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Exploring the Incongruence of Instit...

Winkelmann, Lillian,

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Exploring the Incongruence of Institutional and Art Market Support of Feminist Artists of the 1970s /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Exploring the Incongruence of Institutional and Art Market Support of Feminist Artists of the 1970s // Lillian Winkelmann.
作者:	Winkelmann, Lillian,
面頁冊數:	1 electronic resource (141 pages)
附註:	Source: Masters Abstracts International, Volume: 86-08.
Contained By:	Masters Abstracts International86-08.
標題:	Art history. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31768150
ISBN:	9798302882035

Exploring the Incongruence of Institutional and Art Market Support of Feminist Artists of the 1970s /
Winkelmann, Lillian,

Exploring the Incongruence of Institutional and Art Market Support of Feminist Artists of the 1970s /Lillian Winkelmann. - 1 electronic resource (141 pages)

Source: Masters Abstracts International, Volume: 86-08.

This thesis concerns the relationship between deficient art market performance despite institutional support of artists of the Feminist Art Movement of the 1970s, using the careers of Judy Chicago, Miriam Schapiro, and Faith Ringgold as case studies. Despite the relatively different approaches of all three artists, themes of non-collectability due to medium, scarce inventory, and overall sexism in the industry have emerged. Research consists of firstly exploring the historical context of the Feminist Art Movement of the 1970s, followed by a case study for each artist which individually examines institutional support and analyzes market trajectories. A fourth case study, which reviews the peculiarity of Yayoi Kusama's immense success, provides a supplemental comparison to Chicago, Schapiro, and Ringgold. While many artists are associated with the Feminist Art Movement of the 1970s, the scope of this research is limited to Chicago, Schapiro, and Ringgold in order to effectively evaluate the incongruence between support from the art market and institutions. Though all three artists slightly differ in findings for these inconsistencies, the overarching motivation for this cause is that collectors disfavor Feminist art due to its politicization, controversial baggage, and overall aesthetics.

English

ISBN: 9798302882035Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Art market

Exploring the Incongruence of Institutional and Art Market Support of Feminist Artists of the 1970s /
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520 $a This thesis concerns the relationship between deficient art market performance despite institutional support of artists of the Feminist Art Movement of the 1970s, using the careers of Judy Chicago, Miriam Schapiro, and Faith Ringgold as case studies. Despite the relatively different approaches of all three artists, themes of non-collectability due to medium, scarce inventory, and overall sexism in the industry have emerged. Research consists of firstly exploring the historical context of the Feminist Art Movement of the 1970s, followed by a case study for each artist which individually examines institutional support and analyzes market trajectories. A fourth case study, which reviews the peculiarity of Yayoi Kusama's immense success, provides a supplemental comparison to Chicago, Schapiro, and Ringgold. While many artists are associated with the Feminist Art Movement of the 1970s, the scope of this research is limited to Chicago, Schapiro, and Ringgold in order to effectively evaluate the incongruence between support from the art market and institutions. Though all three artists slightly differ in findings for these inconsistencies, the overarching motivation for this cause is that collectors disfavor Feminist art due to its politicization, controversial baggage, and overall aesthetics.
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590 $a School code: 1829
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653 $a Ringgold, Faith
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720 1 $a Degen, Natasha $e degree supervisor.
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