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The American Artist Narrative After ...

Johnston, Mitchell,

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The American Artist Narrative After the End of Art /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The American Artist Narrative After the End of Art // Mitchell Johnston.
作者:	Johnston, Mitchell,
面頁冊數:	1 electronic resource (205 pages)
附註:	Source: Dissertations Abstracts International, Volume: 86-05, Section: A.
Contained By:	Dissertations Abstracts International86-05A.
標題:	African literature. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31295076
ISBN:	9798342754668

The American Artist Narrative After the End of Art /
Johnston, Mitchell,

The American Artist Narrative After the End of Art /Mitchell Johnston. - 1 electronic resource (205 pages)

Source: Dissertations Abstracts International, Volume: 86-05, Section: A.

This dissertation analyzes artist narratives in American fiction between 1973 and 2013. Modernist artist narratives like William Gaddis's The Recognitions assert the artwork's importance despite its social indifference. In their seemingly private labors, fictional artists index a life unbound by capitalist logic. My project examines the persistence of artist narratives during a period (late capitalism) commonly understood to signal the end of art altogether in conjunction with a discourse (postmodernism) typically cheerful about the decline of outmoded categories like high art and aesthetics. Artist narratives from this period seek to defend literature's value by making literature commensurate with work. For Lydia Davis, Richard Ford, Stephen King, and Toni Morrison, such narratives bring the work of aesthetic production back into the world, identifying artistic and nonartistic labor, transforming texts into sites of readerly production, and proposing that art must labor to make society more equal. But this fiction also puts the commensurability of form and work to the test, revealing the surprising relevance of a modernist assertion of the artwork's autonomy from social concern. Where scholars have lauded the genre for its capacity to make labor visible, I argue that recent American fiction about artists ironizes the connection that binds art to work and artist to worker.Against defenses of literary value that depict the work literature does in the world, artist narratives ask us to consider the advantages of indirection, irony, and aloofness. Chapter One discusses Davis's and Ford's interest in minimalism as a technology for equalizing literary and readerly labor, demonstrating that the scene of readerly participation is structurally unequal. Chapter Two, examining fiction's homology to housework in King's Misery, pursues problematic identifications between authors and housekeepers. Finally, Chapter Three reads Sula's disdain of the assumption that art should have a social vocation, exploring its suggestion that a novel might possess no purpose whatsoever. In each chapter, work, as a mechanism for linking artists and non-artists, becomes an index of class difference. Ultimately, Davis, Ford, King, and Morrison highlight the inequality subtending late-20th-century cultural production.

English

ISBN: 9798342754668Subjects--Topical Terms:

1973478
African literature.
Subjects--Index Terms:

American

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