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Tracing a parallel between recent sh...

State University of New York at Buffalo., Media Study.

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Tracing a parallel between recent shifts in labor and contemporary performative art production.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Tracing a parallel between recent shifts in labor and contemporary performative art production./
Author:	Barr, Christopher.
Description:	42 p.
Notes:	Adviser: Trebor Scholz.
Contained By:	Masters Abstracts International47-04.
Subject:	Fine Arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1461727
ISBN:	9780549990390

Tracing a parallel between recent shifts in labor and contemporary performative art production.
Barr, Christopher.

Tracing a parallel between recent shifts in labor and contemporary performative art production. - 42 p.

Adviser: Trebor Scholz.

Thesis (M.F.A.)--State University of New York at Buffalo, 2009.

Recent shifts in labor constructs, to what is currently being termed immaterial labor or Post-Fordism, parallel the rise of artistic practices that have as their basis collaboration and participation. This paper will focuses on networked performance, a type of performance art that utilizes Internet or network technology in its production or performance. As an art form it reflects and embodies the cultural shifts towards immateriality, by prizing and questioning technology, intellectual property, collaboration, participation, and time shifting.

ISBN: 9780549990390Subjects--Topical Terms:

891065
Fine Arts.

Tracing a parallel between recent shifts in labor and contemporary performative art production.
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245 1 0 $a Tracing a parallel between recent shifts in labor and contemporary performative art production.
300 $a 42 p.
500 $a Adviser: Trebor Scholz.
500 $a Source: Masters Abstracts International, Volume: 47-04, page: 1902.
502 $a Thesis (M.F.A.)--State University of New York at Buffalo, 2009.
520 $a Recent shifts in labor constructs, to what is currently being termed immaterial labor or Post-Fordism, parallel the rise of artistic practices that have as their basis collaboration and participation. This paper will focuses on networked performance, a type of performance art that utilizes Internet or network technology in its production or performance. As an art form it reflects and embodies the cultural shifts towards immateriality, by prizing and questioning technology, intellectual property, collaboration, participation, and time shifting.
590 $a School code: 0656.
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650 4 $a Sociology, Industrial and Labor Relations. $3 1017858
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773 0 $t Masters Abstracts International $g 47-04.
790 $a 0656
790 1 0 $a Koebel, Caroline $e committee member
790 1 0 $a Rothenberg, Stephanie $e committee member
790 1 0 $a Scholz, Trebor, $e advisor
791 $a M.F.A.
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1461727