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Women through the lens = gender and nation in a century of Chinese cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Women through the lens/ Shuqin Cui.
Reminder of title:	gender and nation in a century of Chinese cinema /
Author:	Cui, Shuqin.
Published:	Honolulu :University of Hawai迺 Press, : c2003.,
Description:	xxvi, 304 p. :ill.
[NT 15003449]:	Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon.
Subject:	Motion pictures - History. - China -
Online resource:	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=100389An electronic book accessible through the World Wide Web; click for information
ISBN:	0585479143 (electronic bk.)

Women through the lens = gender and nation in a century of Chinese cinema /
Cui, Shuqin.

Women through the lensgender and nation in a century of Chinese cinema /[electronic resource] :Shuqin Cui. - Honolulu :University of Hawai迺 Press,c2003. - xxvi, 304 p. :ill.

Filmography: p. [249]-267.

Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon.

Electronic reproduction.
Boulder, Colo. :
NetLibrary,
2003.

Available via World Wide Web.

ISBN: 0585479143 (electronic bk.)Subjects--Topical Terms:

571884
Motion pictures
--History.--ChinaIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1993.5.C4 / C85 2003eb

Dewey Class. No.: 791.43/0951

Women through the lens = gender and nation in a century of Chinese cinema /
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035 $a ocm53481906
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040 $a N $c N
043 $a a-cc---
049 $a AMFA
050 1 4 $a PN1993.5.C4 $b C85 2003eb
082 0 4 $a 791.43/0951 $2 22
100 $a Cui, Shuqin. $3 815092
245 1 0 $a Women through the lens $h [electronic resource] : $b gender and nation in a century of Chinese cinema / $c Shuqin Cui.
260 $a Honolulu : $c c2003. $b University of Hawai迺 Press,
300 $a xxvi, 304 p. : $b ill.
504 $a Filmography: p. [249]-267.
504 $a Includes bibliographical references (p. [287]-297) and index.
505 0 $a Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon.
533 $a Electronic reproduction. $b Boulder, Colo. : $c NetLibrary, $d 2003. $n Available via World Wide Web. $n Access may be limited to NetLibrary affiliated libraries.
650 $a Motion pictures $z China $x History. $3 571884
650 $a Sex role in motion pictures. $3 540629
650 $a Women in motion pictures. $3 549618
655 $a Electronic books. $2 lcsh $3 542853
710 $a NetLibrary, Inc. $3 542851
856 4 $3 Bibliographic record display $u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=100389 $z An electronic book accessible through the World Wide Web; click for information
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