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Music and the language of love = sev...

Gordon-Seifert, Catherine Elizabeth.

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Music and the language of love = seventeenth-century French airs /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Music and the language of love/ Catherine Gordon-Seifert.
Reminder of title:	seventeenth-century French airs /
Author:	Gordon-Seifert, Catherine Elizabeth.
Published:	Bloomington :Indiana University Press, : c2011.,
Description:	1 online resource (ix, 390 p.) :ill.
[NT 15003449]:	Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert,Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century Frenchsources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece:their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing Frenchairs: A haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ;Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men --The late-seventeenth-century airand the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.
Subject:	Love in music. -
Online resource:	http://muse.jhu.edu/books/9780253000859/Full text available:
ISBN:	9780253000859 (electronic bk.)

Music and the language of love = seventeenth-century French airs /
Gordon-Seifert, Catherine Elizabeth.

Music and the language of loveseventeenth-century French airs /[electronic resource] :Catherine Gordon-Seifert. - Bloomington :Indiana University Press,c2011. - 1 online resource (ix, 390 p.) :ill. - Musical meaning and interpretation. - Musical meaning and interpretation..

Includes bibliographical references (p. [345]-367) and index.

Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert,Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century Frenchsources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece:their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing Frenchairs: A haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ;Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men --The late-seventeenth-century airand the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.

ISBN: 9780253000859 (electronic bk.)Subjects--Topical Terms:

1993251
Love in music.

LC Class. No.: ML270.2 / .G67 2011

Dewey Class. No.: 782.4/3094409032

Music and the language of love = seventeenth-century French airs /
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245 1 0 $a Music and the language of love $h [electronic resource] : $b seventeenth-century French airs / $c Catherine Gordon-Seifert.
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300 $a 1 online resource (ix, 390 p.) : $b ill.
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