東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ null ]

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

The werewolf in Medieval romance

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The werewolf in Medieval romance / by Renée Ward.
作者:	Ward, Renée.
出版者:	New York :Palgrave Macmillan US : : 2025.,
面頁冊數:	xv, 264 p. :ill., digital ;24 cm.
內容註:	1. Introduction -- Part I: Knightly Assemblages -- 2. Guillaume de Palerne -- 3. Bisclavret -- Part II: Arthur and the Werewolf -- 4. Arthur and Gorlagon -- 5. Melion -- Part III: Adapting and Politicizing the Werewolf -- 6. William of Palerne -- 7. Biclarel.
Contained By:	Springer Nature eBook
標題:	Fiction, Medieval - History and criticism. -
電子資源:	https://link.springer.com/openurl.asp?genre=book&isbn=978-1-137-49624-9
ISBN:	9781137496249

The werewolf in Medieval romance
Ward, Renée.

The werewolf in Medieval romance [electronic resource] /by Renée Ward. - New York :Palgrave Macmillan US :2025. - xv, 264 p. :ill., digital ;24 cm. - New Middle Ages,2945-5944. - New Middle Ages..

1. Introduction -- Part I: Knightly Assemblages -- 2. Guillaume de Palerne -- 3. Bisclavret -- Part II: Arthur and the Werewolf -- 4. Arthur and Gorlagon -- 5. Melion -- Part III: Adapting and Politicizing the Werewolf -- 6. William of Palerne -- 7. Biclarel.

The Werewolf in Medieval Romance argues that in Guillaume de Palerne, Bisclavret, Arthur and Gorlagon, Melion, William of Palerne, and Biclarel the werewolf's identity incorporates a variety of assemblages, including human and animal bodies, and physical spaces and the animate and inanimate beings or objects therein. Whether in lupine or human form, the werewolf's identity is a perpetual becoming, one with extensive queer, and thus disruptive, potential. Additionally, the werewolf's identity incorporates political systems and violence, specifically through his status as a knight, prince, and/or king. He is an expression of sovereign power and an extension of the identity the sovereign presents, often functioning as a blunt instrument of the crown. Renée Ward is a Senior Lecturer of Medieval Literature in the School of Humanities and Heritage at the University of Lincoln, UK. She co-edited The Arthurian World (Routledge) and also co-edits The Year's Work in Medievalism, the journal of the International Society for the Study of Medievalism.

ISBN: 9781137496249

Standard No.: 10.1057/978-1-137-49624-9doiSubjects--Topical Terms:

3791843
Fiction, Medieval
--History and criticism.

LC Class. No.: PN692

Dewey Class. No.: 809.3

The werewolf in Medieval romance
LDR:02348nmm a2200337 a 4500 001 2414879
003 DE-He213
005 20250926130457.0
006 m d
007 cr nn 008maaau
008 260205s2025 nyu s 0 eng d
020 $a 9781137496249 $q (electronic bk.)
020 $a 9781137501547 $q (paper)
024 7 $a 10.1057/978-1-137-49624-9 $2 doi
035 $a 978-1-137-49624-9
040 $a GP $c GP
041 0 $a eng
050 4 $a PN692
072 7 $a DSA $2 bicssc
072 7 $a LIT006000 $2 bisacsh
072 7 $a DSA $2 thema
082 0 4 $a 809.3 $2 23
090 $a PN692 $b .W262 2025
100 1 $a Ward, Renée. $3 3791842
245 1 4 $a The werewolf in Medieval romance $h [electronic resource] / $c by Renée Ward.
260 $a New York : $b Palgrave Macmillan US : $b Imprint: Palgrave Macmillan, $c 2025.
300 $a xv, 264 p. : $b ill., digital ; $c 24 cm.
490 1 $a New Middle Ages, $x 2945-5944
505 0 $a 1. Introduction -- Part I: Knightly Assemblages -- 2. Guillaume de Palerne -- 3. Bisclavret -- Part II: Arthur and the Werewolf -- 4. Arthur and Gorlagon -- 5. Melion -- Part III: Adapting and Politicizing the Werewolf -- 6. William of Palerne -- 7. Biclarel.
520 $a The Werewolf in Medieval Romance argues that in Guillaume de Palerne, Bisclavret, Arthur and Gorlagon, Melion, William of Palerne, and Biclarel the werewolf's identity incorporates a variety of assemblages, including human and animal bodies, and physical spaces and the animate and inanimate beings or objects therein. Whether in lupine or human form, the werewolf's identity is a perpetual becoming, one with extensive queer, and thus disruptive, potential. Additionally, the werewolf's identity incorporates political systems and violence, specifically through his status as a knight, prince, and/or king. He is an expression of sovereign power and an extension of the identity the sovereign presents, often functioning as a blunt instrument of the crown. Renée Ward is a Senior Lecturer of Medieval Literature in the School of Humanities and Heritage at the University of Lincoln, UK. She co-edited The Arthurian World (Routledge) and also co-edits The Year's Work in Medievalism, the journal of the International Society for the Study of Medievalism.
650 0 $a Fiction, Medieval $x History and criticism. $3 3791843
650 0 $a Werewolves in literature. $3 3791844
650 0 $a Romances $x History and criticism. $3 595281
650 1 4 $a Literary Theory. $3 2182071
650 2 4 $a Cultural Theory. $3 2191713
650 2 4 $a European Literature. $3 2182348
650 2 4 $a Medieval Literature. $3 2181921
650 2 4 $a History of Medieval Europe. $3 2181920
650 2 4 $a Literary History. $3 2181925
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a New Middle Ages. $3 1246149
856 4 0 $u https://link.springer.com/openurl.asp?genre=book&isbn=978-1-137-49624-9
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)