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"Syncretisms" for wind quintet and p...
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University of North Texas.
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"Syncretisms" for wind quintet and percussion: A study in combining organizational principles from Southeast Asia with Western stylistic elements.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
"Syncretisms" for wind quintet and percussion: A study in combining organizational principles from Southeast Asia with Western stylistic elements./
作者:
Seymour, John.
面頁冊數:
101 p.
附註:
Adviser: Joseph Klein.
Contained By:
Masters Abstracts International47-02.
標題:
Language, Linguistics. -
電子資源:
http://0-pqdd.sinica.edu.tw.lib1.npue.edu.tw/twdaoapp/servlet/advanced?query=1458675
ISBN:
9780549792697
"Syncretisms" for wind quintet and percussion: A study in combining organizational principles from Southeast Asia with Western stylistic elements.
Seymour, John.
"Syncretisms" for wind quintet and percussion: A study in combining organizational principles from Southeast Asia with Western stylistic elements.
- 101 p.
Adviser: Joseph Klein.
Thesis (M.M.)--University of North Texas, 2008.
Syncretisms is an original composition scored for flute, oboe, clarinet, horn, bassoon, and marimba (2-mallet minimum, 4 recommended) with an optional percussion part requiring glockenspiel and chimes, and has an approximate duration of 6 min. 45. sec. The composition combines modern western tuning, timbre, and harmonic language with organizational principles identified in music from Southeast Asia (including music from cultures found in Thailand, Cambodia, Malaysia, and Indonesia).
ISBN: 9780549792697Subjects--Topical Terms:
1018079
Language, Linguistics.
"Syncretisms" for wind quintet and percussion: A study in combining organizational principles from Southeast Asia with Western stylistic elements.
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Source: Masters Abstracts International, Volume: 47-02, page: 0650.
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Thesis (M.M.)--University of North Texas, 2008.
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Syncretisms is an original composition scored for flute, oboe, clarinet, horn, bassoon, and marimba (2-mallet minimum, 4 recommended) with an optional percussion part requiring glockenspiel and chimes, and has an approximate duration of 6 min. 45. sec. The composition combines modern western tuning, timbre, and harmonic language with organizational principles identified in music from Southeast Asia (including music from cultures found in Thailand, Cambodia, Malaysia, and Indonesia).
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The accompanying paper describes each of these organizational principles, drawing on the work of scholars who have performed fieldwork, and describes the way in which each principle was employed in Syncretisms. The conclusion speculates on a method for comparing musical organizational systems cross-culturally.
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