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Antithetical arts = on the ancient q...

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Kivy, Peter.

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Antithetical arts = on the ancient quarrel between literature and music /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Antithetical arts/ Peter Kivy.
Reminder of title:	on the ancient quarrel between literature and music /
Author:	Kivy, Peter.
Published:	Oxford :Oxford University Press, : c2009.,
Description:	ix, 275 p. ;22 cm.
Subject:	Absolute music. -
Online resource:	http://dx.doi.org/10.1093/acprof:oso/9780199562800.001.0001
ISBN:	9780199562800

Antithetical arts = on the ancient quarrel between literature and music /
Kivy, Peter.

Antithetical artson the ancient quarrel between literature and music /[electronic resource] :Peter Kivy. - Oxford :Oxford University Press,c2009. - ix, 275 p. ;22 cm.

Includes bibliographical references and index.

Peter Kivy presents a critical examination of the two rival ways of understanding instrumental music. He argues against 'literary' interpretation in terms of representational or narrative content, and defends musical formalism. He also discusses interpretations of a range of works in the canon.

Electronic reproduction.
Oxford :
Oxford University Press,
2009.

(Oxford Scholarship Online).

Mode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).

ISBN: 9780199562800Subjects--Topical Terms:

1046993
Absolute music.

LC Class. No.: ML3849

Dewey Class. No.: 780.08

Antithetical arts = on the ancient quarrel between literature and music /
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007 cr||||||||||||
008 101231s2009 enk fs 001 0 eng|d
020 $a 9780199562800
035 $a OSOUK99562800
040 $a StDuBDS $c StDuBDS
050 4 $a ML3849
082 0 4 $a 780.08 $2 22
100 1 $a Kivy, Peter. $3 547639
245 1 0 $a Antithetical arts $h [electronic resource] : $b on the ancient quarrel between literature and music / $c Peter Kivy.
260 $a Oxford : $c c2009. $b Oxford University Press,
300 $a ix, 275 p. ; $c 22 cm.
504 $a Includes bibliographical references and index.
520 8 $a Peter Kivy presents a critical examination of the two rival ways of understanding instrumental music. He argues against 'literary' interpretation in terms of representational or narrative content, and defends musical formalism. He also discusses interpretations of a range of works in the canon.
533 $a Electronic reproduction. $b Oxford : $c Oxford University Press, $d 2009. $f (Oxford Scholarship Online). $n Mode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher). $n Available as searchable text in HTML format. $n Access restricted to subscribing institutions.
650 0 $a Absolute music. $3 1046993
650 0 $a Music and literature. $3 590931
856 4 0 $u http://dx.doi.org/10.1093/acprof:oso/9780199562800.001.0001

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W9091967

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11.線上閱覽_V

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EB W9091967

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