, Washington, D.C. /
作者:	Pope-Hennessy, John Wyndham,
出版者:	Princeton, New York :Princeton University Press, : 1989,
面頁冊數:	xxxii, 348 pages :illustrations ;26 cm
附註:	Second Princeton/Bollingen paperback printing, 1989
標題:	Portrait painting, Renaissance -
ISBN:	0691018251

The portrait in the Renaissance : = the A.W. Mellon lectures in the Fine Arts, 1963 [delivered at] The National Gallery of Art, Washington, D.C. /
Pope-Hennessy, John Wyndham,Sir,1913-1994

The portrait in the Renaissance :the A.W. Mellon lectures in the Fine Arts, 1963 [delivered at] The National Gallery of Art, Washington, D.C. /John Pope-Hennessy - Princeton, New York :Princeton University Press,1989 - xxxii, 348 pages :illustrations ;26 cm - Bollingen series ;XXXV:12. - Bollingen series ;35:12.

Second Princeton/Bollingen paperback printing, 1989

Includes bibliographical references (pages 303-327) and inex

"Here John Pope-Hennessy takes as his subject two centuries of experiment in portraiture during the Renaissance. He shows how the Renaissance cult of individuality brought with it a demand that the features of the individual be perpetuated. This concept was first manifested in the portraits that fill the great Florentine fresco cycles and led, later in the fifteenth century, to the creation of the independent portrait by such artists as Botticelli, Antonio Pollaiuolo, Giovanni Bellini, and Antonello da Messina. The author goes on to describe the process by which Titian and the great artists of the High Renaissance transformed the portrait from a record of appearance into an analysis of character."--Amazon

ISBN: 0691018251

LCCN: 66016236Subjects--Topical Terms:

3573958
Portrait painting, Renaissance
Subjects--Index Terms:

Paintings

LC Class. No.: ND1308 / .P6 1989

Dewey Class. No.: 757.09024

The portrait in the Renaissance : = the A.W. Mellon lectures in the Fine Arts, 1963 [delivered at] The National Gallery of Art, Washington, D.C. /
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504 $a Includes bibliographical references (pages 303-327) and inex
520 # $a "Here John Pope-Hennessy takes as his subject two centuries of experiment in portraiture during the Renaissance. He shows how the Renaissance cult of individuality brought with it a demand that the features of the individual be perpetuated. This concept was first manifested in the portraits that fill the great Florentine fresco cycles and led, later in the fifteenth century, to the creation of the independent portrait by such artists as Botticelli, Antonio Pollaiuolo, Giovanni Bellini, and Antonello da Messina. The author goes on to describe the process by which Titian and the great artists of the High Renaissance transformed the portrait from a record of appearance into an analysis of character."--Amazon
650 # 0 $a Portrait painting, Renaissance $3 3573958
650 # 0 $a Portraits, Renaissance $3 3573959
653 0 # $a Paintings $a Special subjects $a Portraits
830 0 $a Bollingen series ; $v 35:12 $3 3573956
830 0 $a A.W. Mellon lectures in the fine arts ; $v 12 $3 3573957