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413086033x from books.google.com
Each chapter in Sayonara Amerika, Sayonara Nippon examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in ...
413086033x from books.google.com
And like Ma Yuan's brushwork, Edwards's prose couples formal restraint with expressive power. This book is a major contribution to the literature on the art of ink painting at the Southern Song court.
413086033x from books.google.com
This anthology is a book-length study of China's ecosystem through the lens of cinema. Proposing 'ecocinema' as a new critical framework, the volume collectively investigates a wide range of urgent topics in today's world.
413086033x from books.google.com
This book compares production and consumption of Asian horror cinemas in different national contexts and their multidirectional dialogues with Hollywood and neighboring Asian cultures.
413086033x from books.google.com
This elegant volume documents three hundred years of exquisite drawing tools, richly photographed and described, for architects, draftsmen, and engineers.
413086033x from books.google.com
This book describes how notions of Chinese identity, culture, and popular film genres have been reinvented and repackaged by major U.S. studios, spurring a surge in Chinese visibility in Hollywood.
413086033x from books.google.com
" - Harvey Deneroff, Savannah College of Art and Design, Atlanta, Georgia "This is a valuable study that transcends most of its predecessors by situating Japanese anime in its cultural context and providing detailed insight into the lives ...
413086033x from books.google.com
Anna Sigrídur Arnar explores how the book became a stretegic site for encouraging a modern public to actively partake in the creative act, an idea that informed later 20-century developments such as conceptual and performance art.
413086033x from books.google.com
In this new edition of No Man an Island, James Udden charts a new chapter in the evolving art of Hou Hsiao-hsien, whose latest film, The Assassin, earned him the Best Director Award at the Cannes Film Festival in 2015.