東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ null ]

切換: 標籤 | MARC模式 | ISBD

String Teaching for Enabling Creativ...

University of Illinois at Urbana-Champaign., Music.

FindBook

Google Book

Amazon

博客來

String Teaching for Enabling Creative Agency: Exploring Teachers' Values, Experiences, and Practices /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	String Teaching for Enabling Creative Agency: Exploring Teachers' Values, Experiences, and Practices // Mindy Hyunsoo Park.
作者:	Park, Mindy Hyunsoo,
面頁冊數:	1 electronic resource (274 pages)
附註:	Source: Dissertations Abstracts International, Volume: 85-07, Section: A.
Contained By:	Dissertations Abstracts International85-07A.
標題:	Music. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31030070
ISBN:	9798381183283

String Teaching for Enabling Creative Agency: Exploring Teachers' Values, Experiences, and Practices /
Park, Mindy Hyunsoo,

String Teaching for Enabling Creative Agency: Exploring Teachers' Values, Experiences, and Practices /Mindy Hyunsoo Park. - 1 electronic resource (274 pages)

Source: Dissertations Abstracts International, Volume: 85-07, Section: A.

The purpose of this multiple case study (Thomas, 2016) was to explore the values, experiences, and practices of elementary and high school string teachers who actively facilitate creative musical making to enable the musical creative agency of students. The theoretical framework guiding this study was based on Hill's (2018) implications for increasing the creative agency of students by overcoming inhibitors of musical creativity, which highlight the need for using enabling strategies to overcome restrictors of creativity in our music teaching practices. Students exhibit creative agency when they are given "permission and authority to make one's own decisions determining musical sound and meaning" (Hill, p. 4), encompassing personal expression and the freedom to take creative risks.The participants included three public school string educators who were selected through intensity sampling (Patton, 2002) and predetermined criteria. Data generation methods included semi-structured interviews, teaching observations and field notes, analytic memos, and video elicitation interviews. The data were analyzed by conducting initial within-case analyses (Thomas, 2016) of each participant, providing detailed descriptions and themes within each case, and followed by a cross-case analysis and discussion (Yin, 2009; Thomas, 2016).The findings revealed that the string teachers' past and present musical experiences informed their values and teaching practices for musical creativity. They actively facilitated creative music making opportunities through a variety of teaching strategies that were highly dependent on their students' musicianship and experiences. They promoted more creative risk taking by having students leading their own learning, and validating their students' work, which enabled the creative agency of their students. Each teacher provided suggestions and resources for novice teachers and other music educators who were interested in integrating more creative experiences in their own classrooms.While each participant had unique musical experiences and pedagogical values that informed their teaching practice, they demonstrated how creative music making opportunities motivated their students to be confident musicians who were excited to explore their own musical ideas and decisions. Implications of this study include strategies and practical suggestions for music educators who want to facilitate creative music making in their classrooms, ideas for re-envisioning music teacher education programs to help prepare preservice teachers for teaching with creative experiences, and recommendations for future music education research.

English

ISBN: 9798381183283Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Musical creativity

String Teaching for Enabling Creative Agency: Exploring Teachers' Values, Experiences, and Practices /
LDR:04928nmm a22007333i 4500 001 2430635
005 20250527055720.5
006 m o d
007 cr|nu||||||||
008 261011s2022 miu||||||m |||||||eng d
020 $a 9798381183283
035 $a (MiAaPQD)AAI31030070
035 $a (MiAaPQD)httphdlhandlenet2142115398
035 $a AAI31030070
040 $a MiAaPQD $b eng $c MiAaPQD $e rda
100 1 $a Park, Mindy Hyunsoo, $e author. $3 3819054
245 1 0 $a String Teaching for Enabling Creative Agency: Exploring Teachers' Values, Experiences, and Practices / $c Mindy Hyunsoo Park.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2022
300 $a 1 electronic resource (274 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 85-07, Section: A.
500 $a Advisors: Gallo, Donna Committee members: Barrett, Janet Revell; Kruse, Adam; Fairbanks, Stephen.
502 $b Ph.D. $c University of Illinois at Urbana-Champaign $d 2022.
520 $a The purpose of this multiple case study (Thomas, 2016) was to explore the values, experiences, and practices of elementary and high school string teachers who actively facilitate creative musical making to enable the musical creative agency of students. The theoretical framework guiding this study was based on Hill's (2018) implications for increasing the creative agency of students by overcoming inhibitors of musical creativity, which highlight the need for using enabling strategies to overcome restrictors of creativity in our music teaching practices. Students exhibit creative agency when they are given "permission and authority to make one's own decisions determining musical sound and meaning" (Hill, p. 4), encompassing personal expression and the freedom to take creative risks.The participants included three public school string educators who were selected through intensity sampling (Patton, 2002) and predetermined criteria. Data generation methods included semi-structured interviews, teaching observations and field notes, analytic memos, and video elicitation interviews. The data were analyzed by conducting initial within-case analyses (Thomas, 2016) of each participant, providing detailed descriptions and themes within each case, and followed by a cross-case analysis and discussion (Yin, 2009; Thomas, 2016).The findings revealed that the string teachers' past and present musical experiences informed their values and teaching practices for musical creativity. They actively facilitated creative music making opportunities through a variety of teaching strategies that were highly dependent on their students' musicianship and experiences. They promoted more creative risk taking by having students leading their own learning, and validating their students' work, which enabled the creative agency of their students. Each teacher provided suggestions and resources for novice teachers and other music educators who were interested in integrating more creative experiences in their own classrooms.While each participant had unique musical experiences and pedagogical values that informed their teaching practice, they demonstrated how creative music making opportunities motivated their students to be confident musicians who were excited to explore their own musical ideas and decisions. Implications of this study include strategies and practical suggestions for music educators who want to facilitate creative music making in their classrooms, ideas for re-envisioning music teacher education programs to help prepare preservice teachers for teaching with creative experiences, and recommendations for future music education research.
546 $a English
590 $a School code: 0090
650 4 $a Music. $3 516178
650 4 $a Music education. $3 3168367
650 4 $a Pedagogy. $3 2122828
650 4 $a Musical composition. $3 3289630
653 $a Musical creativity
653 $a Sociocultural creativity
653 $a Strings
653 $a String education
653 $a Creative agency
653 $a Teaching practices
653 $a Eclectic styles
653 $a Alternative styles
653 $a Teachers
653 $a Values
653 $a Experiences
653 $a Agency
653 $a Violin
653 $a Viola
653 $a Cello
653 $a Double bass
653 $a Orchestra
653 $a Instrumental music education
653 $a Large ensembles
653 $a Music technology
653 $a Electric strings
653 $a Improvisation
653 $a Composition
653 $a Creativity
653 $a Music teacher education
653 $a Preservice music teacher
653 $a Music teacher
653 $a K-12 music education
690 $a 0522
690 $a 0413
690 $a 0456
690 $a 0214
710 2 $a University of Illinois at Urbana-Champaign. $b Music. $e degree granting institution. $3 3819055
720 1 $a Gallo, Donna $e degree supervisor.
773 0 $t Dissertations Abstracts International $g 85-07A.
790 $a 0090
791 $a Ph.D.
792 $a 2022
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31030070