東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ null ]

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Mood and trope = the rhetoric and poetics of affect /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Mood and trope/ John Brenkman.
其他題名:	the rhetoric and poetics of affect /
作者:	Brenkman, John.
出版者:	Chicago, IL :University of Chicago Press, : c2020.,
面頁冊數:	1 online resource :ill.
內容註:	Frontmatter -- Contents -- Introduction -- PART I. The Poetics of Affect -- PART II. Feeling and the Vocation of Criticism -- Acknowledgments -- Notes -- Index.
標題:	Emotions in literature. -
電子資源:	https://www.degruyterbrill.com/isbn/9780226673431
ISBN:	9780226673431

Mood and trope = the rhetoric and poetics of affect /
Brenkman, John.

Mood and tropethe rhetoric and poetics of affect /[electronic resource] :John Brenkman. - 1st ed. - Chicago, IL :University of Chicago Press,c2020. - 1 online resource :ill.

Includes bibliographical references and index.

Frontmatter -- Contents -- Introduction -- PART I. The Poetics of Affect -- PART II. Feeling and the Vocation of Criticism -- Acknowledgments -- Notes -- Index.

"John Brenkman's book addresses fundamental questions in modern aesthetics by folding the recent "affective turn" in critical theory back toward the "linguistic turn," against which it is usually opposed. His aim is to re-ground affect theory on the reflections of major modern philosophers (particularly Kant, Nietzsche, Heidegger, and Deleuze) about sensation, feeling, emotion, mood, passion, and attunement, and to test those reflections through specific poetic works. Affect, Brenkman argues, can be studied with some precision in poetry because it resides there not in speaking about feelings but in the very speaking and way of speaking. Brenkman confronts Kant, Nietzsche, Heidegger, and Deleuze with an intentionally heterogeneous set of authors and artists, including Pinter and Poe, Baudelaire and Li-Young Lee, Shakespeare, Tino Sehgal and Rineke Dijkstra, Francis Bacon, and Percy Bysshe Shelley and Jorie Graham. The book ultimately has much to tell us about the vocation of criticism. Criticism, Brenkman, is incapable of systematicity but must instead be attuned to the singularity and plurality of literary and artistic creations. For criticism today, "What is art?" is a less pressing question than "What does this work do?" and "What do these works do?""--

Mode of access: Internet via World Wide Web.

In English.

ISBN: 9780226673431

Standard No.: 10.7208/9780226673431doiSubjects--Topical Terms:

618489
Emotions in literature.

LC Class. No.: PN56.E6 / B74 2020

Dewey Class. No.: 809/.93353

Mood and trope = the rhetoric and poetics of affect /
LDR:02698cmm a2200361 a 4500 001 2416533
003 DE-B1597
005 20251017072503.0
006 m o d
007 cr cnu---unuuu
008 260303s2020 ilua ob 001 0 eng d
020 $a 9780226673431 $q (electronic bk.)
020 $a 022667343X $q (electronic bk.)
020 $z 9780226673264 $q (paperback)
020 $z 022667326X $q (paperback)
020 $z 9780226673127 $q (hardcover)
020 $z 022667312X $q (hardcover)
024 7 $a 10.7208/9780226673431 $2 doi
035 $a 9780226673431
040 $a DE-B1597 $b eng $c DE-B1597
041 0 $a eng
050 0 0 $a PN56.E6 $b B74 2020
082 0 0 $a 809/.93353 $2 23
100 1 $a Brenkman, John. $3 3795281
245 1 0 $a Mood and trope $h [electronic resource] : $b the rhetoric and poetics of affect / $c John Brenkman.
250 $a 1st ed.
260 $a Chicago, IL : $b University of Chicago Press, $c c2020.
300 $a 1 online resource : $b ill.
504 $a Includes bibliographical references and index.
505 0 $a Frontmatter -- Contents -- Introduction -- PART I. The Poetics of Affect -- PART II. Feeling and the Vocation of Criticism -- Acknowledgments -- Notes -- Index.
520 $a "John Brenkman's book addresses fundamental questions in modern aesthetics by folding the recent "affective turn" in critical theory back toward the "linguistic turn," against which it is usually opposed. His aim is to re-ground affect theory on the reflections of major modern philosophers (particularly Kant, Nietzsche, Heidegger, and Deleuze) about sensation, feeling, emotion, mood, passion, and attunement, and to test those reflections through specific poetic works. Affect, Brenkman argues, can be studied with some precision in poetry because it resides there not in speaking about feelings but in the very speaking and way of speaking. Brenkman confronts Kant, Nietzsche, Heidegger, and Deleuze with an intentionally heterogeneous set of authors and artists, including Pinter and Poe, Baudelaire and Li-Young Lee, Shakespeare, Tino Sehgal and Rineke Dijkstra, Francis Bacon, and Percy Bysshe Shelley and Jorie Graham. The book ultimately has much to tell us about the vocation of criticism. Criticism, Brenkman, is incapable of systematicity but must instead be attuned to the singularity and plurality of literary and artistic creations. For criticism today, "What is art?" is a less pressing question than "What does this work do?" and "What do these works do?""-- $c Provided by publisher.
538 $a Mode of access: Internet via World Wide Web.
546 $a In English.
588 $a Description based on online resource; title from PDF title page (publisher's Web site, viewed September 18 2025)
650 0 $a Emotions in literature. $3 618489
650 0 $a Affect (Psychology) in literature. $3 3227364
856 4 0 $u https://www.degruyterbrill.com/isbn/9780226673431