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The modernist novel in Western and E...

Varga, Adriana.

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The modernist novel in Western and Eastern Europe: Virginia Woolf, Dezso Kosztolnyi, and Mateiu Caragiale.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The modernist novel in Western and Eastern Europe: Virginia Woolf, Dezso Kosztolnyi, and Mateiu Caragiale./
Author:	Varga, Adriana.
Description:	203 p.
Notes:	Adviser: Mihaly Szegedy-Maszak.
Contained By:	Dissertation Abstracts International68-07A.
Subject:	Gender Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3274277
ISBN:	9780549151524

The modernist novel in Western and Eastern Europe: Virginia Woolf, Dezso Kosztolnyi, and Mateiu Caragiale.
Varga, Adriana.

The modernist novel in Western and Eastern Europe: Virginia Woolf, Dezso Kosztolnyi, and Mateiu Caragiale. - 203 p.

Adviser: Mihaly Szegedy-Maszak.

Thesis (Ph.D.)--Indiana University, 2007.

I investigate the development of the Modernist, experimental novel in the context of British, Hungarian, and Romanian literary traditions. The interwar period was fraught with conflicts concerning nationhood and ethnic and minority rights in a Europe whose boundaries had been completely rearranged after the 1919 Paris Peace Conference. These debates were particularly important in East-Central Europe, where the newly re-drawn national boundaries influenced cultural and textual production, transmission, and reception. The three authors whose works I compare were contemporaries and produced their most innovative fiction during this period. I explore these authors' late novels from three different angles: Woolf's from the perspective of music, Caragiale's from that of the visual arts, and Kosztolanyi's from that of language. In my final, comparative chapter, I draw on the interface of music, painting, and language in order to show that, while emerging from vastly different cultural and linguistic traditions, these writers' late fictional experiments share striking similarities that complicate the relationship between center and periphery. The nature of my comparison questions traditional views of the novel as a genre that developed in Western Europe and was simply imitated by the periphery, and challenges dominant/subaltern models of literary transmission and reception.

ISBN: 9780549151524Subjects--Topical Terms:

898693
Gender Studies.

The modernist novel in Western and Eastern Europe: Virginia Woolf, Dezso Kosztolnyi, and Mateiu Caragiale.
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008 110831s2007 eng d
020 $a 9780549151524
035 $a (UMI)AAI3274277
035 $a AAI3274277
040 $a UMI $c UMI
100 1 $a Varga, Adriana. $3 1286860
245 1 4 $a The modernist novel in Western and Eastern Europe: Virginia Woolf, Dezso Kosztolnyi, and Mateiu Caragiale.
300 $a 203 p.
500 $a Adviser: Mihaly Szegedy-Maszak.
500 $a Source: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2936.
502 $a Thesis (Ph.D.)--Indiana University, 2007.
520 $a I investigate the development of the Modernist, experimental novel in the context of British, Hungarian, and Romanian literary traditions. The interwar period was fraught with conflicts concerning nationhood and ethnic and minority rights in a Europe whose boundaries had been completely rearranged after the 1919 Paris Peace Conference. These debates were particularly important in East-Central Europe, where the newly re-drawn national boundaries influenced cultural and textual production, transmission, and reception. The three authors whose works I compare were contemporaries and produced their most innovative fiction during this period. I explore these authors' late novels from three different angles: Woolf's from the perspective of music, Caragiale's from that of the visual arts, and Kosztolanyi's from that of language. In my final, comparative chapter, I draw on the interface of music, painting, and language in order to show that, while emerging from vastly different cultural and linguistic traditions, these writers' late fictional experiments share striking similarities that complicate the relationship between center and periphery. The nature of my comparison questions traditional views of the novel as a genre that developed in Western Europe and was simply imitated by the periphery, and challenges dominant/subaltern models of literary transmission and reception.
590 $a School code: 0093.
650 4 $a Gender Studies. $3 898693
650 4 $a Literature, Comparative. $3 530051
650 4 $a Literature, English. $3 1017709
650 4 $a Literature, Slavic and East European. $3 1022083
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690 $a 0314
690 $a 0593
690 $a 0733
710 2 0 $a Indiana University. $b Comparative Literature. $3 1286861
773 0 $t Dissertation Abstracts International $g 68-07A.
790 $a 0093
790 1 0 $a Szegedy-Maszak, Mihaly, $e advisor
791 $a Ph.D.
792 $a 2007
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3274277