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Aesthetic Epistemology in Cartograph...
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Nestel, Chelsea,
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Aesthetic Epistemology in Cartography: A Genealogy of "Really Good Maps" /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Aesthetic Epistemology in Cartography: A Genealogy of "Really Good Maps" // Chelsea Nestel.
作者:
Nestel, Chelsea,
面頁冊數:
1 electronic resource (261 pages)
附註:
Source: Dissertations Abstracts International, Volume: 86-02, Section: B.
Contained By:
Dissertations Abstracts International86-02B.
標題:
Geography. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31558399
ISBN:
9798383701256
Aesthetic Epistemology in Cartography: A Genealogy of "Really Good Maps" /
Nestel, Chelsea,
Aesthetic Epistemology in Cartography: A Genealogy of "Really Good Maps" /
Chelsea Nestel. - 1 electronic resource (261 pages)
Source: Dissertations Abstracts International, Volume: 86-02, Section: B.
This dissertation analyzes aesthetic epistemologies in cartography, a neglected topic in cartographic theory. Using concordance analysis, a method from linguistics, I develop a genealogy of cartographic aesthetics. My genealogy explores how cartography arrived at its current design-based aesthetic epistemologies through studying six aesthetic key words interpreted through philosophy of aesthetics: design, aesthetics, taste, beauty, art, and style. The dissertation consists of eight chapters. Chapter 1 introduces problems associated with aesthetics in cartography: a need for more clarity of usage of aesthetics and related terms, and the dominance of a singular aesthetic, the aesthetics of science and technology. Chapter 2 reviews and synthesizes aesthetic philosophy within cartography, explaining how aesthetics became marginalized within cartographic epistemology. Chapter 3 introduces corpus analysis and describes the selection process to form a representative textbook corpus, as well as the selection of aesthetic key words. Chapter 4 provides a quantitative overview of my concordance analysis results, revealing that usage of the key word design and the key word aesthetic increased across the corpus while all other key words decreased. Chapter 5 provides a history of the aesthetic dimensions of design as a singular noun, identifying aesthetic judgment and value as primary foci of design. Chapter 6 develops a history of aesthetic synonyms and stand-in terms aesthetics, taste, beauty, and art, revealing that as the key word aesthetics increased in use, aesthetics lost clarity of use. Chapter 7 outlines a history of style, which became associated solely with typography by the end of the corpus. Chapter 8 is my conclusion, in which I explain how design and aesthetics gained meanings while taste, beauty, art, and style lost meanings. I identify aesthetic attention and experience as underutilized concepts within cartography's aesthetic language and opportunities for cartographic aesthetic development.
English
ISBN: 9798383701256Subjects--Topical Terms:
524010
Geography.
Subjects--Index Terms:
Aesthetics
Aesthetic Epistemology in Cartography: A Genealogy of "Really Good Maps" /
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This dissertation analyzes aesthetic epistemologies in cartography, a neglected topic in cartographic theory. Using concordance analysis, a method from linguistics, I develop a genealogy of cartographic aesthetics. My genealogy explores how cartography arrived at its current design-based aesthetic epistemologies through studying six aesthetic key words interpreted through philosophy of aesthetics: design, aesthetics, taste, beauty, art, and style. The dissertation consists of eight chapters. Chapter 1 introduces problems associated with aesthetics in cartography: a need for more clarity of usage of aesthetics and related terms, and the dominance of a singular aesthetic, the aesthetics of science and technology. Chapter 2 reviews and synthesizes aesthetic philosophy within cartography, explaining how aesthetics became marginalized within cartographic epistemology. Chapter 3 introduces corpus analysis and describes the selection process to form a representative textbook corpus, as well as the selection of aesthetic key words. Chapter 4 provides a quantitative overview of my concordance analysis results, revealing that usage of the key word design and the key word aesthetic increased across the corpus while all other key words decreased. Chapter 5 provides a history of the aesthetic dimensions of design as a singular noun, identifying aesthetic judgment and value as primary foci of design. Chapter 6 develops a history of aesthetic synonyms and stand-in terms aesthetics, taste, beauty, and art, revealing that as the key word aesthetics increased in use, aesthetics lost clarity of use. Chapter 7 outlines a history of style, which became associated solely with typography by the end of the corpus. Chapter 8 is my conclusion, in which I explain how design and aesthetics gained meanings while taste, beauty, art, and style lost meanings. I identify aesthetic attention and experience as underutilized concepts within cartography's aesthetic language and opportunities for cartographic aesthetic development.
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