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The art of the ensemble: The Tsukubu...

Watsky, Andrew Mark.

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The art of the ensemble: The Tsukubusuma Sanctuary, 1570-1615. (Volumes I and II).

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The art of the ensemble: The Tsukubusuma Sanctuary, 1570-1615. (Volumes I and II)./
Author:	Watsky, Andrew Mark.
Description:	488 p.
Notes:	Co-Advisers: Yoshiaki Shimizu; Martin Collcutt.
Contained By:	Dissertation Abstracts International55-06A.
Subject:	Architecture. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9429132

The art of the ensemble: The Tsukubusuma Sanctuary, 1570-1615. (Volumes I and II).
Watsky, Andrew Mark.

The art of the ensemble: The Tsukubusuma Sanctuary, 1570-1615. (Volumes I and II). - 488 p.

Co-Advisers: Yoshiaki Shimizu; Martin Collcutt.

Thesis (Ph.D.)--Princeton University, 1994.

This study examines the Tsukubusuma Sanctuary, a Momoyama-period (1573-1615) ensemble of multiple media informed by the interlocking spheres of artistic, spiritual, and political activity. The Sanctuary is located on the remote island of Chikubushima in Shiga Prefecture. Chapter One traces the physical history of the Sanctuary, and shows that the building is a composite of two parts that were once unrelated: an outer part (hisashi), which likely dates from the 1560s, and a core (moya), which stood originally as an independent building in Kyoto. In 1602, these parts were joined to form today's Sanctuary.Subjects--Topical Terms:

523581
Architecture.

The art of the ensemble: The Tsukubusuma Sanctuary, 1570-1615. (Volumes I and II).
LDR:03189nam 2200313 a 45 001 965764
005 20110908
008 110908s1994 eng d
035 $a (UnM)AAI9429132
035 $a AAI9429132
040 $a UnM $c UnM
100 1 $a Watsky, Andrew Mark. $3 1288516
245 1 4 $a The art of the ensemble: The Tsukubusuma Sanctuary, 1570-1615. (Volumes I and II).
300 $a 488 p.
500 $a Co-Advisers: Yoshiaki Shimizu; Martin Collcutt.
500 $a Source: Dissertation Abstracts International, Volume: 55-06, Section: A, page: 1403.
502 $a Thesis (Ph.D.)--Princeton University, 1994.
520 $a This study examines the Tsukubusuma Sanctuary, a Momoyama-period (1573-1615) ensemble of multiple media informed by the interlocking spheres of artistic, spiritual, and political activity. The Sanctuary is located on the remote island of Chikubushima in Shiga Prefecture. Chapter One traces the physical history of the Sanctuary, and shows that the building is a composite of two parts that were once unrelated: an outer part (hisashi), which likely dates from the 1560s, and a core (moya), which stood originally as an independent building in Kyoto. In 1602, these parts were joined to form today's Sanctuary.
520 $a Chapters Two and Three focus on the moya, the building moved from Kyoto. I demonstrate that this building, including its extensive decoration, was created in the 1590s as an ensemble that was cohesive in form and in meaning. The ensemble is characterized by its formal unity, in which the decoration is fully integrated over the architectural framework. I argue, too, for the first time, that the moya was built as a memorial to a deceased child of Toyotomi Hideyoshi, who then ruled Japan. Reference to this original manifestation is contained in the specific symbolic associations of the decoration, which were obscured by the removal of the moya from its Kyoto site.
520 $a Chapters Four and Five examine the Tsukubusuma Sanctuary ensemble newly formed on Chikubushima in 1602. This ensemble is of primary interest for its profound connection to historical events. It was created by the weakened Toyotomi amidst the tumultuous political changes that followed Hideyoshi's death. It was part of a Toyotomi campaign of activities in the spiritual realm that was patterned after earlier precedents set by Hideyoshi. In their ultimately failed attempt to regain leadership of Japan, the Toyotomi used these activities to portray themselves as conduits to spiritual power that was crucial to the well-being of the nation. The 1602 project also evokes an earlier relationship between Hideyoshi and the Benzaiten cult site of Chikubushima. The Sanctuary ensemble, more than any other, encapsulates all of the meanings that the Toyotomi hoped to convey through their politically charged sponsorship of religious sites.
590 $a School code: 0181.
650 4 $a Architecture. $3 523581
650 4 $a Art History. $3 635474
650 4 $a Religion, Philosophy of. $3 1017774
690 $a 0322
690 $a 0377
690 $a 0729
710 2 0 $a Princeton University. $3 645579
773 0 $t Dissertation Abstracts International $g 55-06A.
790 $a 0181
790 1 0 $a Collcutt, Martin, $e advisor
790 1 0 $a Shimizu, Yoshiaki, $e advisor
791 $a Ph.D.
792 $a 1994
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9429132