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Concerto for Piano Duet /
~
Suski, Edgar R.,
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Concerto for Piano Duet /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Concerto for Piano Duet // Edgar R Suski.
作者:
Suski, Edgar R.,
面頁冊數:
1 electronic resource (163 pages)
附註:
Source: Dissertations Abstracts International, Volume: 86-03, Section: B.
Contained By:
Dissertations Abstracts International86-03B.
標題:
Bassoon music. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31340685
ISBN:
9798384202820
Concerto for Piano Duet /
Suski, Edgar R.,
Concerto for Piano Duet /
Edgar R Suski. - 1 electronic resource (163 pages)
Source: Dissertations Abstracts International, Volume: 86-03, Section: B.
My Concerto for Piano Duet(ca. 23 minute duration) was born out of my passion for the concerto medium and my love of piano performance. It is composed in eleven miniature movements, joined thematically by use of the 0-3-4 motive. In addition to the solo piano duettists, a number of movements include obligato soloists from various sections of the orchestra. My musical aesthetic in this composition features expressive melodies and horizontal/linear writing with a predilection for harmonic outcomes resulting from independent lines in counterpoint with each other. I chose the piano duet instead of piano solo due to lack of substantial piano duet concerto literature composed to date. In the written portion of my dissertation, I briefly explore the history of the piano duet medium and highlight some reasons why there has been a lack of interest in composing piano duet concerti. I include a list of all known piano duet concerti in my appendices.
English
ISBN: 9798384202820Subjects--Topical Terms:
3702080
Bassoon music.
Concerto for Piano Duet /
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My Concerto for Piano Duet(ca. 23 minute duration) was born out of my passion for the concerto medium and my love of piano performance. It is composed in eleven miniature movements, joined thematically by use of the 0-3-4 motive. In addition to the solo piano duettists, a number of movements include obligato soloists from various sections of the orchestra. My musical aesthetic in this composition features expressive melodies and horizontal/linear writing with a predilection for harmonic outcomes resulting from independent lines in counterpoint with each other. I chose the piano duet instead of piano solo due to lack of substantial piano duet concerto literature composed to date. In the written portion of my dissertation, I briefly explore the history of the piano duet medium and highlight some reasons why there has been a lack of interest in composing piano duet concerti. I include a list of all known piano duet concerti in my appendices.
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