語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
到查詢結果
[ null ]
切換:
標籤
|
MARC模式
|
ISBD
Moving Pictures of the Past: Nostalg...
~
Russell, Curtis,
FindBook
Google Book
Amazon
博客來
Moving Pictures of the Past: Nostalgia for Classical Hollywood in the Broadway Musical, 1960-1990 /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Moving Pictures of the Past: Nostalgia for Classical Hollywood in the Broadway Musical, 1960-1990 // Curtis Russell.
作者:
Russell, Curtis,
面頁冊數:
1 electronic resource (236 pages)
附註:
Source: Dissertations Abstracts International, Volume: 86-03, Section: A.
Contained By:
Dissertations Abstracts International86-03A.
標題:
Theater history. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31558599
ISBN:
9798384070368
Moving Pictures of the Past: Nostalgia for Classical Hollywood in the Broadway Musical, 1960-1990 /
Russell, Curtis,
Moving Pictures of the Past: Nostalgia for Classical Hollywood in the Broadway Musical, 1960-1990 /
Curtis Russell. - 1 electronic resource (236 pages)
Source: Dissertations Abstracts International, Volume: 86-03, Section: A.
In this dissertation, I examine how Broadway staged classical Hollywood between 1960 and 1990 amid social, artistic, and industrial upheaval. While upheaval and experimentation are constants even during epochs of apparent stability, the story my dissertation tells is of an industry facing the perils of obsolescence by looking backward and westward to understand how its larger and more powerful culture industry sibling navigated similar moments of disruption. Building on Fredric Jameson's notion of the "nostalgia film," I contend that between 1960 and 1990 the nine "nostalgia musicals" under consideration served the same function for the Broadway musical that the nostalgia film served for the cinema. By appropriating nostalgia for classical Hollywood films, culture, and modes of production, nostalgia musicals made legitimate subject matter of Hollywood's history, preparing Broadway for Hollywood's newest encroachments around the turn of the millennium.Though this dissertation is historiographic, I proceed thematically instead of chronologically, tracing connections between the musicals' historical moments (on Broadway and in wider U.S. culture) and the moments of their settings (in Hollywood and in wider U.S. culture). Each musical provides a unique inflection on the larger topic and increases the points of contact across musicals and historical periods. To emphasize the continuing contemporaneity of these issues and questions, each chapter employs a 21st century screen-to-stage musical as a framing device. I first explore issues of genre and reception in Fade Out/Fade In (1964), A Day in Hollywood/A Night in the Ukraine (1980), and City of Angels (1989), framed by 2002's Sweet Smell of Success. I then explore how some nostalgia musicals stage issues of labor and production, including the resurrection of the Silent Era serial queen in Goldilocks (1958), the anti-union rhetoric of What Makes Sammy Run? (1964), based on a book by Hollywood insider and HUAC "friendly witness" Budd Schulberg, and the representation of "below-the-line" labor in Singin' in the Rain (1985). Tootsie (2019) frames the labor discussion. Finally, I explore matters of gender and celebrity in Mack & Mabel (1974), Platinum (1978), and Marilyn: An American Fable (1983), framed by King Kong (2018).This dissertation challenges the ways in which scholars tend to inscribe a one-size-fits-all nostalgia as an immanent feature of the Broadway musical form. Even though I argue that the nine musicals examined in this dissertation paved the way for the Hollywood turn of the 1990s, that work was not part of a concerted effort by either Hollywood studios or Broadway producers, and as such resists teleology. If nostalgia functions outside of linear notions of time, it requires a non-linear, prismatic lens to articulate. I acknowledge that we can only understand these musicals, and nostalgia's operations therein, in relation to the other points in time and space with which they dialogue. Freed from the anxiety of influence, I can assert the equal importance of both hits and flops in theatre historiography.
English
ISBN: 9798384070368Subjects--Topical Terms:
2144911
Theater history.
Subjects--Index Terms:
Broadway
Moving Pictures of the Past: Nostalgia for Classical Hollywood in the Broadway Musical, 1960-1990 /
LDR
:04556nmm a22004333i 4500
001
2436884
005
20251117053645.5
006
m o d
007
cr|nu||||||||
008
261011s2024 miu||||||m |||||||eng d
020
$a
9798384070368
035
$a
(MiAaPQD)AAI31558599
035
$a
AAI31558599
040
$a
MiAaPQD
$b
eng
$c
MiAaPQD
$e
rda
100
1
$a
Russell, Curtis,
$e
author.
$0
(orcid)0000-0003-4866-7552
$3
3827702
245
1 0
$a
Moving Pictures of the Past: Nostalgia for Classical Hollywood in the Broadway Musical, 1960-1990 /
$c
Curtis Russell.
264
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2024
300
$a
1 electronic resource (236 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Dissertations Abstracts International, Volume: 86-03, Section: A.
500
$a
Advisors: Savran, David Committee members: Wollman, Elizabeth L.; Miller, Edward.
502
$b
Ph.D.
$c
City University of New York
$d
2024.
520
$a
In this dissertation, I examine how Broadway staged classical Hollywood between 1960 and 1990 amid social, artistic, and industrial upheaval. While upheaval and experimentation are constants even during epochs of apparent stability, the story my dissertation tells is of an industry facing the perils of obsolescence by looking backward and westward to understand how its larger and more powerful culture industry sibling navigated similar moments of disruption. Building on Fredric Jameson's notion of the "nostalgia film," I contend that between 1960 and 1990 the nine "nostalgia musicals" under consideration served the same function for the Broadway musical that the nostalgia film served for the cinema. By appropriating nostalgia for classical Hollywood films, culture, and modes of production, nostalgia musicals made legitimate subject matter of Hollywood's history, preparing Broadway for Hollywood's newest encroachments around the turn of the millennium.Though this dissertation is historiographic, I proceed thematically instead of chronologically, tracing connections between the musicals' historical moments (on Broadway and in wider U.S. culture) and the moments of their settings (in Hollywood and in wider U.S. culture). Each musical provides a unique inflection on the larger topic and increases the points of contact across musicals and historical periods. To emphasize the continuing contemporaneity of these issues and questions, each chapter employs a 21st century screen-to-stage musical as a framing device. I first explore issues of genre and reception in Fade Out/Fade In (1964), A Day in Hollywood/A Night in the Ukraine (1980), and City of Angels (1989), framed by 2002's Sweet Smell of Success. I then explore how some nostalgia musicals stage issues of labor and production, including the resurrection of the Silent Era serial queen in Goldilocks (1958), the anti-union rhetoric of What Makes Sammy Run? (1964), based on a book by Hollywood insider and HUAC "friendly witness" Budd Schulberg, and the representation of "below-the-line" labor in Singin' in the Rain (1985). Tootsie (2019) frames the labor discussion. Finally, I explore matters of gender and celebrity in Mack & Mabel (1974), Platinum (1978), and Marilyn: An American Fable (1983), framed by King Kong (2018).This dissertation challenges the ways in which scholars tend to inscribe a one-size-fits-all nostalgia as an immanent feature of the Broadway musical form. Even though I argue that the nine musicals examined in this dissertation paved the way for the Hollywood turn of the 1990s, that work was not part of a concerted effort by either Hollywood studios or Broadway producers, and as such resists teleology. If nostalgia functions outside of linear notions of time, it requires a non-linear, prismatic lens to articulate. I acknowledge that we can only understand these musicals, and nostalgia's operations therein, in relation to the other points in time and space with which they dialogue. Freed from the anxiety of influence, I can assert the equal importance of both hits and flops in theatre historiography.
546
$a
English
590
$a
School code: 0046
650
4
$a
Theater history.
$3
2144911
650
4
$a
Music.
$3
516178
650
4
$a
Film studies.
$3
2122736
653
$a
Broadway
653
$a
Hollywood
653
$a
Musical theatre
653
$a
Nostalgia musicals
653
$a
Historiography
690
$a
0644
690
$a
0900
690
$a
0413
710
2
$a
City University of New York.
$b
Theatre and Performance.
$e
degree granting institution.
$3
3827638
720
1
$a
Savran, David
$e
degree supervisor.
773
0
$t
Dissertations Abstracts International
$g
86-03A.
790
$a
0046
791
$a
Ph.D.
792
$a
2024
856
4 0
$u
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31558599
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9532579
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入
(1)帳號:一般為「身分證號」;外籍生或交換生則為「學號」。 (2)密碼:預設為帳號末四碼。
帳號
.
密碼
.
請在此電腦上記得個人資料
取消
忘記密碼? (請注意!您必須已在系統登記E-mail信箱方能使用。)