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New sensations in Shanghai literatur...

Mao, Jian.

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New sensations in Shanghai literature and cinema in the 1930s and 1940s (Chinese text).

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	New sensations in Shanghai literature and cinema in the 1930s and 1940s (Chinese text)./
作者:	Mao, Jian.
面頁冊數:	241 p.
附註:	Source: Dissertation Abstracts International, Volume: 63-10, Section: A, page: 3537.
Contained By:	Dissertation Abstracts International63-10A.
Subject:	Cinema. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3067170
ISBN:	0493867287

New sensations in Shanghai literature and cinema in the 1930s and 1940s (Chinese text).
Mao, Jian.

New sensations in Shanghai literature and cinema in the 1930s and 1940s (Chinese text). - 241 p.

Source: Dissertation Abstracts International, Volume: 63-10, Section: A, page: 3537.

Thesis (Ph.D.)--Hong Kong University of Science and Technology (People's Republic of China), 2002.

By analyzing the new urban discourses that take shape in the thirties and forties, this study tries to explore the figuration and transformation of the “new urban sensations”.

ISBN: 0493867287Subjects--Topical Terms:

854529
Cinema.

New sensations in Shanghai literature and cinema in the 1930s and 1940s (Chinese text).
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245 1 0 $a New sensations in Shanghai literature and cinema in the 1930s and 1940s (Chinese text).
300 $a 241 p.
500 $a Source: Dissertation Abstracts International, Volume: 63-10, Section: A, page: 3537.
500 $a Supervisor: Leonard Kwok-Kou Chan.
502 $a Thesis (Ph.D.)--Hong Kong University of Science and Technology (People's Republic of China), 2002.
520 $a By analyzing the new urban discourses that take shape in the thirties and forties, this study tries to explore the figuration and transformation of the “new urban sensations”.
520 $a The first chapter focuses on how the concept of “health” becomes a rising idea in the thirties and one of the requirements of being modern. Second Chapter discusses the relationship between the ideology of the left wing, the face of Jin Yan and the body of Ruan Lingyu. Third Chapter probes into the new sensations expressed through “things” like “cinema” and “telephone”, and defines the characteristics of Shanghai Space Time of being discursive and neurotic. Fourth Chapter puts forward the idea of “two Shanghais” by comparing the experiences of Shanghai local people and that of the countrymen in the same city. The concluding chapter discusses the relationship between Shanghai and rural China, and describes the fate of “Shanghai ideology” after the Sino-Japanese War.
590 $a School code: 1223.
650 4 $a Cinema. $3 854529
650 4 $a Language, Modern. $3 1018098
650 4 $a Literature, Asian. $3 1017599
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710 2 0 $a Hong Kong University of Science and Technology (People's Republic of China). $3 1249812
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792 $a 2002
793 $a Chinese
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3067170