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Performance, space, utopia = cities ...

Jestrovic, Silvija, (1970-)

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Performance, space, utopia = cities of war, cities of exile /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Performance, space, utopia/ Silvija Jestrovic.
Reminder of title:	cities of war, cities of exile /
Author:	Jestrovic, Silvija,
Published:	Houndmills, Basingstoke, Hampshire :Palgrave Macmillan, : 2013.,
Description:	1 online resource (pages cm.)
[NT 15003449]:	List of Illustrations -- Series Preface -- Acknowledgements -- Cities of War, Cities of Exile: Introduction -- PART I: BELGRADE - THE CITY OF SPECTACLE -- City-as-Action -- At the Confluence of Utopia and Seduction -- Epilogue: Endemic Geopathologies -- Part II: SARAJEVO: IMAGINARIES AND EMBODIMENTS -- Waiting for Godot: Sarajevo and its Interpretations -- City-as-Body -- Theatricality vs. Bare Life -- Theatre as Ideal City -- PART III: CITY OF EXILE -- In the Comfort of Non-Place -- Bibliography -- Index.
[NT 15003449]:	Machine generated contents note: -- List of Illustrations -- Series Preface -- Acknowledgements -- Cities of War, Cities of Exile: Introduction -- PART I: BELGRADE -- THE CITY OF SPECTACLE -- City-as-Action -- At the Confluence of Utopia and Seduction -- Epilogue: Endemic Geopathologies -- Part II: SARAJEVO: IMAGINARIES AND EMBODIMENTS -- Waiting for Godot: Sarajevo and its Interpretations -- City-as-Body -- Theatricality vs. Bare Life -- Theatre as Ideal City -- PART III: CITY OF EXILE -- In the Comfort of Non-Place -- Bibliography -- Index.
Subject:	Theater - Political aspects - 20th century. - Serbia -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137291677
ISBN:	9781137291677 (electronic bk.)

Performance, space, utopia = cities of war, cities of exile /
Jestrovic, Silvija,1970-

Performance, space, utopiacities of war, cities of exile /[electronic resource] :Silvija Jestrovic. - Houndmills, Basingstoke, Hampshire :Palgrave Macmillan,2013. - 1 online resource (pages cm.) - Studies in international performance.

List of Illustrations -- Series Preface -- Acknowledgements -- Cities of War, Cities of Exile: Introduction -- PART I: BELGRADE - THE CITY OF SPECTACLE -- City-as-Action -- At the Confluence of Utopia and Seduction -- Epilogue: Endemic Geopathologies -- Part II: SARAJEVO: IMAGINARIES AND EMBODIMENTS -- Waiting for Godot: Sarajevo and its Interpretations -- City-as-Body -- Theatricality vs. Bare Life -- Theatre as Ideal City -- PART III: CITY OF EXILE -- In the Comfort of Non-Place -- Bibliography -- Index.

The war in the Balkans that took place between 1991-1995 forms the context of this book. It has been variously viewed as ethnic strife, religious conflict, or civil war but seldom has it been described as a war against cities. Belgrade and Sarajevo offer a fascinating comparative case study, not only because the two cities belong to the same historical narrative of the breakdown of Yugoslavia, but because of the ways in which their various performances both complement and contradict one another. This book examines how performance and theatricality became modes of being and acting in the city, even strategies of physical and ethical survival; yet so often it is exile, both as marginalisation within and exodus from the city, that emerges as the defining consequence of living in Sarajevo or Belgrade in the 1990s.

ISBN: 9781137291677 (electronic bk.)

Source: 495996Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

1976629
Theater
--Political aspects--Serbia--20th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2859.S46 / J47 2013

Dewey Class. No.: 792.094971

Performance, space, utopia = cities of war, cities of exile /
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505 0 $a List of Illustrations -- Series Preface -- Acknowledgements -- Cities of War, Cities of Exile: Introduction -- PART I: BELGRADE - THE CITY OF SPECTACLE -- City-as-Action -- At the Confluence of Utopia and Seduction -- Epilogue: Endemic Geopathologies -- Part II: SARAJEVO: IMAGINARIES AND EMBODIMENTS -- Waiting for Godot: Sarajevo and its Interpretations -- City-as-Body -- Theatricality vs. Bare Life -- Theatre as Ideal City -- PART III: CITY OF EXILE -- In the Comfort of Non-Place -- Bibliography -- Index.
505 8 $a Machine generated contents note: -- List of Illustrations -- Series Preface -- Acknowledgements -- Cities of War, Cities of Exile: Introduction -- PART I: BELGRADE -- THE CITY OF SPECTACLE -- City-as-Action -- At the Confluence of Utopia and Seduction -- Epilogue: Endemic Geopathologies -- Part II: SARAJEVO: IMAGINARIES AND EMBODIMENTS -- Waiting for Godot: Sarajevo and its Interpretations -- City-as-Body -- Theatricality vs. Bare Life -- Theatre as Ideal City -- PART III: CITY OF EXILE -- In the Comfort of Non-Place -- Bibliography -- Index.
520 $a The war in the Balkans that took place between 1991-1995 forms the context of this book. It has been variously viewed as ethnic strife, religious conflict, or civil war but seldom has it been described as a war against cities. Belgrade and Sarajevo offer a fascinating comparative case study, not only because the two cities belong to the same historical narrative of the breakdown of Yugoslavia, but because of the ways in which their various performances both complement and contradict one another. This book examines how performance and theatricality became modes of being and acting in the city, even strategies of physical and ethical survival; yet so often it is exile, both as marginalisation within and exodus from the city, that emerges as the defining consequence of living in Sarajevo or Belgrade in the 1990s.
520 $a "The war in the Balkans that took place between 1991-1995 forms the context of this book. It has been variously viewed as ethnic strife, religious conflict, or civil war but seldom has it been described as a war against cities. Belgrade and Sarajevo offer a fascinating comparative case study, not only because the two cities belong to the same historical narrative of the breakdown of Yugoslavia, but because of the ways in which their various performances both complement and contradict one another. This book examines how performance and theatricality became modes of being and acting in the city, even strategies of physical and ethical survival; yet so often it is exile, both as marginalisation within and exodus from the city, that emerges as the defining consequence of living in Sarajevo or Belgrade in the 1990s. "-- $c Provided by publisher.
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