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Get real = documentary theatre past ...

Forsyth, Alison, (1961-)

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Get real = documentary theatre past and present /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Get real/ edited by Alison Forsyth and Chris Megson.
其他題名:	documentary theatre past and present /
其他作者:	Forsyth, Alison,
出版者:	Basingstoke :Palgrave Macmillan, : 2009.,
面頁冊數:	xii, 256 p. ;23 cm.
內容註:	Introduction / A.Forsyth & C.Megson -- The Promise of Documentary / J.Reinelt -- Mediating the 1930s: Documentary and Politics in Theatre Union's Last Edition (1940)/ B.Harker -- History in the Driving Seat: Unity Theatre and the Embrace of the 'Real' / C.Chambers -- The Documentary Body: Theatre Workshop to Banner Theatre/ A.Filewod -- Living Simulations: The Use of Media in Documentary in the UK, Lebanon, and Israel/ C.Martin -- Looking for Esrafil: witnessing 'refugitive' bodies in I've got something to show you/ A.Jeffers -- Remembering the Past, 'Growing Ourselves a Future': Community-Based Documentary Theatre in the East Palo Alto Project / L.Smith -- Ngapartji Ngapartji: Telling Aboriginal Australian Stories/ M.Casey -- Performing Trauma: Race Riots and Beyond in the Workof Anna Deavere Smith / A.Forsyth -- History, Memory and Trauma in the Documentary Plays of Emily Mann/ A.Favorini -- When Heroes Fall: Doug Wright's I Am My Own Wife and the Challenge to Truth /N.P.Highberg -- The Performance of Truth and Justice in Northern Ireland: the Case of Bloody Sunday/ C-A.Upton -- Half the Picture: 'a certain frisson' at the Tricycle Theatre / C.Megson -- Verbatim Theatre in South Africa: "living history in a person's performance"/ Y.Hutchison -- The 'Broken Tradition' of Documentary Theatre and its Continued Powers of Endurance / D.Paget.
標題:	Political plays - History and criticism. -
電子資源:	http://link.springer.com/10.1057/9780230236943access to fulltext (Palgrave)
ISBN:	0230236944

Get real = documentary theatre past and present /
Get realdocumentary theatre past and present /[electronic resource] :edited by Alison Forsyth and Chris Megson. - Basingstoke :Palgrave Macmillan,2009. - xii, 256 p. ;23 cm. - Performance interventions. - Performance interventions..

Includes bibliographical references and index.

Introduction / A.Forsyth & C.Megson -- The Promise of Documentary / J.Reinelt -- Mediating the 1930s: Documentary and Politics in Theatre Union's Last Edition (1940)/ B.Harker -- History in the Driving Seat: Unity Theatre and the Embrace of the 'Real' / C.Chambers -- The Documentary Body: Theatre Workshop to Banner Theatre/ A.Filewod -- Living Simulations: The Use of Media in Documentary in the UK, Lebanon, and Israel/ C.Martin -- Looking for Esrafil: witnessing 'refugitive' bodies in I've got something to show you/ A.Jeffers -- Remembering the Past, 'Growing Ourselves a Future': Community-Based Documentary Theatre in the East Palo Alto Project / L.Smith -- Ngapartji Ngapartji: Telling Aboriginal Australian Stories/ M.Casey -- Performing Trauma: Race Riots and Beyond in the Workof Anna Deavere Smith / A.Forsyth -- History, Memory and Trauma in the Documentary Plays of Emily Mann/ A.Favorini -- When Heroes Fall: Doug Wright's I Am My Own Wife and the Challenge to Truth /N.P.Highberg -- The Performance of Truth and Justice in Northern Ireland: the Case of Bloody Sunday/ C-A.Upton -- Half the Picture: 'a certain frisson' at the Tricycle Theatre / C.Megson -- Verbatim Theatre in South Africa: "living history in a person's performance"/ Y.Hutchison -- The 'Broken Tradition' of Documentary Theatre and its Continued Powers of Endurance / D.Paget.

Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishingrange of performance styles, ways of working and modes of intervention in varied sites of theatrical production. The essays in this collection place this workin context, exploring historical and contemporary examples of documentary and b1 sverbatim b2 s theatre, and applying a range of critical perspectives that elaborate its impact and significance today. Focusing on examples from the US, UK, Canada, Australia, South Africa and the Middle East, this collection raises provocative questions about documentary theatre b2 ss relationship to new technology, media, the body, the archive, memory, autobiography, and national identity. It examines the viability and resonance of documentary theatre in an era of infotainment,globalisation and postmodernity, and explores its past and potential contribution within the public sphere.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230236944

Standard No.: 10.1057/9780230236943doiSubjects--Topical Terms:

1099019
Political plays
--History and criticism.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2051 / .G48 2009

Dewey Class. No.: 792.013

Get real = documentary theatre past and present /
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300 $a xii, 256 p. ; $c 23 cm.
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505 0 $a Introduction / A.Forsyth & C.Megson -- The Promise of Documentary / J.Reinelt -- Mediating the 1930s: Documentary and Politics in Theatre Union's Last Edition (1940)/ B.Harker -- History in the Driving Seat: Unity Theatre and the Embrace of the 'Real' / C.Chambers -- The Documentary Body: Theatre Workshop to Banner Theatre/ A.Filewod -- Living Simulations: The Use of Media in Documentary in the UK, Lebanon, and Israel/ C.Martin -- Looking for Esrafil: witnessing 'refugitive' bodies in I've got something to show you/ A.Jeffers -- Remembering the Past, 'Growing Ourselves a Future': Community-Based Documentary Theatre in the East Palo Alto Project / L.Smith -- Ngapartji Ngapartji: Telling Aboriginal Australian Stories/ M.Casey -- Performing Trauma: Race Riots and Beyond in the Workof Anna Deavere Smith / A.Forsyth -- History, Memory and Trauma in the Documentary Plays of Emily Mann/ A.Favorini -- When Heroes Fall: Doug Wright's I Am My Own Wife and the Challenge to Truth /N.P.Highberg -- The Performance of Truth and Justice in Northern Ireland: the Case of Bloody Sunday/ C-A.Upton -- Half the Picture: 'a certain frisson' at the Tricycle Theatre / C.Megson -- Verbatim Theatre in South Africa: "living history in a person's performance"/ Y.Hutchison -- The 'Broken Tradition' of Documentary Theatre and its Continued Powers of Endurance / D.Paget.
520 $a Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishingrange of performance styles, ways of working and modes of intervention in varied sites of theatrical production. The essays in this collection place this workin context, exploring historical and contemporary examples of documentary and b1 sverbatim b2 s theatre, and applying a range of critical perspectives that elaborate its impact and significance today. Focusing on examples from the US, UK, Canada, Australia, South Africa and the Middle East, this collection raises provocative questions about documentary theatre b2 ss relationship to new technology, media, the body, the archive, memory, autobiography, and national identity. It examines the viability and resonance of documentary theatre in an era of infotainment,globalisation and postmodernity, and explores its past and potential contribution within the public sphere.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on July 24, 2009). $n Access may be restricted to users at subscribing institutions.
650 0 $a Political plays $x History and criticism. $3 1099019
650 0 $a Reality in literature. $3 617955
650 0 $a Theater and society. $3 619070
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700 1 $a Forsyth, Alison, $d 1961- $3 1099017
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856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230236943 $z access to fulltext (Palgrave)