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Mood and trope = the rhetoric and po...

Brenkman, John.

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Mood and trope = the rhetoric and poetics of affect /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Mood and trope/ John Brenkman.
Reminder of title:	the rhetoric and poetics of affect /
Author:	Brenkman, John.
Published:	Chicago, IL :University of Chicago Press, : c2020.,
Description:	1 online resource :ill.
[NT 15003449]:	Frontmatter -- Contents -- Introduction -- PART I. The Poetics of Affect -- PART II. Feeling and the Vocation of Criticism -- Acknowledgments -- Notes -- Index.
Subject:	Emotions in literature. -
Online resource:	https://www.degruyterbrill.com/isbn/9780226673431
ISBN:	9780226673431

Mood and trope = the rhetoric and poetics of affect /
Brenkman, John.

Mood and tropethe rhetoric and poetics of affect /[electronic resource] :John Brenkman. - 1st ed. - Chicago, IL :University of Chicago Press,c2020. - 1 online resource :ill.

Includes bibliographical references and index.

Frontmatter -- Contents -- Introduction -- PART I. The Poetics of Affect -- PART II. Feeling and the Vocation of Criticism -- Acknowledgments -- Notes -- Index.

"John Brenkman's book addresses fundamental questions in modern aesthetics by folding the recent "affective turn" in critical theory back toward the "linguistic turn," against which it is usually opposed. His aim is to re-ground affect theory on the reflections of major modern philosophers (particularly Kant, Nietzsche, Heidegger, and Deleuze) about sensation, feeling, emotion, mood, passion, and attunement, and to test those reflections through specific poetic works. Affect, Brenkman argues, can be studied with some precision in poetry because it resides there not in speaking about feelings but in the very speaking and way of speaking. Brenkman confronts Kant, Nietzsche, Heidegger, and Deleuze with an intentionally heterogeneous set of authors and artists, including Pinter and Poe, Baudelaire and Li-Young Lee, Shakespeare, Tino Sehgal and Rineke Dijkstra, Francis Bacon, and Percy Bysshe Shelley and Jorie Graham. The book ultimately has much to tell us about the vocation of criticism. Criticism, Brenkman, is incapable of systematicity but must instead be attuned to the singularity and plurality of literary and artistic creations. For criticism today, "What is art?" is a less pressing question than "What does this work do?" and "What do these works do?""--

Mode of access: Internet via World Wide Web.

In English.

ISBN: 9780226673431

Standard No.: 10.7208/9780226673431doiSubjects--Topical Terms:

618489
Emotions in literature.

LC Class. No.: PN56.E6 / B74 2020

Dewey Class. No.: 809/.93353

Mood and trope = the rhetoric and poetics of affect /
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245 1 0 $a Mood and trope $h [electronic resource] : $b the rhetoric and poetics of affect / $c John Brenkman.
250 $a 1st ed.
260 $a Chicago, IL : $b University of Chicago Press, $c c2020.
300 $a 1 online resource : $b ill.
504 $a Includes bibliographical references and index.
505 0 $a Frontmatter -- Contents -- Introduction -- PART I. The Poetics of Affect -- PART II. Feeling and the Vocation of Criticism -- Acknowledgments -- Notes -- Index.
520 $a "John Brenkman's book addresses fundamental questions in modern aesthetics by folding the recent "affective turn" in critical theory back toward the "linguistic turn," against which it is usually opposed. His aim is to re-ground affect theory on the reflections of major modern philosophers (particularly Kant, Nietzsche, Heidegger, and Deleuze) about sensation, feeling, emotion, mood, passion, and attunement, and to test those reflections through specific poetic works. Affect, Brenkman argues, can be studied with some precision in poetry because it resides there not in speaking about feelings but in the very speaking and way of speaking. Brenkman confronts Kant, Nietzsche, Heidegger, and Deleuze with an intentionally heterogeneous set of authors and artists, including Pinter and Poe, Baudelaire and Li-Young Lee, Shakespeare, Tino Sehgal and Rineke Dijkstra, Francis Bacon, and Percy Bysshe Shelley and Jorie Graham. The book ultimately has much to tell us about the vocation of criticism. Criticism, Brenkman, is incapable of systematicity but must instead be attuned to the singularity and plurality of literary and artistic creations. For criticism today, "What is art?" is a less pressing question than "What does this work do?" and "What do these works do?""-- $c Provided by publisher.
538 $a Mode of access: Internet via World Wide Web.
546 $a In English.
588 $a Description based on online resource; title from PDF title page (publisher's Web site, viewed September 18 2025)
650 0 $a Emotions in literature. $3 618489
650 0 $a Affect (Psychology) in literature. $3 3227364
856 4 0 $u https://www.degruyterbrill.com/isbn/9780226673431