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The Shahnameh's Alexander Romance an...

Acaron-Padilla, Eduardo Andres.

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The Shahnameh's Alexander Romance and Rashid Al-Din's Oghuznameh: A Study of Hybridity and Literary Reception.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Shahnameh's Alexander Romance and Rashid Al-Din's Oghuznameh: A Study of Hybridity and Literary Reception./
Author:	Acaron-Padilla, Eduardo Andres.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
Description:	175 p.
Notes:	Source: Masters Abstracts International, Volume: 85-07.
Contained By:	Masters Abstracts International85-07.
Subject:	Middle Eastern literature. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30818210
ISBN:	9798381381177

The Shahnameh's Alexander Romance and Rashid Al-Din's Oghuznameh: A Study of Hybridity and Literary Reception.
Acaron-Padilla, Eduardo Andres.

The Shahnameh's Alexander Romance and Rashid Al-Din's Oghuznameh: A Study of Hybridity and Literary Reception. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 175 p.

Source: Masters Abstracts International, Volume: 85-07.

Thesis (M.A.)--Indiana University, 2023.

This thesis argues that Rashid al-Din, the fourteenth-century Ilkhanid polymath was reading Firdawsi's eleventh-century Persian epic, the Shahnameh, and was using the Shahnameh in his composition of the Oghuznameh. Firdawsi's work served as a model for depicting transformation and change in Rashid al-Din's efforts to create a narrative that transcended its immediate temporal or geographic circumstances. I understand the Oghuznameh as a "radical revision" of Firdawsi's Alexander Romance, applying Su Fang Ng's analysis of the hybridity of the Alexander Romance as a text that could transform itself and has been transformed as a result of intercultural contacts.{A0}{A0}The Oghuznameh as well as the Shahnameh, place pre-Islamic Turkic, Mongol, and Iranian histories and myths in conversation with their Islamic counterparts through the prominence of symbols. In our case, these symbols are the protagonists, or heroes, of these narratives, Iskandar (Alexander) and Oghuz Khan. Much like the works themselves, the heroes tread the border between fiction and history and become embodiments of a fascinating dynamic between past and present.{A0}In my work, I use a mixture of close reading and analysis of literary and historical sources (both edited sources and manuscripts), translations, and brief analyses of paintings in illustrated manuscripts. A translation of the Oghuznameh based on the Persian edition and a British Library manuscript is appended to the thesis.{A0}

ISBN: 9798381381177Subjects--Topical Terms:

3175907
Middle Eastern literature.
Subjects--Index Terms:

Alexander Romance

The Shahnameh's Alexander Romance and Rashid Al-Din's Oghuznameh: A Study of Hybridity and Literary Reception.
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300 $a 175 p.
500 $a Source: Masters Abstracts International, Volume: 85-07.
500 $a Advisor: Losensky, Paul E.
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520 $a This thesis argues that Rashid al-Din, the fourteenth-century Ilkhanid polymath was reading Firdawsi's eleventh-century Persian epic, the Shahnameh, and was using the Shahnameh in his composition of the Oghuznameh. Firdawsi's work served as a model for depicting transformation and change in Rashid al-Din's efforts to create a narrative that transcended its immediate temporal or geographic circumstances. I understand the Oghuznameh as a "radical revision" of Firdawsi's Alexander Romance, applying Su Fang Ng's analysis of the hybridity of the Alexander Romance as a text that could transform itself and has been transformed as a result of intercultural contacts.{A0}{A0}The Oghuznameh as well as the Shahnameh, place pre-Islamic Turkic, Mongol, and Iranian histories and myths in conversation with their Islamic counterparts through the prominence of symbols. In our case, these symbols are the protagonists, or heroes, of these narratives, Iskandar (Alexander) and Oghuz Khan. Much like the works themselves, the heroes tread the border between fiction and history and become embodiments of a fascinating dynamic between past and present.{A0}In my work, I use a mixture of close reading and analysis of literary and historical sources (both edited sources and manuscripts), translations, and brief analyses of paintings in illustrated manuscripts. A translation of the Oghuznameh based on the Persian edition and a British Library manuscript is appended to the thesis.{A0}
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653 $a Persian literature
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