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Framings of cultural identities: Mod...

Wong, Lisa Lai-Ming.

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Framings of cultural identities: Modern poetry in post-colonial Taiwan with Yang Mu as a case study.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Framings of cultural identities: Modern poetry in post-colonial Taiwan with Yang Mu as a case study./
Author:	Wong, Lisa Lai-Ming.
Description:	508 p.
Notes:	Adviser: Samuel Hung-Nin Cheung.
Contained By:	Dissertation Abstracts International60-07A.
Subject:	Literature, Asian. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9936683
ISBN:	9780599377882

Framings of cultural identities: Modern poetry in post-colonial Taiwan with Yang Mu as a case study.
Wong, Lisa Lai-Ming.

Framings of cultural identities: Modern poetry in post-colonial Taiwan with Yang Mu as a case study. - 508 p.

Adviser: Samuel Hung-Nin Cheung.

Thesis (Ph.D.)--Hong Kong University of Science and Technology (Hong Kong), 1999.

From a post-structuralist perspective, this dissertation investigates the construction of cultural identity in the light of framing. Identity is discussed as an ergon (work of art) produced by its parergon (frame). The paradox of parergonality lies in the double-bind of solidity/permeability of the frame. A close examination will show that the frame does not make a borderline but is itself made of borderline cases.

ISBN: 9780599377882Subjects--Topical Terms:

1017599
Literature, Asian.

Framings of cultural identities: Modern poetry in post-colonial Taiwan with Yang Mu as a case study.
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005 20110520
008 110520s1999 ||||||||||||||||| ||eng d
020 $a 9780599377882
035 $a (UMI)AAI9936683
035 $a AAI9936683
040 $a UMI $c UMI
100 1 $a Wong, Lisa Lai-Ming. $3 1267616
245 1 0 $a Framings of cultural identities: Modern poetry in post-colonial Taiwan with Yang Mu as a case study.
300 $a 508 p.
500 $a Adviser: Samuel Hung-Nin Cheung.
500 $a Source: Dissertation Abstracts International, Volume: 60-07, Section: A, page: 2499.
502 $a Thesis (Ph.D.)--Hong Kong University of Science and Technology (Hong Kong), 1999.
520 $a From a post-structuralist perspective, this dissertation investigates the construction of cultural identity in the light of framing. Identity is discussed as an ergon (work of art) produced by its parergon (frame). The paradox of parergonality lies in the double-bind of solidity/permeability of the frame. A close examination will show that the frame does not make a borderline but is itself made of borderline cases.
520 $a This research demonstrates the ways discursive framing of identity works in modern poetry of post-colonial Taiwan. The scope covers three historical moments selected between the 1970s and the 1990s during which identity issues received much critical attention in the literary milieu. In each moment, identity frames are regulated by the shifts in power balances both globally and locally.
520 $a Taking into consideration the poetry, practical criticism and literary historiography of the selected periods, I circumscribe the discussion within the etymological roots of shih (poetry): the land, the foot and speech/word, and the Chinese traditional poetics Shih-yen-chih . Starting from this poetic tenet, I have ventured into two major paths of identity construction: indigenization and hybridization, as well as their related problematics.
520 $a Indigenization projects operate by a narrowing and hardening of the frame. Following the shifts of discourses from nationalism to localism, boundaries are re-drawn when identities are re-located. These essentialist identity claims are grounded on a place-based consciousness with an oppositional imagination of the self and the other. When indigenization works to install differences in a pedagogical direction by rescuing histories and recovering traditions, Yang Mu's texts offer performative possibilities in the third space, unravelling monolithic narratives from an allegorical distance. In-between Yang Mu's texts and the Yang Mu discourse is an interesting site of contradictions. While contesting claims of "a Hualienist" and "a Cultural hybrid" are taking root, the poet's stress on scepticism and signification questions the essentialist framing of identity by locality and shows the subversive power of hybridization in its resistance to a symbolic hybrid.
520 $a Given the complex political condition of Taiwan, identity framings often involve hyphenation, depending on the interdependencies between a centre and its margin. This dissertation will demonstrate that the framings of cultural identity are historical and open to negotiation; they display the paradox of parergonality.
590 $a School code: 1223.
650 4 $a Literature, Asian. $3 1017599
650 4 $a Literature, Comparative. $3 530051
650 4 $a Literature, Modern. $3 624011
690 $a 0295
690 $a 0298
690 $a 0305
710 2 $a Hong Kong University of Science and Technology (Hong Kong). $3 1022235
773 0 $t Dissertation Abstracts International $g 60-07A.
790 $a 1223
790 1 0 $a Cheung, Samuel Hung-Nin, $e advisor
791 $a Ph.D.
792 $a 1999
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9936683