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The Legacy of Bach's Cello Suites in...
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Lee, Sunhaeng,
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The Legacy of Bach's Cello Suites in Twentieth-Century Solo Cello Suites /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Legacy of Bach's Cello Suites in Twentieth-Century Solo Cello Suites // Sunhaeng Lee.
作者:
Lee, Sunhaeng,
面頁冊數:
1 electronic resource (107 pages)
附註:
Source: Dissertations Abstracts International, Volume: 82-03, Section: A.
Contained By:
Dissertations Abstracts International82-03A.
標題:
Music. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28107956
ISBN:
9798662545199
The Legacy of Bach's Cello Suites in Twentieth-Century Solo Cello Suites /
Lee, Sunhaeng,
The Legacy of Bach's Cello Suites in Twentieth-Century Solo Cello Suites /
Sunhaeng Lee. - 1 electronic resource (107 pages)
Source: Dissertations Abstracts International, Volume: 82-03, Section: A.
Until the twentieth-century, there does not exist the same kind of repertoire for solo cello and especially unaccompanied cello as for other instruments. Bach's cello suites, written between 1717 and 1723 were the exception to this rule, and these works and this genre have had a strong influence on composers writing for solo cello in the last century. Max Reger took Bach as an example and fused Baroque elements with contemporary ones in his three cello suites. After Reger, the twentieth-century saw a significant increase of solo cello compositions and many composers wrote cello suites as well as other genres for the instrument. Bach's influence on this literature is substantial. This document explores selected solo cello suites of twentieth-century composers: Max Reger (Three suites, Op.131c, 1915), Gaspar Cassado (1926), Ernest Bloch (Suites 1 and 2, 1956, Suite 3, 1957), Benjamin Britten (Op. 72, 1964, Op. 80, 1968, Op. 87, 1972), Hans Gal (Op. 109b, 1982). These pieces will be examined for their connections to Bach's Cello Suites and influences of style, techniques, and other characteristics will be explored.
English
ISBN: 9798662545199Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
Cello suites in the twentieth century
The Legacy of Bach's Cello Suites in Twentieth-Century Solo Cello Suites /
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Until the twentieth-century, there does not exist the same kind of repertoire for solo cello and especially unaccompanied cello as for other instruments. Bach's cello suites, written between 1717 and 1723 were the exception to this rule, and these works and this genre have had a strong influence on composers writing for solo cello in the last century. Max Reger took Bach as an example and fused Baroque elements with contemporary ones in his three cello suites. After Reger, the twentieth-century saw a significant increase of solo cello compositions and many composers wrote cello suites as well as other genres for the instrument. Bach's influence on this literature is substantial. This document explores selected solo cello suites of twentieth-century composers: Max Reger (Three suites, Op.131c, 1915), Gaspar Cassado (1926), Ernest Bloch (Suites 1 and 2, 1956, Suite 3, 1957), Benjamin Britten (Op. 72, 1964, Op. 80, 1968, Op. 87, 1972), Hans Gal (Op. 109b, 1982). These pieces will be examined for their connections to Bach's Cello Suites and influences of style, techniques, and other characteristics will be explored.
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