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(In)Hospitable Modernity: Hospitalit...

Hengel, Daniel,

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(In)Hospitable Modernity: Hospitality and Its Discontents (1920-1953) /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	(In)Hospitable Modernity: Hospitality and Its Discontents (1920-1953) // Daniel Hengel.
作者:	Hengel, Daniel,
面頁冊數:	1 electronic resource (219 pages)
附註:	Source: Dissertations Abstracts International, Volume: 82-12, Section: A.
Contained By:	Dissertations Abstracts International82-12A.
標題:	Modern literature. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28498404
ISBN:	9798516064708

(In)Hospitable Modernity: Hospitality and Its Discontents (1920-1953) /
Hengel, Daniel,

(In)Hospitable Modernity: Hospitality and Its Discontents (1920-1953) /Daniel Hengel. - 1 electronic resource (219 pages)

Source: Dissertations Abstracts International, Volume: 82-12, Section: A.

This dissertation discusses the tacit forms of political activity operating through the performance and space of hospitality in modern fiction. I read the habitus, praxis, and dissemblages of hospitality in modern fiction as conduits that reveal dialectics of submission and resistance to Victorian and Edwardian markers of normativity. This is ultimately an infrapolitical work. I locate fulcrums of dissent, cloaked in a guise of hospitality, in the domestic sphere and the politicization of formerly private spaces into sites with the potential to reorder legitimated forms of agency. This project attempts to uncover veiled forms of sociopolitical resistance in and through the (in)hospitable spaces and subject positions found in D. H. Lawrence's Aaron's Rod (1922), works of fiction from Virginia Woolf's oeuvre, Jean Rhys's Voyage in the Dark (1934), and Good Morning, Midnight (1938), and Samuel Beckett's The Unnamable (1953, trans. 1958).

English

ISBN: 9798516064708Subjects--Topical Terms:

2122750
Modern literature.
Subjects--Index Terms:

Cosmopolitian

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520 $a This dissertation discusses the tacit forms of political activity operating through the performance and space of hospitality in modern fiction. I read the habitus, praxis, and dissemblages of hospitality in modern fiction as conduits that reveal dialectics of submission and resistance to Victorian and Edwardian markers of normativity. This is ultimately an infrapolitical work. I locate fulcrums of dissent, cloaked in a guise of hospitality, in the domestic sphere and the politicization of formerly private spaces into sites with the potential to reorder legitimated forms of agency. This project attempts to uncover veiled forms of sociopolitical resistance in and through the (in)hospitable spaces and subject positions found in D. H. Lawrence's Aaron's Rod (1922), works of fiction from Virginia Woolf's oeuvre, Jean Rhys's Voyage in the Dark (1934), and Good Morning, Midnight (1938), and Samuel Beckett's The Unnamable (1953, trans. 1958).
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