東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ null ]

切換: 標籤 | MARC模式 | ISBD

Problems of literary reform in moder...

Chinnery, John D.,

FindBook

Google Book

Amazon

博客來

Problems of literary reform in modern China /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Problems of literary reform in modern China // John D Chinnery.
作者:	Chinnery, John D.,
面頁冊數:	1 electronic resource (593 pages)
附註:	Source: Dissertations Abstracts International, Volume: 79-06, Section: C.
Contained By:	Dissertations Abstracts International79-06C.
標題:	Asian literature. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10731180
ISBN:	9780355481389

Problems of literary reform in modern China /
Chinnery, John D.,

Problems of literary reform in modern China /John D Chinnery. - 1 electronic resource (593 pages)

Source: Dissertations Abstracts International, Volume: 79-06, Section: C.

The period following the fall of the Manchu dynasty in 1911 was one of rapid economic and social change in China. It created conditions favourable for the development of the New Culture Movement which started during the Great war, and reached its climax in 1919.Two of the basic features of this movement were the introduction of ideas from the West and the reassessment of Chinese traditions from the standpoint of those ideas. The Literary Revolution was an integral part of the New Culture Movement, which, after an initial period of discussion and debate, undertook the task of building a new Chinese literature with a new humanist or revolutionary content, and with forms copied from, or inspired by. Western literature. The problems which this task of construction involved were many and varied. During the next few years the literature of many periods and countries was introduced into China, and the new writers experimented with numerous forms. Ultimately, those which accorded most closely with the needs of Chinese literature, and especially with the social conditions and demands of the Chinese revolution, which had a determining influence on it, were successfully adopted, and fused with the Chinese tradition. The writer who best succeeded in mastering these problems of selection and synthesis was Lu Hsun, who, while benefiting from the example of Western writers, especially Russian, at the same time retained a Chinese character and style, not only through the subject matter of his work, but also from his knowledge and keen appreciation of old Chinese literature.

English

ISBN: 9780355481389Subjects--Topical Terms:

2122707
Asian literature.
Subjects--Index Terms:

Chinese literature

Problems of literary reform in modern China /
LDR:02809nmm a22003613i 4500 001 2438347
005 20260727132358.5
006 m o d
007 cr|nu||||||||
008 261011s1955 miu||||||m |||||||eng d
020 $a 9780355481389
035 $a (MiAaPQD)AAI10731180
035 $a (MiAaPQD)RLUKSOASD0191
035 $a AAI10731180
040 $a MiAaPQD $b eng $c MiAaPQD $e rda
100 1 $a Chinnery, John D., $e author. $3 3829620
245 1 0 $a Problems of literary reform in modern China / $c John D Chinnery.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1955
300 $a 1 electronic resource (593 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 79-06, Section: C.
500 $a Publisher info.: Dissertation/Thesis.
502 $b Ph.D. $c University of London, School of Oriental and African Studies (United Kingdom) $d 1955.
520 $a The period following the fall of the Manchu dynasty in 1911 was one of rapid economic and social change in China. It created conditions favourable for the development of the New Culture Movement which started during the Great war, and reached its climax in 1919.Two of the basic features of this movement were the introduction of ideas from the West and the reassessment of Chinese traditions from the standpoint of those ideas. The Literary Revolution was an integral part of the New Culture Movement, which, after an initial period of discussion and debate, undertook the task of building a new Chinese literature with a new humanist or revolutionary content, and with forms copied from, or inspired by. Western literature. The problems which this task of construction involved were many and varied. During the next few years the literature of many periods and countries was introduced into China, and the new writers experimented with numerous forms. Ultimately, those which accorded most closely with the needs of Chinese literature, and especially with the social conditions and demands of the Chinese revolution, which had a determining influence on it, were successfully adopted, and fused with the Chinese tradition. The writer who best succeeded in mastering these problems of selection and synthesis was Lu Hsun, who, while benefiting from the example of Western writers, especially Russian, at the same time retained a Chinese character and style, not only through the subject matter of his work, but also from his knowledge and keen appreciation of old Chinese literature.
546 $a English
590 $a School code: 8625
650 4 $a Asian literature. $3 2122707
653 $a Chinese literature
690 $a 0305
710 2 $a University of London, School of Oriental and African Studies (United Kingdom). $b Department not provided. $e degree granting institution. $3 3815495
773 0 $t Dissertations Abstracts International $g 79-06C.
790 $a 8625
791 $a Ph.D.
792 $a 1955
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10731180