語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
到查詢結果
[ null ]
切換:
標籤
|
MARC模式
|
ISBD
Luke the Liturgist: The Lukan Cantic...
~
Covarelli, Jordan.
FindBook
Google Book
Amazon
博客來
Luke the Liturgist: The Lukan Canticles and Communal Identity Formation.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Luke the Liturgist: The Lukan Canticles and Communal Identity Formation./
作者:
Covarelli, Jordan.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2024,
面頁冊數:
335 p.
附註:
Source: Dissertations Abstracts International, Volume: 85-10, Section: A.
Contained By:
Dissertations Abstracts International85-10A.
標題:
Biblical studies. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31239952
ISBN:
9798382310367
Luke the Liturgist: The Lukan Canticles and Communal Identity Formation.
Covarelli, Jordan.
Luke the Liturgist: The Lukan Canticles and Communal Identity Formation.
- Ann Arbor : ProQuest Dissertations & Theses, 2024 - 335 p.
Source: Dissertations Abstracts International, Volume: 85-10, Section: A.
Thesis (D.Phil.)--Southwestern Baptist Theological Seminary, 2024.
This dissertation argues that the four hymnic texts commonly called the Lukan canticles were hymns sung by Luke's first-century audience, contained elements of both Hebrew psalmody and Greek poetry, and served as models and phenomenological experiences to help shape a new united communal identity for Jesus followers of both Jewish and Gentile backgrounds. Taking an interdisciplinary approach, I use the lens of biblical performance criticism to engage biblical studies, early Christian history, worship studies, classics, and musicology in dialogue. This project builds upon the foundation of recent work of Brian Wright to demonstrate the ubiquity of communal reading in the first-century Roman world and upon the work of Matthew Gordley to show the Lukan canticles were received as hymns in the first century. I then demonstrate how each of the Lukan canticles possess hymnic features similar to the biblical psalter, contemporary Second Temple psalmody, and Greek epic poetry. In particular, Zechariah's song (the Benedictus) features six lines that fit in Greek hexameter, and the Angel's song (the Gloria) features an intriguing pattern of dactylic trimeter. Next, the project adapts the work of Terry Giles and William Doan to consider the Lukan canticles as inset hymns or twice-used songs. Then the project follows prior projects of biblical performance criticism to bring the ancient songs written and sung under the tyranny of Rome in dialogue with scholarly research on twentieth-century guitar poems sung in the USSR, especially the work of Rachel Platonov. Then, drawing upon the work of Nicholas Cook and Jeremy Begbie, I argue for the meaning-making role the musical elements play in the experience of musical works including the Lukan canticles. Finally, I propose a historically and socio-culturally informed understanding of the phenomenological experience the Lukan canticles had upon their first-century audiences of Jesus followers. Specifically, the songs of combined Jewish and Greek idioms offer a means of worship that incorporates the creative elements of various backgrounds and models for the communities a unity from divergent backgrounds. In other words, the Lukan canticles provide a liturgical model of something akin to the Pauline "One New Man.".
ISBN: 9798382310367Subjects--Topical Terms:
2122820
Biblical studies.
Subjects--Index Terms:
Biblical performance criticism
Luke the Liturgist: The Lukan Canticles and Communal Identity Formation.
LDR
:03489nmm a2200397 4500
001
2403147
005
20241104085624.5
006
m o d
007
cr#unu||||||||
008
251215s2024 ||||||||||||||||| ||eng d
020
$a
9798382310367
035
$a
(MiAaPQ)AAI31239952
035
$a
AAI31239952
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Covarelli, Jordan.
$3
3773411
245
1 0
$a
Luke the Liturgist: The Lukan Canticles and Communal Identity Formation.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2024
300
$a
335 p.
500
$a
Source: Dissertations Abstracts International, Volume: 85-10, Section: A.
500
$a
Advisor: Streett, Andrew D.
502
$a
Thesis (D.Phil.)--Southwestern Baptist Theological Seminary, 2024.
520
$a
This dissertation argues that the four hymnic texts commonly called the Lukan canticles were hymns sung by Luke's first-century audience, contained elements of both Hebrew psalmody and Greek poetry, and served as models and phenomenological experiences to help shape a new united communal identity for Jesus followers of both Jewish and Gentile backgrounds. Taking an interdisciplinary approach, I use the lens of biblical performance criticism to engage biblical studies, early Christian history, worship studies, classics, and musicology in dialogue. This project builds upon the foundation of recent work of Brian Wright to demonstrate the ubiquity of communal reading in the first-century Roman world and upon the work of Matthew Gordley to show the Lukan canticles were received as hymns in the first century. I then demonstrate how each of the Lukan canticles possess hymnic features similar to the biblical psalter, contemporary Second Temple psalmody, and Greek epic poetry. In particular, Zechariah's song (the Benedictus) features six lines that fit in Greek hexameter, and the Angel's song (the Gloria) features an intriguing pattern of dactylic trimeter. Next, the project adapts the work of Terry Giles and William Doan to consider the Lukan canticles as inset hymns or twice-used songs. Then the project follows prior projects of biblical performance criticism to bring the ancient songs written and sung under the tyranny of Rome in dialogue with scholarly research on twentieth-century guitar poems sung in the USSR, especially the work of Rachel Platonov. Then, drawing upon the work of Nicholas Cook and Jeremy Begbie, I argue for the meaning-making role the musical elements play in the experience of musical works including the Lukan canticles. Finally, I propose a historically and socio-culturally informed understanding of the phenomenological experience the Lukan canticles had upon their first-century audiences of Jesus followers. Specifically, the songs of combined Jewish and Greek idioms offer a means of worship that incorporates the creative elements of various backgrounds and models for the communities a unity from divergent backgrounds. In other words, the Lukan canticles provide a liturgical model of something akin to the Pauline "One New Man.".
590
$a
School code: 0345.
650
4
$a
Biblical studies.
$3
2122820
650
4
$a
Theology.
$3
516533
650
4
$a
Music.
$3
516178
653
$a
Biblical performance criticism
653
$a
Early Christian hymns
653
$a
Greek poetry
653
$a
Jewish hymns
653
$a
Lukan canticles
653
$a
Worship
690
$a
0321
690
$a
0469
690
$a
0413
710
2
$a
Southwestern Baptist Theological Seminary.
$b
Church Music and Worship.
$3
3773412
773
0
$t
Dissertations Abstracts International
$g
85-10A.
790
$a
0345
791
$a
D.Phil.
792
$a
2024
793
$a
English
856
4 0
$u
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31239952
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9511467
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入
(1)帳號:一般為「身分證號」;外籍生或交換生則為「學號」。 (2)密碼:預設為帳號末四碼。
帳號
.
密碼
.
請在此電腦上記得個人資料
取消
忘記密碼? (請注意!您必須已在系統登記E-mail信箱方能使用。)