東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ null ]

切換: 標籤 | MARC模式 | ISBD

Toward a Universal Meta-Theory of Mu...

Flieder, Drew,

FindBook

Google Book

Amazon

博客來

Toward a Universal Meta-Theory of Music: An Inquiry Into Musical Signs /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Toward a Universal Meta-Theory of Music: An Inquiry Into Musical Signs // Drew Flieder.
作者:	Flieder, Drew,
面頁冊數:	1 electronic resource (160 pages)
附註:	Source: Dissertations Abstracts International, Volume: 87-02, Section: A.
Contained By:	Dissertations Abstracts International87-02A.
標題:	Musical composition. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=32115558
ISBN:	9798291539514

Toward a Universal Meta-Theory of Music: An Inquiry Into Musical Signs /
Flieder, Drew,

Toward a Universal Meta-Theory of Music: An Inquiry Into Musical Signs /Drew Flieder. - 1 electronic resource (160 pages)

Source: Dissertations Abstracts International, Volume: 87-02, Section: A.

This dissertation develops a universal meta-theoretical framework for music that formalizes the conditions under which musical concepts arise. Grounded in Charles Sanders Peirce's triadic theory of signs and realized through a structure theory based on presheaves over the category of sets and relations, the framework provides a unified basis for theorizing musical objects and their interrelations. Drawing on philosophical, mathematical, and compositional insights, the dissertation proceeds in three stages. First, it establishes a semiotic foundation rooted in Peirce's conception of signs, followed by an investigation of concepts as a special class of signs. Second, it introduces a formal structure theory capable of encoding diverse musical concepts within a generalized categorical setting. Third, it applies this structure theory to construct a ramified theory of musical networks, demonstrating its generative and analytic capacities.Rather than offering a single stylistic or analytical agenda, this metamusical framework provides a conceptual architecture in which multiple theories and practices may coexist, interrelate, and be critically examined. It offers both a philosophical inquiry into the foundations of musical reality and a mathematical formalism for encoding musical structures, with implications for music theory, analysis, composition, and pedagogy.

English

ISBN: 9798291539514Subjects--Topical Terms:

3289630
Musical composition.
Subjects--Index Terms:

Category theory

Toward a Universal Meta-Theory of Music: An Inquiry Into Musical Signs /
LDR:02866nmm a22004453i 4500 001 2437999
005 20251121100752.5
006 m o d
007 cr|nu||||||||
008 261011s2025 miu||||||m |||||||eng d
020 $a 9798291539514
035 $a (MiAaPQD)AAI32115558
035 $a AAI32115558
040 $a MiAaPQD $b eng $c MiAaPQD $e rda
100 1 $a Flieder, Drew, $e author. $3 3829172
245 1 0 $a Toward a Universal Meta-Theory of Music: An Inquiry Into Musical Signs / $c Drew Flieder.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2025
300 $a 1 electronic resource (160 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 87-02, Section: A.
500 $a Advisors: Kuchera-Morin, JoAnn Committee members: Roads, Curtis; Oliveira, Joao Pedro; Barrett, Thomas.
502 $b Ph.D. $c University of California, Santa Barbara $d 2025.
520 $a This dissertation develops a universal meta-theoretical framework for music that formalizes the conditions under which musical concepts arise. Grounded in Charles Sanders Peirce's triadic theory of signs and realized through a structure theory based on presheaves over the category of sets and relations, the framework provides a unified basis for theorizing musical objects and their interrelations. Drawing on philosophical, mathematical, and compositional insights, the dissertation proceeds in three stages. First, it establishes a semiotic foundation rooted in Peirce's conception of signs, followed by an investigation of concepts as a special class of signs. Second, it introduces a formal structure theory capable of encoding diverse musical concepts within a generalized categorical setting. Third, it applies this structure theory to construct a ramified theory of musical networks, demonstrating its generative and analytic capacities.Rather than offering a single stylistic or analytical agenda, this metamusical framework provides a conceptual architecture in which multiple theories and practices may coexist, interrelate, and be critically examined. It offers both a philosophical inquiry into the foundations of musical reality and a mathematical formalism for encoding musical structures, with implications for music theory, analysis, composition, and pedagogy.
546 $a English
590 $a School code: 0035
650 4 $a Musical composition. $3 3289630
650 4 $a Music. $3 516178
650 4 $a Pedagogy. $3 2122828
650 4 $a Music theory. $3 547155
653 $a Category theory
653 $a Composition
653 $a Semiotics
653 $a Meta-theoretical framework
653 $a Musical structures
690 $a 0214
690 $a 0456
690 $a 0413
690 $a 0221
710 2 $a University of California, Santa Barbara. $b Music. $e degree granting institution. $3 3767513
720 1 $a Kuchera-Morin, JoAnn $e degree supervisor.
773 0 $t Dissertations Abstracts International $g 87-02A.
790 $a 0035
791 $a Ph.D.
792 $a 2025
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=32115558