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Chinese Letters and Intellectual Lif...

Morley, Brendan Arkell,

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Chinese Letters and Intellectual Life in Medieval Japan: The Poetry and Political Philosophy of Chugan Engetsu /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Chinese Letters and Intellectual Life in Medieval Japan: The Poetry and Political Philosophy of Chugan Engetsu // Brendan Arkell Morley.
作者:	Morley, Brendan Arkell,
面頁冊數:	1 electronic resource (240 pages)
附註:	Source: Dissertations Abstracts International, Volume: 81-06, Section: A.
Contained By:	Dissertations Abstracts International81-06A.
標題:	Asian literature. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22588373
ISBN:	9781392668481

Chinese Letters and Intellectual Life in Medieval Japan: The Poetry and Political Philosophy of Chugan Engetsu /
Morley, Brendan Arkell,

Chinese Letters and Intellectual Life in Medieval Japan: The Poetry and Political Philosophy of Chugan Engetsu /Brendan Arkell Morley. - 1 electronic resource (240 pages)

Source: Dissertations Abstracts International, Volume: 81-06, Section: A.

This dissertation explores the writings of the fourteenth-century poet and intellectual Chugan Engetsu 中巌円月, a leading figure in the literary movement known to history as Gozan ("Five Mountains") literature. In terms of modern disciplinary divisions, Gozan literature straddles the interstices of several distinct areas of study, including classical Chinese poetry and poetics, Chinese philosophy and intellectual history, Buddhology, and the broader tradition of "Sinitic" poetry and prose (kanshibun) in Japan.Among the central contentions of this dissertation are the following: (1) that Chugan was the most original Confucian thinker in pre-Tokugawa Japanese history, the significance of his contributions matched only by those of early-modern figures such as Ogyu Sorai, and (2) that kanshi and kanbun were creative media, not merely displays of erudition or scholastic mimicry. Chugan's expository writing demonstrates that the enormous multiplicity of terms and concepts animating the Chinese philosophical tradition were very much alive to premodern Japanese intellectuals, and that they were subject to thoughtful reinterpretation and application to specifically Japanese sociohistorical phenomena. No less intrepid in the realm of poetry, Chugan candidly addressed themes such as illness, war, and poverty, and experimented with unusual Sinitic forms such as hexasyllabic quatrains and the vernacular "song lyric" or ci 詞, which though popular in China was very seldom seen in Japan.The thematic and stylistic breadth of Chugan's oeuvre reveals the catholicity of Gozan literary culture and suggests directions for further research into Japanese intellectual history and Sinitic poetry during the medieval era.

English

ISBN: 9781392668481Subjects--Topical Terms:

2122707
Asian literature.
Subjects--Index Terms:

Japanese Philosophy

Chinese Letters and Intellectual Life in Medieval Japan: The Poetry and Political Philosophy of Chugan Engetsu /
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520 $a This dissertation explores the writings of the fourteenth-century poet and intellectual Chugan Engetsu 中巌円月, a leading figure in the literary movement known to history as Gozan ("Five Mountains") literature. In terms of modern disciplinary divisions, Gozan literature straddles the interstices of several distinct areas of study, including classical Chinese poetry and poetics, Chinese philosophy and intellectual history, Buddhology, and the broader tradition of "Sinitic" poetry and prose (kanshibun) in Japan.Among the central contentions of this dissertation are the following: (1) that Chugan was the most original Confucian thinker in pre-Tokugawa Japanese history, the significance of his contributions matched only by those of early-modern figures such as Ogyu Sorai, and (2) that kanshi and kanbun were creative media, not merely displays of erudition or scholastic mimicry. Chugan's expository writing demonstrates that the enormous multiplicity of terms and concepts animating the Chinese philosophical tradition were very much alive to premodern Japanese intellectuals, and that they were subject to thoughtful reinterpretation and application to specifically Japanese sociohistorical phenomena. No less intrepid in the realm of poetry, Chugan candidly addressed themes such as illness, war, and poverty, and experimented with unusual Sinitic forms such as hexasyllabic quatrains and the vernacular "song lyric" or ci 詞, which though popular in China was very seldom seen in Japan.The thematic and stylistic breadth of Chugan's oeuvre reveals the catholicity of Gozan literary culture and suggests directions for further research into Japanese intellectual history and Sinitic poetry during the medieval era.
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