東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ null ]

切換: 標籤 | MARC模式 | ISBD

What Can We Do at the End of the Wor...

Armstrong, Shane,

FindBook

Google Book

Amazon

博客來

What Can We Do at the End of the World: How Narrative Forms Can Afford Agency in the Context of Climate Change /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	What Can We Do at the End of the World: How Narrative Forms Can Afford Agency in the Context of Climate Change // Shane Armstrong.
作者:	Armstrong, Shane,
面頁冊數:	1 electronic resource (134 pages)
附註:	Source: Masters Abstracts International, Volume: 86-12.
Contained By:	Masters Abstracts International86-12.
標題:	English literature. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=32000676
ISBN:	9798286442683

What Can We Do at the End of the World: How Narrative Forms Can Afford Agency in the Context of Climate Change /
Armstrong, Shane,

What Can We Do at the End of the World: How Narrative Forms Can Afford Agency in the Context of Climate Change /Shane Armstrong. - 1 electronic resource (134 pages)

Source: Masters Abstracts International, Volume: 86-12.

Climate change has ended our world, and we are incapable of understanding the "non-world" that has risen in its place. It is easy to become overwhelmed or apathetic in the face of environmental catastrophe, our incapability only amplifying these feelings. Though a plethora of research and information regarding the topic is available, the complexity of this data often furthers these senses of helplessness in the general population, who do not have the scientific background necessary to fully understand the concepts being presented. How, then, can we convince everyday people of both the possibility and necessity of their own agency in the face of climate change? By placing the theoretical fields of new formalism, ecocriticism, and philosophies of agency in conversation with one another, this thesis argues that some of the greatest potential for understanding the new "non-world" lies within narratives. Within the following chapters, multiplicities of agencies, conceptions of non-realist narratives and scale, and experiences of the sublime are used to demonstrate the ways that narrative forms present opportunities for rethinking the world and the ways we interact with it. Chapter one provides the critical framework upon which the remainder of the project is built, then demonstrates through a small close reading of Square Enix's Final Fantasy. Chapter two examines the video game narratives of Annapurna Interactive's Stray, David OReilly's Everything, and Consumer Softproducts's Cruelty Squad to discover the opportunities for engaging with nonhuman agencies through the interactive form of games. Chapter three utilizes Amitav Ghosh's Gun Island alongside Matt Bell's Appleseed to argue for the agential possibilities of storytelling through the novel form. Chapter four argues through Lauren Groff's The Vaster Wilds, Nintendo's The Legend of Zelda: Breath of the Wild and Tears of the Kingdom, and that game company's Journey that narratives become able to bridge the gap between the narrative temporary agencies that narraplayers inhabit and their full agencies through experiences of the sublime. These chapters explore environmental narratives by applying the works of theorists like Caroline Levine, C. Thi Nguyen, and Timothy Morton to discuss and understand the different ways that unique narrative forms can increase senses of agency within narraplayers.

English

ISBN: 9798286442683Subjects--Topical Terms:

516356
English literature.
Subjects--Index Terms:

Agency

What Can We Do at the End of the World: How Narrative Forms Can Afford Agency in the Context of Climate Change /
LDR:03769nmm a22004213i 4500 001 2437417
005 20251119142811.5
006 m o d
007 cr|nu||||||||
008 261011s2025 miu||||||m |||||||eng d
020 $a 9798286442683
035 $a (MiAaPQD)AAI32000676
035 $a AAI32000676
040 $a MiAaPQD $b eng $c MiAaPQD $e rda
100 1 $a Armstrong, Shane, $e author. $3 3828381
245 1 0 $a What Can We Do at the End of the World: How Narrative Forms Can Afford Agency in the Context of Climate Change / $c Shane Armstrong.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2025
300 $a 1 electronic resource (134 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 86-12.
500 $a Advisors: Pattison, Dale Committee members: Bezio, Kelly; Thorpe, Desiree.
502 $b M.A. $c Texas A&M University - Corpus Christi $d 2025.
520 $a Climate change has ended our world, and we are incapable of understanding the "non-world" that has risen in its place. It is easy to become overwhelmed or apathetic in the face of environmental catastrophe, our incapability only amplifying these feelings. Though a plethora of research and information regarding the topic is available, the complexity of this data often furthers these senses of helplessness in the general population, who do not have the scientific background necessary to fully understand the concepts being presented. How, then, can we convince everyday people of both the possibility and necessity of their own agency in the face of climate change? By placing the theoretical fields of new formalism, ecocriticism, and philosophies of agency in conversation with one another, this thesis argues that some of the greatest potential for understanding the new "non-world" lies within narratives. Within the following chapters, multiplicities of agencies, conceptions of non-realist narratives and scale, and experiences of the sublime are used to demonstrate the ways that narrative forms present opportunities for rethinking the world and the ways we interact with it. Chapter one provides the critical framework upon which the remainder of the project is built, then demonstrates through a small close reading of Square Enix's Final Fantasy. Chapter two examines the video game narratives of Annapurna Interactive's Stray, David OReilly's Everything, and Consumer Softproducts's Cruelty Squad to discover the opportunities for engaging with nonhuman agencies through the interactive form of games. Chapter three utilizes Amitav Ghosh's Gun Island alongside Matt Bell's Appleseed to argue for the agential possibilities of storytelling through the novel form. Chapter four argues through Lauren Groff's The Vaster Wilds, Nintendo's The Legend of Zelda: Breath of the Wild and Tears of the Kingdom, and that game company's Journey that narratives become able to bridge the gap between the narrative temporary agencies that narraplayers inhabit and their full agencies through experiences of the sublime. These chapters explore environmental narratives by applying the works of theorists like Caroline Levine, C. Thi Nguyen, and Timothy Morton to discuss and understand the different ways that unique narrative forms can increase senses of agency within narraplayers.
546 $a English
590 $a School code: 1417
650 4 $a English literature. $3 516356
650 4 $a Climate change. $2 bicssc $3 2079509
650 4 $a Literature. $3 537498
650 4 $a British & Irish literature. $3 3284317
653 $a Agency
653 $a Formalism
653 $a Narraplayers
653 $a Narrative
690 $a 0593
690 $a 0404
690 $a 0401
710 2 $a Texas A&M University - Corpus Christi. $b English. $e degree granting institution. $3 3828382
720 1 $a Pattison, Dale $e degree supervisor.
773 0 $t Masters Abstracts International $g 86-12.
790 $a 1417
791 $a M.A.
792 $a 2025
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=32000676