東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ null ]

切換: 標籤 | MARC模式 | ISBD

Analysis and Critique of Character C...

Parvin, Ellie,

FindBook

Google Book

Amazon

博客來

Analysis and Critique of Character Creators in Role-Playing Video Games Towards a More Inclusive Gaming Environment /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Analysis and Critique of Character Creators in Role-Playing Video Games Towards a More Inclusive Gaming Environment // Ellie Parvin.
作者:	Parvin, Ellie,
面頁冊數:	1 electronic resource (69 pages)
附註:	Source: Masters Abstracts International, Volume: 85-12.
Contained By:	Masters Abstracts International85-12.
標題:	LGBTQ studies. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31139967
ISBN:	9798382778860

Analysis and Critique of Character Creators in Role-Playing Video Games Towards a More Inclusive Gaming Environment /
Parvin, Ellie,

Analysis and Critique of Character Creators in Role-Playing Video Games Towards a More Inclusive Gaming Environment /Ellie Parvin. - 1 electronic resource (69 pages)

Source: Masters Abstracts International, Volume: 85-12.

Despite the social progress seen across the United States, video games still cater to white cisgender men ages 18-34 (Entertainment Software Association). Since the release of Ultima I and Wizardry, the first games that popularized role-playing video games (RPVGs) ("History of Western Role-Playing Video Games"), in 1981 ("Ultima (Series)") ("Wizardry"), the genders players have to choose from are typically limited to the extremes of the gender spectrum, man and woman. The first RPVG to include a character creator with options outside the gender spectrum extremes was 7th Dragon III Code: VFD (Shaw, "Gender in 7th Dragon III Code: VFD"), an RPG for the Nintendo 3DS, released in the United States in 2016 ("7th Dragon") (Shaw, "7th Dragon Series"). With 1.6% of adults in the US identifying as transgender or nonbinary, and 5.1% of those adults between the ages of 18 and 29, according to a study done by the Pew Research Center in 2022 (Brown), the number of trans-inclusive RPVGs doesn't reflect the number of trans people playing video games. In a time where more people are coming out as trans/nonbinary, video games need to reflect that by becoming more inclusive, not less. Video game character creators are a safe environment to try out a new look, a new name, new pronouns, perhaps even a new gender. The great thing about character creators is that nothing is permanent, so players have the option to go back and further customize their characters if they choose. As Caleb Wysor, a writer for Gayming magazine, quotes Niamh Williams, a non-binary trans woman, in their article "How character creators help us explore gender identity and expression," 'the lack of real life social stakes [makes] games a really inviting environment for personal experimentation.' They conclude their article by saying, "It is not only about reflecting the real self-image of players. It's also about new formations of the existing image... [and] about the open exploration, creation, and dismissal of the self. The way we relate to the idea of the character mirrors the way we relate to our own identity..." (Wysor). The scope of this research will analyze and critique the current status of RPVG character creators and provide suggestions on how the character creators might be improved.

English

ISBN: 9798382778860Subjects--Topical Terms:

2122706
LGBTQ studies.
Subjects--Index Terms:

Character design

Analysis and Critique of Character Creators in Role-Playing Video Games Towards a More Inclusive Gaming Environment /
LDR:03685nmm a22004093i 4500 001 2431564
005 20250616055528.5
006 m o d
007 cr|nu||||||||
008 261011s2024 miu||||||m |||||||eng d
020 $a 9798382778860
035 $a (MiAaPQD)AAI31139967
035 $a AAI31139967
040 $a MiAaPQD $b eng $c MiAaPQD $e rda
100 1 $a Parvin, Ellie, $e author. $3 3820437
245 1 0 $a Analysis and Critique of Character Creators in Role-Playing Video Games Towards a More Inclusive Gaming Environment / $c Ellie Parvin.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2024
300 $a 1 electronic resource (69 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 85-12.
500 $a Advisors: Carlson, Kristin Committee members: Friberg, Jennifer; Sungkajun, Annie.
502 $b M.S. $c Illinois State University $d 2024.
520 $a Despite the social progress seen across the United States, video games still cater to white cisgender men ages 18-34 (Entertainment Software Association). Since the release of Ultima I and Wizardry, the first games that popularized role-playing video games (RPVGs) ("History of Western Role-Playing Video Games"), in 1981 ("Ultima (Series)") ("Wizardry"), the genders players have to choose from are typically limited to the extremes of the gender spectrum, man and woman. The first RPVG to include a character creator with options outside the gender spectrum extremes was 7th Dragon III Code: VFD (Shaw, "Gender in 7th Dragon III Code: VFD"), an RPG for the Nintendo 3DS, released in the United States in 2016 ("7th Dragon") (Shaw, "7th Dragon Series"). With 1.6% of adults in the US identifying as transgender or nonbinary, and 5.1% of those adults between the ages of 18 and 29, according to a study done by the Pew Research Center in 2022 (Brown), the number of trans-inclusive RPVGs doesn't reflect the number of trans people playing video games. In a time where more people are coming out as trans/nonbinary, video games need to reflect that by becoming more inclusive, not less. Video game character creators are a safe environment to try out a new look, a new name, new pronouns, perhaps even a new gender. The great thing about character creators is that nothing is permanent, so players have the option to go back and further customize their characters if they choose. As Caleb Wysor, a writer for Gayming magazine, quotes Niamh Williams, a non-binary trans woman, in their article "How character creators help us explore gender identity and expression," 'the lack of real life social stakes [makes] games a really inviting environment for personal experimentation.' They conclude their article by saying, "It is not only about reflecting the real self-image of players. It's also about new formations of the existing image... [and] about the open exploration, creation, and dismissal of the self. The way we relate to the idea of the character mirrors the way we relate to our own identity..." (Wysor). The scope of this research will analyze and critique the current status of RPVG character creators and provide suggestions on how the character creators might be improved.
546 $a English
590 $a School code: 0092
650 4 $a LGBTQ studies. $3 2122706
650 4 $a Computer science. $3 523869
650 4 $a Film studies. $3 2122736
653 $a Character design
653 $a Gender-inclusive game design
653 $a Role-playing video games
690 $a 0492
690 $a 0984
690 $a 0900
710 2 $a Illinois State University. $b College of Fine Arts: Arts Technology. $e degree granting institution. $3 3820438
720 1 $a Carlson, Kristin $e degree supervisor.
773 0 $t Masters Abstracts International $g 85-12.
790 $a 0092
791 $a M.S.
792 $a 2024
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31139967